Utagawa Kuniyoshi produced thousands of prints and designs during his lifetime, but is perhaps best-known for his musha-e ('warrior prints'), with which he came to prominence in 1830. 'Outlaw Swords of Death' collects over 160 of Kuniyoshi's most striking and innovative early musha-e designs, presented in large format and full-colour throughout.

When a squire's body is found hanging from a tree, Templar Bascot de Marins is given the task of unearthing the truth before an unprecedented meeting of kings at Lincoln Castle.

Utagawa Kuniyoshi (1797-1861) is regarded as one of the true masters of ukiyo-e, the populist art of Edo-period Japan. Kuniyoshi produced thousands of prints and designs during his lifetime, but is perhaps best-known for his musha-e ("warrior prints"), which propelled him to prominence around 1827-1830. Kuniyoshi's series 108 Heroes Of The Suikoden was revolutionary in its dynamics, colour and visual violence, establishing the delirious, almost proto-psychedelic style with which the artist would recreate archetypal heroes, outlaws and renegades from Japanese history and legend over the ensuing decades.OUTLAW DEATH SWORDS collects the entire 74-picture 108 Heroes series, plus Kuniyoshi's equally vivid and complex 30-picture 800 Heroes Of Our Country's Suikoden (Honchô Suikoden gôyû happyaku-nin no hitori, 1830-1836); taken together, the 104 portrait images of warriors, heroes and anti-heroes in OUTLAW DEATH SWORDS comprise a stunning selection of the art and imagination of an unsurpassed 19th century master as applied to the dazzling, hyper-kinetic and often violent genre in which he remains unsurpassed.

Here is a story that has lain dormant for seven hundred years. At first it was suppressed by one of the Plantagenet kings of England. Later it was forgotten. I happened to dig it up by accident. The accident being the relationship of my wife's cousin to a certain Father Superior in a very ancient monastery in Europe. He let me pry about among a quantity of mildewed and musty manuscripts and I came across this. It is very interesting -- partially since it is a bit of hitherto unrecorded history, but principally from the fact that it records the story of a most remarkable revenge and the adventurous life of its innocent victim -- Richard, the lost prince of England. In the retelling of it I have left out most of the history. What interested me was the unique character about whom the tale revolves -- the visored horseman who -- but let us wait until we get to him. It all happened in the thirteenth century, and while it was happening it shook England from north to south and from east to west; and reached across the channel and shook France...

A reimagination of the legend of Robin Hood.