*#1 NATIONAL BESTSELLER *Winner, Kobo Emerging Writer Prize Nonfiction *Winner, Indigenous Voices Awards *Winner, High Plains Book Awards *Finalist, CBC Canada Reads *A Globe and Mail Book of the Year *An Indigo Book of the Year *A CBC Best Canadian Nonfiction Book of the Year In this extraordinary and inspiring debut memoir, Jesse Thistle, once a high school dropout and now a rising Indigenous scholar, chronicles his life on the streets and how he overcame trauma and addiction to discover the truth about who he is. If I can just make it to the next minute...then I might have a chance to live; I might have a chance to be something more than just a struggling crackhead. From the Ashes is a remarkable memoir about hope and resilience, and a revelatory look into the life of a Métis-Cree man who refused to give up. Abandoned by his parents as a toddler, Jesse Thistle briefly found himself in the foster-care system with his two brothers, cut off from all they had known. Eventually the children landed in the home of their paternal grandparents, whose tough-love attitudes quickly resulted in conflicts. Throughout it all, the ghost of Jesse’s drug-addicted father haunted the halls of the house and the memories of every family member. Struggling with all that had happened, Jesse succumbed to a self-destructive cycle of drug and alcohol addiction and petty crime, spending more than a decade on and off the streets, often homeless. Finally, he realized he would die unless he turned his life around. In this heartwarming and heart-wrenching memoir, Jesse Thistle writes honestly and fearlessly about his painful past, the abuse he endured, and how he uncovered the truth about his parents. Through sheer perseverance and education—and newfound love—he found his way back into the circle of his Indigenous culture and family. An eloquent exploration of the impact of prejudice and racism, From the Ashes is, in the end, about how love and support can help us find happiness despite the odds.

Selected by Joy Harjo as the winner of the Walt Whitman Award of the Academy of American Poets Emily Skaja’s debut collection is a fiery, hypnotic book that confronts the dark questions and menacing silences around gender, sexuality, and violence. Brute arises, brave and furious, from the dissolution of a relationship, showing how such endings necessitate self-discovery and reinvention. The speaker of these poems is a sorceress, a bride, a warrior, a lover, both object and agent, ricocheting among ways of knowing and being known. Each incarnation squares itself up against ideas of feminine virtue and sin, strength and vulnerability, love and rage, as it closes in on a hard-won freedom. Brute is absolutely sure of its capacity to insist not only on the truth of what it says but on the truth of its right to say it. “What am I supposed to say: I’m free?” the first poem asks. The rest of the poems emphatically discover new ways to answer. This is a timely winner of the Walt Whitman Award, and an introduction to an unforgettable voice.

Adonis's poetry and prose writings have aroused much controversy in the Arab world, both for their provocative content and their arresting style. Grounded in traditional poetic styles, Adonis developed a new way of expressing modern sentiments. Although influenced by classical poets, Adonis started at a relatively early age to experiment with the prose poem, giving it density, tension, metaphors, and rhythm. He also broke with the diction and style of traditional poems, introducing a new and powerful syntax and new imagery. Through his innovative use of language, imagery, and narrative technique, Adonis has played a leading role in the revolutionizing of Arabic literature. He has garnered many of the world’s major poetry prizes. In A Time Between Ashes and Roses Adonis evokes the wisdom of Whitman’s Leaves of Grass, liberally excerpting from and remolding its images; the modernism of William Carlos Williams; and the haunting urban imagery of poets such as Baudelaire, Cavafy, and Lorca. Three long poems allow him to explore profoundly the human condition, by examining language and love, race and favor, faith and dogma, war and ruin. In the lyrical “This Is My Name” and “Introduction to the History of the Petty Kings,” Adonis ponders Arab defeat and defeatism. In “A Grave for New York,” he reflects on the same theme by interrogating Vietnam-era America. This bilingual edition, presenting the poems in Arabic and English on facing pages, is enhanced by a critical bibliography of Adonis’s works, providing an accessible and crucial reference for scholars of modern and Middle Eastern poetry and culture. Shawkat M. Toorawa’s vivid and eloquent translation finally makes the poet’s signature work available to an English-speaking audience; the effect is no less powerful than were the first translations of Pablo Neruda into English.

I wrote this for those burying love stories that once had so much life in them, stories that are hard to let go of; yet, the funeral must go on.

Rebecca Parker was a young minister in Seattle when a woman walked into her church and asked if God really wanted her to accept her husband's beatings and bear them gladly, as Jesus bore the cross. Parker knew, at that moment, that if she were to answer the woman's question truthfully she would have to rethink her theology. And she would have to think hard about some of the choices she was making in her own life. When Rita Nakashima Brock was a young child growing up in Kansas, kids taunted her viciously, calling her names like "Chink" or "Jap." She learned to pretend that she did not feel the sting of scorn and the humiliation of contempt. The solitude and silence of her suffering-decreed by both her mother's Japanese culture and her father's Christian heritage-kept the wound alive. It was the gap between knowledge born of personal experience and traditional theology that led Rita Brock and Rebecca Parker to write this emotionally gripping and intellectually rich exploration of the doctrine of the atonement. Using an unusual combination of memoir and theology in the tradition of Augustine's Confessions, they lament the inadequacy of how Christian tradition has interpreted the violence that happened to Jesus. Ultimately, they argue, the idea that the death of Jesus on the cross saves us reveals a sanctioning of violence at the heart of Christianity. Brock and Parker draw on a wide array of intimate stories about family violence, the sexual abuse of children, racism, homophobia, and war to reveal how they came to understand the widespread damage being done by this theology. But the authors also undertake their own arduous and unexpected journeys to recover from violence and to assist others to do so. On these journeys they discover communities that begin to give them the strength to question the destructive ideas they have internalized, and the strength to seek out an alternative vision of Christianity, one based on healing and love. Proverbs of Ashes is both a condemnation of bad theology and a passionate search for what truly saves us.