This book takes readers on a leisurely journey through a bygone era with fascinating accounts of canals, corduroy roads, and turnpikes, waterwheels and icehouses, colorful road signs and their painters, circus folk, and more. Brimming with anecdotes about people and the times, this delightful narrative remains a milestone of Americana. 81 black-and-white illustrations.

Twenty-five high school seniors emerge from their basement geometry class to an eerie silence in a deserted school. Outside, empty buildings, stores, restaurants, and abandoned cars line once crowded streets. Stunned disbelief is followed by alarm, curiosity, sorrow, and the horrifying realization that, for better or worse, they have inherited the Earth.

When all the humans in his world disappear, Max, a yellow Labrador Retriever, begins the search for his family. He knows that if he can just find Madame Curie, a wise, old black Lab, she'll be able to help. Madame had a premonition of astonishing events to come -- she might know where Max's family is. But Max can't make the journey alone. Joined by friends Rocky and Gizmo, Max sets off to find Madame. Along the way, the trio must face a pack of angry wolves, forage for food in a land where kibble is akin to gold, befriend a house full of cats, and outsmart a gang of subway rats. Ultimately, they'll have to escape from the biggest threat of all: the Corporation, a "perfect" society for dogs and by dogs, where nothing is quite as it seems. The Last Dogs: The Vanishing is a thrilling adventure and a tale of three unlikely friends on an epic quest to find their people -- and bring them home.

William Temple Hornaday was the Director of the New York Zoological Society and the nation's leading advocate of wildlife conservation in this era. This unsparing manifesto was written to accompany Hornaday's launching of the Permanent Wildlife Protection Fund; it is thus (in the words of the historian Stephen Fox) both "a campaign tract" and "one of the first books wholly devoted to endangered wild animals" (John Muir and His Legacy: The American Conservation Movement [Boston: Little, Brown and Company, 1981], p. 149). It is also a landmark of conservation history which had a profound effect on the thought of Aldo Leopold, among others. The book surveys the history and causes of wildlife destruction in America and elsewhere, and sets forth a lengthy program to ensure the protection of remaining wildlife for the future, often in militant and moralistic terms. The work also throws light on some of the complexities inherent in the conservation movement at this time: for example, Hornaday accepts the classification of certain bird and mammalian predators as "noxious" or "vermin" and appropriate for destruction (pp. 77-81); there is no criticism here of the massive campaign for the extermination of wolves and coyotes being sponsored at the time by the Bureau of Biological Survey. On a more general level, Hornaday's fulminations against Italian immigrants as incorrigible bird-killers suggest a connection between nativism and conservationism, while his excoriations of market hunters set forth a deeply-rooted class bias shared by many leading conservationists.

New York Times Bestseller What J. D. Vance did for Appalachia with Hillbilly Elegy, CNN analyst and one of the youngest state representatives in South Carolina history Bakari Sellers does for the rural South, in this important book that illuminates the lives of America’s forgotten black working-class men and women. Part memoir, part historical and cultural analysis, My Vanishing Country is an eye-opening journey through the South's past, present, and future. Anchored in in Bakari Seller’s hometown of Denmark, South Carolina, Country illuminates the pride and pain that continues to fertilize the soil of one of the poorest states in the nation. He traces his father’s rise to become, friend of Stokely Carmichael and Martin Luther King, a civil rights hero, and member of the Student Non-Violent Coordinating Committee (SNCC) , to explore the plight of the South's dwindling rural, black working class—many of whom can trace their ancestry back for seven generations. In his poetic personal history, we are awakened to the crisis affecting the other “Forgotten Men & Women,” who the media seldom acknowledges. For Sellers, these are his family members, neighbors, and friends. He humanizes the struggles that shape their lives: to gain access to healthcare as rural hospitals disappear; to make ends meet as the factories they have relied on shut down and move overseas; to hold on to precious traditions as their towns erode; to forge a path forward without succumbing to despair. My Vanishing Country is also a love letter to fatherhood—to Sellers' father, his lodestar, whose life lessons have shaped him, and to his newborn twins, who he hopes will embrace the Sellers family name and honor its legacy.