A guide for children. This book teaches children how to help the earth. The reader will learn about recycling, saving water, saving energy and more.

Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity. The essays in The World Is Our Home focus on writers who have explicitly addressed social and cultural issues in their fiction and drama, including Dorothy Allison, Horton Foote, Ernest J. Gaines, Jill McCorkle, Walker Percy, Lee Smith, William Styron, Alice Walker, and many others. The contributors provide valuable insights into the transformation of southern culture over the past thirty years and probe the social and cultural divisions that persist. The collection makes an important case for the centrality of social critique in contemporary southern fiction.

Nancy Reagan. David Hyde Pierce. Princess Yasmin. We share something with all three. That's why you have this book in your hand. Each has had a loved one ravaged by Alzheimer's Disease. We watched them morph into complete strangers who continue to look the same. Famous or not, the five million Alzheimer's victims in this country and their families are people trying to get through this tragedy. Whether beginning the search for diagnosis, adjusting to its reality, or wondering if you are doing the right thing, you are eager for answers. Whether the victim is in the early, moderate or severe stage you have doubts. Been there and done that. To the astonishment of doctors, we kept my wife at home and thriving for thirteen years with moderate to severe Alzheimer's Disease. To do that takes dedication, planning and faith. However, we are ordinary people and we did it. Many of you can too. I wrote this book because this disease has touched nearly a hundred friends either as victims, relatives or caregivers. During one half hour at my fifty-fifth college reunion, I learned of three more stricken classmates. This book is for them, their friends, families, and you.

What is home? The answer seems obvious. But Telling Our Stories of Home, an international collection of eleven plays by and about women from Lebanon, Haiti, Venezuela, Uganda, Palestine, Brazil, India, UK, and the US, complicates the answer. The "answer" includes stories as far-ranging as: enslaved women trying to create a home, one by any means necessary, and one in the ocean; siblings wrestling with their differing devotion to home after their mother's death; a family wrestling with the government's refusal to allow the burial of their soldier-son in their hometown; a young scholar attempting to feel at home after studying abroad; a young man fleeing home due to his sexual orientation only to discover the difficulty of creating home elsewhere, and Siddis (Indians of African descent) continuing to struggle for acceptance despite having lived in India for over 600 years. These are voices seldom represented to a larger audience. The plays and performance pieces range from 20 to 90-minute pieces and include a mix of monologue, duologue, and ensemble plays. Short yet powerful, they allow fantastic performance opportunities particularly in an age of social-distancing with flexible casts that together invite the theme of home to be performed and studied on the page. The plays include: The House by Arzé Khodr (Lebanon), Happy by Kia Corthron (US), The Blue of the Island by Évelyne Trouillot (Haiti), Nine Lives by Zodwa Nyoni (UK), Leaving, but Can't Let Go by Lupe Gehrenbeck (Venezuela), Questions of Home by Doreen Baingana (Uganda), On the Last Day of Spring by Fidaa Zidan (Palestine) Letting Go and Moving On by Louella Dizon San Juan (US), Antimemories of an Interrupted Trip by Aldri Anunciação (Brazil), So Goes We by Jacqueline E. Lawton (US), and Those Who Live Here, Those Who Live There by Geeta P. Siddi and Girija P. Siddi (India)

Reprint of the original, first published in 1873.