Our rivers are in crisis and the need for river restoration has never been more urgent. Water security and biodiversity indices for all of the world’s major rivers have declined due to pollution, diversions, impoundments, fragmented flows, introduced and invasive species, and many other abuses. Developing successful restoration responses are essential. Renewing Our Rivers addresses this need head on with examples of how to design and implement stream-corridor restoration projects. Based on the experiences of seasoned professionals, Renewing Our Rivers provides stream restoration practitioners the main steps to develop successful and viable stream restoration projects that last. Ecologists, geomorphologists, and hydrologists from dryland regions of Australia, Mexico, and the United States share case studies and key lessons learned for successful restoration and renewal of our most vital resource. The aim of this guidebook is to offer essential restoration guidance that allows a start-to-finish overview of what it takes to bring back a damaged stream corridor. Chapters cover planning, such emerging themes as climate change and environmental flow, the nuances of implementing restoration tactics, and monitoring restoration results. Renewing Our Rivers provides community members, educators, students, natural resource practitioners, experts, and scientists broader perspectives on how to move the science of restoration to practical success.

A river is a thread, embroidering our world. This non-fiction picture book brings attention to the rivers that stitch and thread our world together.

Emmy Pérez’s poetry collection With the River on Our Face flows through the Southwest and the Texas borderlands to the river’s mouth in the Rio Grande Valley/El Valle. The poems celebrate the land, communities, and ecology of the borderlands through lyric and narrative utterances, auditory and visual texture, chant, and litany that merge and diverge like the iconic river in this long-awaited collection. Pérez reveals the strengths and nuances of a universe where no word is “foreign.” Her fast-moving, evocative words illuminate the prayers, gasps, touches, and gritos born of everyday discoveries and events. Multiple forms of reference enrich the poems in the form of mantra: ecologist’s field notes, geopolitical and ecofeminist observations, wildlife catalogs, trivia, and vigil chants. “What is it to love / within viewing distance of night / vision goggles and guns?” is a question central to many of these poems. The collection creates a poetic confluence of the personal, political, and global forces affecting border lives. Whether alluding to El Valle as a place where toxins now cross borders more easily than people or wildlife, or to increased militarization, immigrant seizures, and twenty-first-century wall-building, Pérez’s voice is intimate and urgent. She laments, “We cannot tattoo roses / On the wall / Can’t tattoo Gloria Anzaldúa’s roses / On the wall”; yet, she also reaffirms Anzaldúa’s notions of hope through resilience and conocimiento. With the River on Our Face drips deep like water, turning into amistad—an inquisition into human relationships with planet and self.

Frogs, fish, a turtle, and other creatures who live in or around a river state their need for the river, making a plea for protecting this natural resource.

The acclaimed bestseller -- a selection of Oprah's Book Club -- that brings vividly to life the Georgetown neighborhood of Washington, DC, circa 1925, and a community reeling from a young girl's tragic death. When five-year-old Clara Bynum drowns in the Potomac River under a seemingly haunted rock outcropping known locally as the Three Sisters, the community must reconcile themselves to the bitter tragedy. Clarke powerful charts the fallout from Clara's death on the people she has left behind: her parents, Alice and Willie Bynum, torn between the old world of their rural North Carolina home and the new world of the city; the friends and relatives of the Bynum family in the Georgetown neighborhood they now call home; and, most especially, Clara's sister, ten-year-old Johnnie Mae, who is thrust into adolescence and must come to terms with the terrible and confused emotions stirred by her sister's death. This highly accomplished debut novel reverberates with ideas, impassioned lyricism, and poignant historical detail as it captures an essential and moving portrait of the Washington, DC community.

1968. Steve’s older brother has just broken the news that he’s quit college to enlist in the army. Before David departs for Vietnam in September, their father decides to send the brothers on a canoe trip down the Susquehanna River. Steve knows that David isn’t happy about the plan, and he’s not looking forward to being trapped with his swaggering, tough-guy brother either. “Look out for each other!” is the last thing they hear Dad shout as they round a bend out of sight, David in the rear, controlling the canoe. At first narrow and quiet as a stream, the river soon grows wider and more complicated, carrying the boys through gritty small-town America on a journey that pushes their adversarial relationship into new territory. There is no map or guide for this trip: just two brothers going forward, navigating the twists and turns of the river, learning to fight for each other. In this lyrical first novel, Don Brown tells the powerful story of two brothers coming of age in a challenging time.

On a series of solitary walks around London, a woman recalls the rivers she's encountered in prose reminiscent of Sebald.