The Austrian Centre was established in London in 1939 by Austrians seeking refuge from Nazi Germany, of whom 30,000 had reached Britain by the outbreak of World War II. It soon developed into a comprehensive social, cultural and political organisation with a theatre and a weekly newspaper of its own. A Communist-influenced organisation, it also followed a distinct political agenda. In the first book on the cultural and political life of Austrian refugees in Britain, "Out of Austria" assesses and evaluates the Austrian Centre's activities and achievements, while also examining the Austrians' often fraught relations with their British hosts. It gives a fascinating insight into such figures as Sigmund Freud, who became the Centre's Honorary President during his final months and the poet Erich Fried, then an unknown seventeen-year-old, k and sheds light on the interaction of politics and culture against the background of exile in wartime Britain.

Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés. Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as well as in Hollywood's many other "Austria" films, the projections on the screen resemble reflections in a funhouse mirror. Elements of a "real" place with a"real" history inhabited by "real" people can be found in the fractured distortions, which have both drawn from and contributed to the general public's perceptions of the country and its citizens. Austria Made in Hollywood focuses on films set in an identifiable Austria, examining them through the lenses of the historical contexts on both sides of the Atlantic and the prism of the ever-changing domestic film industry. The study chronicles theprotean screen images of Austria and Austrians that set them apart both from European projections of Austria and from Hollywood incarnations of other European nations and nationals. It explores explicit and implicit cultural commentaries on domestic and foreign issues inserted in the Austrian stories while considering the many, sometimes conflicting forces that shaped the films.

For a small, prosperous country in the middle of Europe, modern Austria has a very large and complex history, extending far beyond its current borders. In a gripping narrative supported by beautiful illustrations, Steven Beller traces the remarkable career of Austria from German borderland to successful Alpine republic.

Using evidence gathered in Europe and the United States, Evan Bukey crafts a nuanced portrait of popular opinion in Austria, Hitler's homeland, after the country was annexed by Germany in 1938. He demonstrates that despite widespread dissent, discontent,

After the dissolution of the Austro-Hungarian Monarchy, Austria transformed itself from an empire to a small Central European country. Formerly an important player in international affairs, the new republic was quickly sidelined by the European concert of powers. The enormous losses of territory and population in Austria's post-Habsburg state of existence, however, did not result in a political, economic, cultural, and intellectual black hole. The essays in the twentieth anniversary volume of Contemporary Austrian Studies argue that the small Austrian nation found its place in the global arena of the twentieth century and made a mark both on Europe and the world. Be it Freudian psychoanalysis, the “fin-de-siècle” Vienna culture of modernism, Austro-Marxist thought, or the Austrian School of Economics, Austrian hinkers and ideas were still wielding a notable impact on the world. Alongside these cultural and intellectual dimensions, Vienna remained the Austrian capital and reasserted its strong position in Central European and international business and finance. Innovative Austrian companies are operating all over the globe. This volume also examines how the globalizing world of the twentieth century has impacted Austrian demography, society, and political life. Austria's place in the contemporary world is increasingly determined by the forces of the European integration process. European Union membership brings about convergence and a regional orientation with ramifications for Austria's global role. Austria emerges in the essays of this volume as a highly globalized country with an economy, society, and political culture deeply grounded in Europe. The globalization of Austria, it appears, turns out to be in many instances an “Europeanization”.

This guide discusses the Austria's history and culture, and offers advice on accommodations, restaurants, activities, shopping, and sights.--Worldcat.

With superb photography, illustrations, and maps, this easy-to-use travel guide will lead you straight to the best of Austria. From the Salzkammergut lakes surrounded by mountains, picturesque Innsbruck, and medieval Hochosterwitz castle, to the stunning imperial palaces in Vienna, and Baroque architecture in Salzburg, this guide will show you all the top sights that this beautiful country has to offer. Learn about Austrian cakes and pastries, Austrian composers, and the country's historic and modern architecture. There are also suggestions for scenic driving routes and walking trails, as well as practical tips for getting around, with reviews of the best restaurants, cafés, and places to stay. With hundreds of full-color photographs, hand-drawn illustrations, and custom maps that illuminate every page, DK Eyewitness Travel Guide: Austria truly shows you this city as no one else can.