Last time we saw Benjamin Franklin Gates, the cunning, impassioned lead character of Walt Disney Pictures' National Treasure, he had succeeded in evading shady characters, fulfilling his family's destiny, and discovering an unimaginable trove of treasures beneath Manhattan's oldest church./DIV DIVNow, Ben is back. In National Treasure 2: Book of Secrets, the hero finds an all-new set of dangers, conflicts, double-crossings, and of course...treasure!

A man puts pieces of his life up for auction. An antique chess set played with a troubled brother ($99.99), number plates from a crashed stolen car ($20), Chuck Taylor trainers worn in a riot in Seattle ($8.99). Along with a short description, he tells their stories, how they fit into the tapestry of his life. In National Treasures men and women measure out their lives in tattoos, sharpened fragments of a moose's hoof, autumn leaves, scribbled phone numbers, the red eyes of a heron. This is the America we never see - it's not in the movies, or on the news. National Treasures is about people trying to get by and get on. These can be tough lives of tough love and tough luck but they are full of poignancy and intensity, and Charles McLeod writes about them thrillingly. 'These stories are a portrait of America in all its breadth... Charles McLeod knows the whole country through its ill-fitting parts and people. There are moments of wild candor and insight that crack the surface of daily life' Salvatore Scibona, author of The End 'Charles McLeod's writing is very special - crisp and rhythmical, sometimes almost poetic' Evening Standard

Defending National Treasures explores the fate of art and cultural heritage during the Nazi occupation of France. The French cultural patrimony was a crucial locus of power struggles between German and French leaders and among influential figures in each country. Karlsgodt examines the preservation policy that the Vichy regime enacted in an assertion of sovereignty over French art museums, historic monuments, and archeological sites. The limits to this sovereignty are apparent from German appropriations of public statues, Jewish-owned art collections, and key "Germanic" works of art from French museums. A final chapter traces the lasting impact of the French wartime reforms on preservation policy. In Defending National Treasures, Karlsgodt introduces the concept of patrimania to reveal examples of opportunism in art preservation. During the war, French officials sought to acquire coveted artwork from Jewish collections for the Louvre and other museums; in the early postwar years, they established a complicated guardianship over unclaimed art recovered from Germany. A cautionary tale for our own times, Defending National Treasures examines the ethical dimensions of museum acquisitions in the ongoing noble quest to preserve great works of art.

Stories in this book reflect how history has woven itself into the fabric of the present. The stories are intimate and told by the artists, by family members, by friends in their own words. The telling will make you feel as though you are fortunate enough to sit in the presence of the Cherokee artists, who intimately share the story of themselves, of their art, who their family was, how they came to be artists, who and what influenced them, and how their art reflects who they are as Cherokee people. They are the Cherokee National Treasures.

Text and photographs, both contemporary and historical, provide an introduction to national parks and monuments throughout the nation.

As war raged across the jagged Afghan countryside, the staff of the Afghan National Museum spirited away, piece by piece, to hiding places all over the Kabul region, each time risking their lives, sworn to silence, it was a secret they kept until the fall of the Taliban--almost thirty years of deadly danger, courage, and fierce honor.

A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR