Designing with LibreOffice is not the usual death march through the menu and standard tasks. Instead, the book takes two fresh approaches to the world's most popular free office suite. First, it explains the importance of using styles and templates in order to use LibreOffice with the most convenience and the least effort. By taking advantage of styles and templates, you can concentrate on self-expression, rather than format. Later, as you edit, you can make changes more quickly and with more precision. Second, it explains the basics of modern design and how to apply them in LibreOffice, expanding on the open secret that LibreOffice is as much a desktop publishing application as an office suite. It explains and illustrates the possible choices as you design, as well as the pros, cons, and considerations behind each choice - and, in some cases, what you should avoid altogether.

Helps you establish a plan using multiple treatments, and then evaluate the various therapies, physicians, and programs available.

"A collection of literary criticism by one of the major Texas critics. The literature covered includes mainly Texas, the Southwest, and Latin America, from 1980 to 2015"--

The American poet John Shade is dead. His last poem, 'Pale Fire', is put into a book, together with a preface, a lengthy commentary and notes by Shade's editor, Charles Kinbote. Known on campus as the 'Great Beaver', Kinbote is haughty, inquisitive, intolerant, but is he also mad, bad - and even dangerous? As his wildly eccentric annotations slide into the personal and the fantastical, Kinbote reveals perhaps more than he should be. Nabokov's darkly witty, richly inventive masterpiece is a suspenseful whodunit, a story of one-upmanship and dubious penmanship, and a glorious literary conundrum.

What do they all mean – the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be.