SPUR AWARD-WINNING AUTHOR ROD MILLEROUTLAWMAN: The Life and Times of Matt Warner Matt Warner was an outlaw. And a lawman. In a word, an outlawman. Once among the most notorious bandits in the Old West, riding with Butch Cassidy and other famous outlaws, Warner was wanted for crimes across the Southwest, the Northwest, and the Mountain West. After serving time on overblown charges following a shootout, Warner changed his prison stripes for a badge and served as a town marshal, justice of the peace, and deputy sheriff. Whether wearing a black hat, a white hat, or some shade of gray, Warner outlived the Old West but never abandoned its wild and wooly ways. Follow the trail through Brown’s Hole, Robbers Roost, and other outlaw enclaves as a mysterious old man tells the outlawman’s story in a rundown barroom once owned by Matt Warner himself.

SALVATION [sal-vey-shuhn] The act of saving or protecting from harm, risk, loss, destruction, etc. Redemption. Salvation: Lyric & Verse Anthology brings together an expansive collection of stories and reflections on a myriad of topics; from love and lost love, to hope, conflict, spirituality and philosophy. It ranges everywhere from a deeply personal introspection right through to a broad spectrum of social observation. The emotionally evocative tales are littered with truisms, sarcasm, symbolism and analogies, while keeping the reader engaged and intrigued. Lyricist David Cocklin maintains a great variety in his tone, inflection, and subject matter all through the whole collection, so it never feels like the monotonous exercise of a single voice, and never sacrifices the integrity of the thought to the rhyme. His observations, their insights, the color and nuance, and his sheer creativity of expression is fully deployed.

The Eagles are the bestselling, and arguably the tightest-lipped, American group ever. Now band member and guitarist Don Felder finally breaks the Eagles’ years of public silence to take fans behind the scenes. He shares every part of the band’s wild ride, from the pressure-packed recording studios and trashed hotel rooms to the tension-filled courtrooms, and from the joy of writing powerful new songs to the magic of performing in huge arenas packed with roaring fans.

The Dirty South examines the shifting significances of the South as a constructed, fantasized region in the American psyche, particularly its frequent association with tropes of dirt that emphasize soil, garbage, trash, grit, litter, mud, swamp water, slime, and pollution. Beginning with iconic works from the 1970s such as Deliverance and The Texas Chainsaw Massacre, James A. Crank traces the image of a “dirty” South into the twenty-first century to explore the social, political, and psychological effects of the region’s hold on the imaginations of southerners and nonsoutherners alike. With a focus on media forms through which southern identity gets articulated and questioned—including horror movies, Swamp Thing comics, and popular music by artists such as Waylon Jennings and OutKast—The Dirty South probes the sustained fascination with southern dirtiness while reflecting on its causes and consequences since the end of the civil rights era. Highlighting the period from 1970 to 2020, during which the South began to represent several new possible identities for the nation as a whole and for the area itself, Crank considers the ways that southerners have used depictions of dirt to create and police boundaries and to contest those boundaries. Each chapter pairs prominent literary or cultural texts from the 1970s with more contemporary works, such as Jordan Peele’s film Get Out, which recycle similar investments or, critically, challenge the inherent whiteness of the earlier images. By historicizing fantasies of the region and connecting them to the first decades of the twenty-first century, The Dirty South reveals that notions about southern dirtiness proliferate not because they lend authenticity or relevancy to the U.S. South, but because they aid so conspicuously in the zombified work of tethering investors (real and imagined) to a graveyard of ideas.

SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio.

Chronicles the life of Claude Dallas, a loner who lived off the land, from the time he killed two game wardens through the two years of his capture, trial, and sentencing