Drawing on historical texts, this accessible volume provides a braod understanding of preservation for librarians, archivists, and museum specialists. Cloonan offers students and professionals an overview of longevity, reversibility, enduring value, and authenticity of information preservation.

Surveying the past, present and future of historic preservation in America, this text features 15 essays by some of the most eminent voices in the field, essays which highlight the principle ideas and events that have shaped and continue to shape the movement.

Archives, museums, and libraries are pivotal to the management and preservation of any society's heritage. Heritage assets should be systematically managed by putting in place proper policies, maintenance procedures, security and risks measures, and retrieval and preservation plans. The Handbook of Research on Heritage Management and Preservation is a critical scholarly resource that examines different aspects of heritage management and preservation ranging from theories that underline the field, areas of convergence and divergence in the field, infrastructure and the policy framework that governs the field, and the influence of the changing landscape on practice. Featuring coverage on a broad range of topics, such as community involvement, records legislation, and collection development, this book is geared towards academicians, researchers, and students seeking current research on heritage management and preservation.

With the maturation of laser technology in diagnostic and conservation applications, conservation scientists, archeologists, art historians, researchers, and advanced science-oriented students now have the tools necessary for preserving the future of our past-our cultural heritage. Presenting recent developments in the field, Lasers in the Preservation of Cultural Heritage: Principles and Applications addresses the basic concepts of laser applications and supplies case studies of analytical, structural diagnostic, and laser cleaning applications. The book provides a comprehensive presentation of the fundamental principles and applications of modern laser technology in the analysis of composition, diagnostics of structural integrity, and conservation of artworks and antiquities. Beginning with an introduction to the basic techniques used in art conservation and archeology, the book describes the fundamental aspects of laser-matter interactions, emphasizing laser diagnostics and laser processing applications. The next few chapters focus on laser-based spectroscopic techniques for the analysis of the composition of materials in art and archaeology, including laser-induced breakdown, Raman, and laser-induced fluorescence spectroscopic techniques. The book proceeds to highlight nondestructive diagnostic techniques, laser processing applications, laser applications for the cleaning of paintings and stone, and methods for the removal of encrustations. It concludes with case studies for the conservation of materials like parchment, paper, metal, ivory, and wood, and includes conservation approaches for modern paintings. Bridging science with art, Lasers in the Preservation of Cultural Heritage presents a systematic overview of the fundamentals and applications of laser techniques in artwork conservation and archeological science.

A collection of recipes any Italian or Italian food lover will have to own, this 1991 Tabasco Community Cookbook Award winner is now in its ninth printing. Many of the recipes have been written down for the first time for this volume.

There is a growing awareness around the world of the pressing need to archive the material remnants of popular music so as to safeguard the national and local histories of this cultural form. Current research suggests that in the past 20 or so years there has been an expansion of DIY heritage practice, with the founding of numerous DIY popular music institutions, archives and museums around the world. This edited collection seeks to explore the role of DIY or Pro-Am (Professional-Amateur) practitioners of popular music archiving and preservation. It looks critically at ideas around "DIY preservationism," "self-authorised" and "unauthorised" heritage practice and the "DIY institution," while also unpacking the potentialities of bottom-up, community-based interventions into the archiving and preservation of popular music’s material history. With an international scope and an interdisciplinary approach, this is an important reference for scholars of popular music, heritage studies and cultural studies.

I am both pleased and honored to introduce this book to readers, and I want to take a few moments to explain why. Michael Romanos and Christopher Auffrey have produced a volume which will be of immense value to several different types of people. Planners and other specialists concerned with the development of the Southeast Asian region and the issues and opportunities associated with urban growth and sustainable development will find much to interest them in this book. But the book, I believe, has much wider appeal, and that is what I want to touch on briefly here. The University of Cincinnati, where Michael, Chris, and I work, is attempting to globalize itself - to develop its institutional capacity for international activities, to infuse its curriculum with international themes, and to promote and increase global competence among its graduates. Many American universities are doing this, of course. In the process, we are seeing some very interesting experiments in pedagogy, as faculty look for "learning moments" in new and sometimes exotic places. Michael, Chris, and their colleagues have, it seems to me, developed an outstanding model for learning across national and cultural boundaries. In the chapters which follow, you will read the results of their work. What will be less apparent, however, is the process by which that work was produced.