While on KobraÕs trail, the Outsiders cross paths with former leader Batman in ÒThe Skull...the Serpent...and the Outsiders.Ó

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The Justice League is a bunch of pushovers. The Teen Titans are just kids. When the DC Universe calls for a more...aggressive approach, they call Nightwing, Arsenal and company: the Outsiders. A renegade Superman Robot goes on the rampage, and a long-standing member of the Teen Titans dies. Stricken with grief, old allies Nightwing and Arsenal decide that enough is enough: a more proactive approach to justice isnÕt just neededÑitÕs necessary. This title collects TITANS/YOUNG JUSTICE: GRADUATION DAY #1-3, TEEN TITANS/OUTSIDERS SECRET FILES #1 and OUTSIDERS #1-7.

The continuation of the classic saga that takes the Dark Knight outside all expectations is collected in BATMAN AND THE OUTSIDERS VOL. 2! Batman and the Outsiders—Katana, Black Lightning, Metamorpho, Geo-Force and Halo—travel the world… A team divided! When Batman discovers Halo’s identity, she must leave the Outsiders to reclaim a life she can’t remember. Little does Halo know that unknown horrors await her homecoming as her shocking origin is revealed! Still reeling from Halo’s departure, the Outsiders travel to Egypt to resurrect the fallen Metamorpho. Accidentally transported back to ancient times, the Outsiders confront an evil priest bent on using Metamorpho to change the course of history! It is up to Batman and the others to protect the past, but at what cost? From author Mike W. Barr (BATMAN: SON OF THE DEMON), Jim Aparo (BATMAN: A DEATH IN THE FAMILY) and Alan Davis (JUSTICE LEAGUE OF AMERICA: THE NAIL) comes BATMAN AND THE OUTSIDERS VOL. 2. Collects BATMAN AND THE OUTSIDERS ANNUAL #1 and BATMAN AND THE OUTSIDERS #14-23.

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Narrative strategies for vast fictional worlds across a variety of media, from World of Warcraft to The Wire. The ever-expanding capacities of computing offer new narrative possibilities for virtual worlds. Yet vast narratives—featuring an ongoing and intricately developed storyline, many characters, and multiple settings—did not originate with, and are not limited to, Massively Multiplayer Online Games. Thomas Mann's Joseph and His Brothers, J. R. R. Tolkien's Lord of the Rings, Marvel's Spiderman, and the complex stories of such television shows as Dr. Who, The Sopranos, and Lost all present vast fictional worlds. Third Person explores strategies of vast narrative across a variety of media, including video games, television, literature, comic books, tabletop games, and digital art. The contributors—media and television scholars, novelists, comic creators, game designers, and others—investigate such issues as continuity, canonicity, interactivity, fan fiction, technological innovation, and cross-media phenomena. Chapters examine a range of topics, including storytelling in a multiplayer environment; narrative techniques for a 3,000,000-page novel; continuity (or the impossibility of it) in Doctor Who; managing multiple intertwined narratives in superhero comics; the spatial experience of the Final Fantasy role-playing games; World of Warcraft adventure texts created by designers and fans; and the serial storytelling of The Wire. Taken together, the multidisciplinary conversations in Third Person, along with Harrigan and Wardrip-Fruin's earlier collections First Person and Second Person, offer essential insights into how fictions are constructed and maintained in very different forms of media at the beginning of the twenty-first century.