"Mournful, insightful, and mystical...Mosley's best work of fiction." —Elle New York Times bestselling author Walter Mosley introduces us to Socrates Fortlow, an "astonishing character" (Los Angeles Times Book Review) in this acclaimed collection of linked stories. "I either committed a crime or had a crime done to me every day I was in jail. Once you go to prison you belong there." Socrates Fortlow has done his time: twenty-seven years for murder and rape, acts forged by his own two rock-breaking hands. Now, he has come home to a new kind of prison: two battered rooms in an abandoned building in Watts. Working a dead-end job at the supermarket and moving perilously close to invisibility, Socrates seeks inner truth and redemption amid the violence and hopelessness of South Central Los Angeles. In fourteen intertwining tales, Socrates grapples with situations that are never easy as he attempts to hold on to a job and offer a lifeline to a young man on his same bloodstained path. In Socrates's battle-scarred wisdom, there is hope of turning the world around in this "powerful, hard-hitting, unrelenting, poignant short fiction" (Booklist).

Outnumbered, Outgunned, Undeterred tells the remarkable true stories of 20 battles or campaigns in which a force overcame the odds to challenge, or triumph over, a stronger opposition. It presents historical examples from 1777 to the present day, analysing the tactics and courage that swung events in favour of the underdog. Each chapter is accompanied by a large illustration or photograph of the conflict in question, as well as a specially commissioned battle plan in two colours. Rob Johnson, a noted expert in the history of war, analyses each of the examples and shows, through vivid narratives and specially commissioned battle plans, how they provided inspiration both at the time and since proof that whatever the odds, fortune favours the brave.

A comprehensive guide to the principles that helped shape Moore's success both on and off the battlefield. They are strategies for the outnumbered, outgunned, and seemingly hopeless. They apply to any leader in any organization - business or military.

The definitive biography of Harold G. Moore, hero of the Vietnam War and author of the bestselling memoir of the battle at Ia Drang. Hal Moore, one of the most admired American combat leaders of the last fifty years, has until now been best known to the public for being portrayed by Mel Gibson in the movie We Were Soldiers. In this first-ever, fully illustrated biography, we finally learn the full story of one of America’s true military heroes. A 1945 graduate of West Point, Moore’s first combats occurred during the Korean War, where he fought in the battles of Old Baldy, T-Bone, and Pork Chop Hill. At the beginning of the Vietnam War, Moore commanded the 1st Battalion of the 7th Cavalry in the first full-fledged battle between US and North Vietnamese regulars. Drastically outnumbered and nearly overrun, Moore led from the front, and though losing seventy-nine soldiers, accounted for 1,200 of the enemy before the Communists withdrew. This Battle of Ia Drang pioneered the use of “air mobile infantry”—delivering troops into battle via helicopter—which became the staple of US operations for the remainder of the war. He later wrote of his experiences in the bestselling book We Were Soldiers Once . . . and Young. Following his tour in Vietnam, he assumed command of the 7th Infantry Division, forward-stationed in South Korea, and in 1971, he took command of the Army Training Center at Fort Ord, California. In this capacity, he oversaw the US Army’s transition from a conscript-based to an all-volunteer force. He retired as a lieutenant general in 1977. Hal Moore graciously allowed the author interviews and granted full access to his files and collection of letters, documents, and never-before-published photographs.

A backstage pass to the groundbreaking, hit musical Hamilton, winner of the 2016 Pulitzer Prize for Drama and Eleven Tony Awards, including Best Musical, including the award-winning libretto, behind-the-scenes photos and interviews, and exclusive footnotes from composer-lyricist-star Lin-Manuel Miranda, now streaming on Disney+ with the original cast. Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject, the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation. Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages -- "since before this was even a show," according to Miranda -- traces its development from an improbable performance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here. Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer, Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sondheim, leading political commentators, and more than 50 people involved with the production; and multiple appearances by President Obama himself. The book does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.

This book explores the transmedial nature of the storyworlds created by and/or affiliated with television auteur, writer, and filmmaker, Joss Whedon. As such, the book addresses the ways in which Whedon’s storyworlds, or ‘verses, employ transmedia, both intrinsically as texts and extrinsically as these texts are consumed and, in some cases, reworked, by audiences. This collection walks readers through fan and scholar-fan engagement, intrinsic textual transmediality, and Whedon’s lasting influence on televisual and transmedia texts. In closing, the editors argue for the need to continue research into how the Whedonverse(s) lend themselves to transmedial study, engage audiences in ways that take advantage of multiple media, and encourage textual internalization of these engagements within audiences.

“Powerful. . . . A candid, highly informative, and heartfelt tale of forgiveness between former fierce enemies in the Vietnam War.” —St. Petersburg Times The #1 New York Times bestseller We Were Soldiers Once . . . and Young brought to life one of the most pivotal and heartbreaking battles of the Vietnam War. In this powerful sequel, Lt. Gen Harold G. Moore and Joseph L. Galloway bring us up to date on the cadre of soldiers introduced in their first memoir. Returning to Vietnam’s Ia Drang Valley more than four decades after the battle, Moore and Galloway renew their relationships with ten American veterans of the fabled conflict—and with former adversaries—exploring how the war changed them all, as well as their two countries. We Are Soldiers Still is an emotional journey back to hallowed ground, putting a human face on warfare as the authors reflect on war’s devastating cost. The book includes an Introduction by Gen H. Norman Schwarzkopf.