Written by a Brit who has lived in Poland for more than twenty years, this book challenges some accepted thinking in the West about Poland and about the rise of Law and Justice (PiS) as the ruling party in 2015. It is a remarkable account of the Polish post-1989 transition and contemporary politics, combining personal views and experience with careful fact and material collections. The result is a vivid description of the events and scrupulous explanations of the political processes, and all this with an interesting twist – a perspective of a foreigner and insider at the same time. Settled in the position of participant observer, Jo Harper combines the methods of macro and micro analysis with CDA, critical discourse analysis. He presents and interprets the constituent elements and issues of contemporary Poland: the main political forces, the Church, the media, issues of gender, the Russian connection, the much-disputed judicial reform and many others. A special feature of the book is the detailed examination of the coverage of the Poland’s latest two elections, one in 2019 (parliamentary) and the other in 2020 (presidential) in the British media, an insightful and witty specimen of comparative cultural and political analysis.

History.

The recent global wave of populist governments, which culminated in Donald Trump's victory in 2016, has convinced many observers that populism is a grave threat to democracy. In his new book, Kurt Weyland critiques recent scholarship for focusing too closely on cases where populist leaders have crushed democracy, and instead turns to the many cases where would populist-authoritarians have failed to overthrow democracy. Through a systematic comparative analysis of thirty populist chief executives in Latin America and Europe over the last four decades, Weyland reveals that populist leaders can only destroy democracy under special, restrictive conditions. Left-wing populists suffocate democracy only when benefitting from huge revenue windfalls, whereas right-wing populists must perform the heroic feat of resolving acute, severe crises. Because many populist chief executives do not face these propitious conditions, Weyland proves that despite populism's threat, democracy remains resilient.

Think you know everything there is to know about Hammer Films, the fabled "Studio that Dripped Blood?" The lowdown on all the imperishable classics of horror, like The Curse of Frankenstein, Horror of Dracula and The Devil Rides Out? What about the company's less blood-curdling back catalog? What about the musicals, comedies and travelogues, the fantasies and historical epics--not to mention the pirate adventures? This lavishly illustrated encyclopedia covers every Hammer film and television production in thorough detail, including budgets, shooting schedules, publicity and more, along with all the actors, supporting players, writers, directors, producers, composers and technicians. Packed with quotes, behind-the-scenes anecdotes, credit lists and production specifics, this all-inclusive reference work is the last word on this cherished cinematic institution.

This volume of essays and interviews by Polish, British, and American academics and journalists provides an overview of current Polish politics for both informed and non-specialist readers. The essays consider why and how PiS, Law and Justice, the party of Jarosław Kaczynski, returned to power, and the why and how of its policies while in power. They help to make sense of how “history” plays a key role in Polish public life and politics. The descriptions of PiS in Western media tend to rework old stereotypes about Eastern Europe that had lain dormant for some time. The book addresses the underlying question whether PiS was simply successful in understanding its electorate, and just helped Poland to revert to its normal state. This new Normal seems quite similar to the old one: insular, conservative, xenophobic, and statist. The book looks at the current struggle between one ‘Poland’ and another; between a Western-looking Poland and an inward-looking Poland, the former more interested in opening to the world, competing in open markets, and working within the EU, and the latter more concerned with holding onto tradition. The question of illiberalism has gone from an ‘Eastern’ problem (Russia, Turkey, Hungary, etc.) to a global one (Brexit and the U.S. elections). This makes the very specific analysis of Poland’s illiberalism applicable on a broader scale.

The “striking” holocaust memoir that that inspired the Oscar-winning film “conveys with exceptional immediacy . . . the author’s desperate fight for survival” (Kirkus Reviews). On September 23, 1939, Wladyslaw Szpilman played Chopin’s Nocturne in C-sharp minor live on the radio as shells exploded outside—so loudly that he couldn’t hear his piano. It was the last live music broadcast from Warsaw: That day, a German bomb hit the station, and Polish Radio went off the air. Though he lost his entire family, Szpilman survived in hiding. In the end, his life was saved by a German officer who heard him play the same Chopin Nocturne on a piano found among the rubble. Written immediately after the war and suppressed for decades, The Pianist is a stunning testament to human endurance and the redemptive power of fellow feeling. “Szpilman’s memoir of life in the Warsaw ghetto is remarkable not only for the heroism of its protagonists but for the author’s lack of bitterness, even optimism, in recounting the events.” —Library Journal “Employing language that has more in common with the understatement of Primo Levi than with the moral urgency of Elie Wiesel, Szpilman is a remarkably lucid observer and chronicler of how, while his family perished, he survived thanks to a combination of resourcefulness and chance.” —Publishers Weekly “[Szpilman’s] account is hair-raising beyond anything Hollywood could invent . . . an altogether unforgettable book.” —The Daily Telegraph “[Szpilman’s] shock and ensuing numbness become ours, so that acts of ordinary kindness or humanity take on an aura of miracle.” —The Observer