In Troy, Ohio, there's Trojan football and then there's everything else. It's been that way as long as anyone can remember. But it's been more than a decade since Troy took home the state title. This season, they finally have a chance to end the drought. Brian Norwood is the son of a Trojan football legend. His father starred on the last championship team—an undefeated team. And it seems like every sacred Trojan tradition began with his dad. Now Brian is the starting tight end—a member of the team's inner circle. He's finally living up to his father's expectations. But being one of Troy's privileged few is not at all what Brian expected.

In Jamil Nasir's Tunnel Out of Death, Heath Ransom, former police psychic turned machine-enhanced "endovoyant" private investigator, is hired to find the consciousness of the rich and comatose Margaret Biel and return it to her body. Tracking her through the etheric world, he comes upon a strange and terrifying object that appears to be a tear in the very fabric of reality. He falls into it—and into an astonishing metaphysical shadow-play. For Margaret is a pawn in a war between secret, ruthless government agencies and a nonhuman entity known only as "Amphibian." Their battlefield is a multi-level reality unlike anything humankind has ever imagined. When Heath learns to move back and forth between two different versions of his life, and begins to realize that everyone around him may be a super-realistic android, that is only the beginning of a wholesale deconstruction of reality that threatens more than his sanity....

A NEW YORK TIMES EDITORS' CHOICE A FINALIST FOR THE NATIONAL JEWISH BOOK AWARD From the award-winning, internationally acclaimed Israeli author, a suspenseful and poignant story of a family coping with the sudden mental decline of their beloved husband and father--an engineer who they discover is involved in an ominous secret military project Until recently, Zvi Luria was a healthy man in his seventies, an engineer living in Tel Aviv with his wife, Dina, visiting with their two children whenever possible. Now he is showing signs of early dementia, and his work on the tunnels of the Trans-Israel Highway is no longer possible. To keep his mind sharp, Zvi decides to take a job as the unpaid assistant to Asael Maimoni, a young engineer involved in a secret military project: a road to be built inside the massive Ramon Crater in the northern Negev Desert. The challenge of the road, however, is compounded by strange circumstances. Living secretly on the proposed route, amid ancient Nabatean ruins, is a Palestinian family under the protection of an enigmatic archaeological preservationist. Zvi rises to the occasion, proposing a tunnel that would not dislodge the family. But when his wife falls sick, circumstances begin to spiral . . . The Tunnel--wry, wistful, and a tour de force of vital social commentary--is Yehoshua at his finest.

Scornful of his younger sister's fears, a young boy decides to explore a tunnel forcing her to go after him when he doesn't return. Suggested level: junior, primary.

A journalist faces his toughest assignment yet: profiling himself. Zeman recounts his struggle with clinical depression in this high- octane, brutally funny memoir about mood disorders, memory, shock treatment therapy and the quest to get back to normal. Thirty-five million Americans suffer from clinical depression. But Ned Zeman never thought he'd be one of them. He came from a happy Midwestern family. He had great friends and a busy social life. His career was thriving at Vanity Fair where he profiled adventurers and eccentrics who pushed the limits and died young. Then, at age thirty-two, anxiety and depression gripped Zeman with increasing violence and consequences. He experimented with therapist after therapist, medication after medication, hospital after hospital- including McLean Hospital, the facility famed for its treatment of writers, from Sylvia Plath to Susanna Kaysen to David Foster Wallace. Zeman eventually went further, by trying electroconvulsive therapy, aka shock treatment, aka "the treatment of last resort." By the time it was over, Zeman had lost nearly two years' worth of memory. He was a reporter with amnesia. He had no choice but to start from scratch, to reassemble the pieces of a life he didn't remember and, increasingly, didn't want to. His girlfriend was gone; friends weren't speaking to him. His life lay in ruins. And the biggest question remained, "What the hell did I do?" By turns hilarious and heartbreaking, profane and hopeful, The Rules of the Tunnel is a blistering account of Zeman's twisted ride to hell and back-a return made possible by friends real and less so, among them the dead "eccentrics" he once profiled. It's a guttural shout of a book, one that defies conventional notions about those with mood disorders, unlocks mysteries within mysteries, and proves that sometimes everything you're looking for is right in front of you.

This story, my story, was not one that I imagined would ever be put into words on paper. Rather, I believed it was enough to have lived it; at times, even living it was more than I could bear. I did not foresee this written version. Had I done so, I would have remembered more ... or less. Therefore, I am calling this 'fiction' based on fact. I will, for effect and constraints of time and paper, condense some incidents. For privacy and legal necessity, I will change some names. But, this is my story, my life, here on these pages for all to see: family, friends, enemies, acquaintances, peers, and my unknown readers.

Infamous for the murder of Maria Iribarne, the artist Juan Pablo Castel is now writing a detailed account of his relationship with the victim from his prison cell: obsessed from the first moment he saw her examining one of his paintings, Castel had become fixated on her over the next months and fantasized over how they might meet again. When he happened upon her one day, a relationship was formed which swiftly convinced him of their mutual love. But Castel's growing paranoia would lead him to destroy the one thing he truly cared about... Sabato's first novel El Túnel (translated as 'The Outsider' or 'The Tunnel'), written in 1948, is framed as the confession of the painter Juan Pablo Castel, who has murdered the only woman capable of understanding him. Sabato's novels were praised by authors such as Albert Camus and Graham Greene.