Meet Josephine, the most loveable mischief-maker in Barbados, in a magical, heartfelt adventure inspired by Caribbean mythology. * “A heart-wrenching adventure with big laughs and well-earned surprises.” –Kirkus Reviews, Starred Review Eleven-year-old Josephine knows that no one is good enough for her daddy. That's why she makes a habit of scaring his new girlfriends away. She's desperate to make it onto her school's cricket team because she'll get to play her favorite sport AND use the cricket matches to distract Daddy from dating. But when Coach Broomes announces that girls can't try out for the team, the frustrated Josephine cuts into a powerful silk cotton tree and accidentally summons a bigger problem into her life . . . The next day, Daddy brings home a new catch, a beautiful woman named Mariss. And unlike the other girlfriends, this one doesn't scare easily. Josephine knows there's something fishy about Mariss but she never expected her to be a vengeful sea creature eager to take her place as her father's first love! Can Josephine convince her friends to help her and use her cricket skills to save Daddy from Mariss's clutches before it's too late?

In this classic collection of 14 short stories, Fitzgerald evokes, with a mixture of nostalgia and ironic humor, his experiences growing up in the decade before World War II. The tales were originally written as two separate series for The Saturday Evening Post.

"Here Until August tracks the shimmer of precarious moments and transient moods with devastating precision. In their steady excavation of intimacy, these spacious stories bring Alice Munro to mind. I underlined sentence after sentence as I read: for their beauty, their clarity, and their wisdom. Josephine Rowe is a breathtakingly good writer, and this is a marvelous book." —Michelle de Kretser The stories in Here Until August follow the fates of characters who, by choice or by force, are traveling beyond the boundaries of their known worlds. These are people who move with the seasons. We meet them negotiating reluctant or cowardly departures, navigating uncertain returns, or biding the disquieting calm that so often precedes moments of decisive action. In one story, an agoraphobic French émigré compulsively watches disturbing footage from the other side of the world as she attempts to keep a dog named Chavez out of trouble. In another, a young couple weather the interiority of a Montreal winter, more attuned to the illicit goings–on of their neighbors than to their own hazy, unfolding futures. Other stories play out against the fictional counterparts of iconic Australian and American locales, places that are recognizable but set just beyond the brink of familiarity: flooded townships and distant islands, sunlit woodlands or paths made bright by ice, places of unpredictable access and spaces scrubbed from maps. From the Catskills to New South Wales, from the remote and abandoned island outports of Newfoundland to the sprawl of a North American metropolis, these transformative stories show how the places where we choose to live our lives can just as easily turn us inward as outward.