"Our Innocent Youth" from the male point of view, told a 90 post - national love story of youth.The story begins with Liu Ming, the male protagonist, Wang Jiaqing, the female protagonist with congenital heart disease, and Lin Qiuman, a destitute female classmate.The three of them had different paths in their lives, but because of this, they walked together, encouraging each other and accompanying each other.However, because of the uncontrollable changes in their emotions, their hesitations, confusion, kinship, friendship, and careful emotions all gradually changed as the story progressed.In this book, you can find the lost time. You can find the pure youth that you have experienced and loved, and you can also experience the emotions that have settled for a long time in the story.

In Pure, Linda Kay Klein uses a potent combination of journalism, cultural commentary, and memoir to take us “inside religious purity culture as only one who grew up in it can” (Gloria Steinem) and reveals the devastating effects evangelical Christianity’s views on female sexuality has had on a generation of young women. In the 1990s, a “purity industry” emerged out of the white evangelical Christian culture. Purity rings, purity pledges, and purity balls came with a dangerous message: girls are potential sexual “stumbling blocks” for boys and men, and any expression of a girl’s sexuality could reflect the corruption of her character. This message traumatized many girls—resulting in anxiety, fear, and experiences that mimicked the symptoms of Post-Traumatic Stress Disorder—and trapped them in a cycle of shame. This is the sex education Linda Kay Klein grew up with. Fearing being marked a Jezebel, Klein broke up with her high school boyfriend because she thought God told her to and took pregnancy tests despite being a virgin, terrified that any sexual activity would be punished with an out-of-wedlock pregnancy. When the youth pastor of her church was convicted of sexual enticement of a twelve-year-old girl, Klein began to question purity-based sexual ethics. She contacted young women she knew, asking if they were coping with the same shame-induced issues she was. These intimate conversations developed into a twelve-year quest that took her across the country and into the lives of women raised in similar religious communities—a journey that facilitated her own healing and led her to churches that are seeking a new way to reconcile sexuality and spirituality. Pure is “a revelation... Part memoir and part journalism, Pure is a horrendous, granular, relentless, emotionally true account" (The Cut) of society’s larger subjugation of women and the role the purity industry played in maintaining it. Offering a prevailing message of resounding hope and encouragement, “Pure emboldens us to escape toxic misogyny and experience a fresh breath of freedom” (Glennon Doyle, #1 New York Times bestselling author of Love Warrior and founder of Together Rising).

In "The Hours of Youth, the author tires to capture an Eastern flavor of romantic intimacy with the use of rich lyricism. This can be appreciated in the rhythm and powerful imagery composed in the love poems. When coupled with the mystery of the unnamed Beloved who appears in the poems, an ecstatic state of passion, full of joy, harmony and inner peace is created. There are many patterns of themes woven into the poetry which depict romance and youth as universal desires for something greater than ourselves, which when surrendered to the powers of, act as a sort of spiritual energy that draw us closer to our true essence and being. The poetry is composed as a sort of lyrical symphony, meant to transform the reader and listener alike; to take them out of themselves and to make them drunk with the True and Eternal. It further intends to create a tapestry of meaning, language and music and in so doing enkindle a bright flame of energy, tension, imagery and lucidity in the mind of each. The poems are an attempt to rekindle a fire within us, to achieve transcendent awareness of our emotions and affections and thus break free from the mold of solitude to a greater and more life-enhancing whole.

The Rose Thieves gives us the Vanderwald family: flamboyant, hot-tempered Lila, who feels trapped living in a small New England town; her sentimental, eternally optimistic husband, a failed futures-market investor; and their children. An affectionate daughter steals flowers from gardens all over town for her big sister's sixteenth birthday. A tea party for the local minister is turned upside down by a four-year-old's remark. Sheep wander through the kitchen, an enraged mother swan menaces the sisters as their own mother entertains a possible lover, and, after a near-disaster, Lila proclaims "We faced death; death couldn't face us!" Amidst the chaos, Kate, the oldest daughter, practices piano because "Haydn will give order to everything, if only you play him right." With wit, natural artistry, and a keen eye for the absurd, Heidi Jon Schmidt effortlessly weaves stories of strange but all-too-real family life.

Benny Morris is the founding father of the New Historians, a group of Israeli scholars who have challenged long-established perceptions about the origins of the Israeli-Palestinian conflict. Their research rigorously documented crimes and atrocities committed by the Israeli armed forces, including rape, torture, and ethnic cleansing. With Making Israel, Morris brings together the first collection of translated articles on the New History by leading Zionist and revisionist Israeli historians, providing Americans with a firsthand view of this important debate and enabling a better understanding of how the New Historians have influenced Israelis' awareness of their own past. "The study of Israeli history, society, politics, and economics over the past two decades has been marked by a fierce and sometimes highly personal debate between 'traditionalists'---scholars who generally interpreted Israeli history and society within the Zionist ethos---and 'revisionists'---scholars who challenged conventional Zionist narratives of Israeli history and society. Making Israel brings together traditionalists and revisionists who openly and directly lay out their key insights about Israel's origins. It also introduces multidisciplinary perspectives on Israel by historians and sociologists, each bringing into the debate its own jargon, its own epistemology and methodology, and its own array of substantive issues. This is essential reading for anybody who wants to understand the different interpretations of Israeli society and perhaps the central debate among students of modern Israel." ---Zeev Maoz, Professor of Political Science at the University of California, Davis, and Distinguished Fellow at the Interdisciplinary Center, Herzliya "Israel's 'new historians' have done a great service to their country, and to all who care about the Arab-Israeli conflict. By challenging myths, reexamining evidence, and asking truly important questions about the past they help to confront the present with honesty and realism. This book provides a sampling of the best of what these courageous voices have to offer." ---William B. Quandt, University of Virginia Benny Morris is Professor of Middle East history at Ben-Gurion University in Beersheba, Israel, and is the author of Righteous Victims: A History of the Zionist-Arab Conflict, 1881-1999.