Anna is not sick, but she might as well be. By age 13, she has undergone countless surgeries, transfusions, and shots so that her older sister Kate can somehow fight the leukemia that has palgued her since childhood.

When Margaret Moorman's older sister, Sally, was first hospitalized with schizophrenia in 1959, her family denied the truth to neighbors, friends -- and even themselves. Not until thirty years later, when their mother's death made her Sally's sole caretaker, did Margaret face the truth. Now, in this poignant memoir, she tells the brave story of her struggle to come to grips with the legacy of her sister's devastating disease and its effect on her own life and on her entire family. Margaret reveals her fears that she too would become ill and her ambivalence about having a family of her own. She writes about the difficulties of assuming the responsibility for Sally's care while trying to manage her own career, relationships, and the birth of her first child. And she tells how she and Sally finally learned to negotiate their relationship and accept each other. Candid, moving, and ultimately healing, My Sister's Keeper is a heartwarming story about two sisters and their love for each other. Hallmark has presented My Sister's Keeper as a film starring Kathy Bates, Elizabeth Perkins, and Lynn Redgrave. Book jacket.

This study of prison reform adds a new chapter to the history of women's struggle for justice in America

In a tight, dramatic, two-character, two-act play Ted Allan, one of Canada's best-known playwrights, challenges us to think again about love and guilt, about madness and normalcy. My Sister's Keeper was first produced at the 1976 Lennoxville Festival in Quebec. (an earlier version, entitled 'I've Seen You Cut Lemons,' had been directed by Sean Connery at the Fortune Theatre in London in 1970.) It is a play about sensitivity and about victims; about what we do to each other and particularly about what society does to women; about what makes us able to love and what prevents us from allowing ourselves to love. One day 'schizophrenic' Sarah arrives--to stay--at the London flat of her successful, 'normal' brother. The ensuing confrontations lead us, when we can catch our breath, to ask just who it is that is insane, and why?

In "I Am My Sister's Keeper," Amarin Trichanh details vignettes of her journey in the United States Army when at the beginning she tried to ignore and avoid sexual harassment only eventually to confront and expose it. Spanning thirteen years, including two tours to Iraq and one tour to Afghanistan, Amarin illustrates the numerous ways that the sexual coercion and exploitation of female soldiers was made possible at every level of command. A victim of military sexual abuse herself, Amarin advocates for the mental, emotional, and physical security and safety and women in the Armed Forces.

This intimate study of prostitutes in New York City during the mid-nineteenth century reveals these women in an entirely new light. Unlike traditional studies, Marilynn Wood Hill's account of prostitution's positive attractions, as well as its negative aspects, gives a fresh perspective to this much-discussed occupation. Using a wealth of primary source material, from tax and court records to brothel guidebooks and personal correspondence, Hill shows the common concerns prostitutes shared with women outside the "profession." As mothers, sisters, daughters, and wives, trapped by circumstances, they sought a way to create a life and work culture for themselves and those they cared about. By the 1830s prostitution in New York was no longer hidden. Though officially outside the law, it was well integrated into the city's urban life. Hill documents the discrimination and legal harassment prostitutes suffered, and shows how they asserted their rights to protect themselves and their property. Although their occupation was frequently degrading and dangerous, it offered economic and social opportunities for many of its practitioners. Women controlled the prostitution business until about 1870, and during this period female employers and their employees often achieved economic goals not generally available to other working women. While examining aspects of prostitution that benefited women, Hill's vivid portrayal also makes evident the hardships that prostitutes endured. What emerges is a fully rounded study that will be welcomed by many readers.

Ever since his younger sister Martha woke him early one Sunday morning holding a Rubic's Cube in the palm of her hand with all the colored squares in perfect alignment, in some backward way, twelve-year-old Richard Baimbridge became his sister's motivation. If she saw me give up on anything, regardless of how insignificant-forgetting a phone number, finding the right nut to fit a bolt, or fixing a broken toy-she'd go after it with fanaticism and would not give up until she'd figured it out.Being better than Richard challenged Martha and when she succeeded, it fulfilled her. Richard was proud of her, but not like their Dad. Their Dad loved it. It seemed the more Martha outdid Richard, the more he liked it. By the time Richard left home at eighteen, there was a gap between his father and him that an ocean couldn't fill.But when Martha is brutally attacked while investigating the rape and attempted murder of a thirteen-year old for the News & Observer, Richard Baimbridge moves back to his hometown of Wilmington, North Carolina, to assist his family in caring for his sister and comes face to face with his tormented past and a dark family secret.Despised by his father and haunted by his past, he fights to stay above the flood of childhood trauma while longing to return to the life he'd built in New York City. But when the police exhaust all leads in his sister's case, wheelchair-bound Martha refuses to let her case die and, with Richard as her legs, insists on continuing the investigation herself, drawing Richard into the darker side of Wilmington - a place of greed, violence, and murder - where he, himself, becomes a primary murder suspect.