From the history-cloaked towns of Normandy and the fragrant lavender fields in Provence to the dew-kissed vineyards of Burgundy and Aquitaine, nothing compares with the beauty and the romance of France. The latest offering from the editors of Victoria magazine, Our Hearts Are in France takes readers on a memorable journey through this majestic country, where centuries-old chateaux rise from the riverbanks and snow-dusted mountains give way to rolling hills and fertile valleys sprinkled with tiny villages, each one more enchanting than the last. We visit the eternally alluring City of Light, where Julia Child honed her culinary skills, Parisians stroll pocket gardens brimming with roses, and love blooms beneath the graceful curves of the Eiffel Tower. Our Hearts Are in France is replete with page after page of beautiful interiors, from the idyllic retreat of Marie Antoinette and a pastoral farmhouse in Provence to the quaint quarters of an American in Paris, as well as with ideas for creating personal Gallic-inspired sanctuaries. And should one's palate long for a taste of French cuisine, we offer a cache of delectable recipes that are certain to delight both sweet and savory yearnings. Equal parts travel guide, design compendium, and cookbook--and a must for any Francophile-- Our Hearts Are in France honors and celebrates this magical land that holds such a special place in our hearts.

In a richly layered and beautifully illustrated narrative, Raymond Jonas tells the fascinating and surprisingly little-known story of the Sacré-Coeur, or Sacred Heart. The highest point in Paris and a celebrated tourist destination, the white-domed basilica of Sacré-Coeur on Montmartre is a key monument both to French Catholicism and to French national identity. Jonas masterfully reconstructs the history of the devotion responsible for the basilica, beginning with the apparition of the Sacred Heart to Marguerite Marie Alacoque in the seventeenth century, through the French Revolution and its aftermath, to the construction of the monumental church that has loomed over Paris since the end of the nineteenth century. Jonas focuses on key moments in the development of the cult: the founding apparition, its invocation during the plague of Marseilles, its adaptation as a royalist symbol during the French Revolution, and its elevation to a central position in Catholic devotional and political life in the crisis surrounding the Franco-Prussian War. He draws on a wealth of archival sources to produce a learned yet accessible narrative that encompasses a remarkable sweep of French politics, history, architecture, and art.

Our Hearts Are in England offers an impassioned salute to our most cherished destinations.

One year and one arduous home-renovation into their marriage, Ken and Bing head to the French countryside to celebrate their long-delayed honeymoon, swearing they're getting out of the home-fixing business for good. When they fall in love with the village of La Montagne Noire, they find themselves buying a fixer-upper and starting all over again-but this time, in French! McAdams recounts their mishaps and misadventures with humor, capturing the essence of French village life, the awkwardness of being foreigners in a close-knit town, the couple's hilarious linguistic pratfalls, and how the mammoth undertaking that threatens to tear their new marriage apart ultimately brings them closer together and helps them find a place in the community they have grown to love.

WINNER OF THE 2022 FRENCH HERITAGE SOCIETY BOOK AWARD The profound emotion felt around the world upon seeing images of Notre-Dame in flames opens up a series of questions: Why was everyone so deeply moved? Why does Notre-Dame so clearly crystallise what our civilisation is about? What makes ‘Our Lady of Paris’ the soul of a nation and a symbol of human achievement? What is it that speaks so directly to us today? In answer, Agnès Poirier turns to the defining moments in Notre-Dame’s history. Beginning with the laying of the corner stone in 1163, she recounts the conversion of Henri IV to Catholicism, the coronation of Napoleon, Victor Hugo’s nineteenth-century campaign to preserve the cathedral, Baron Haussmann’s clearing of the streets in front of it, the Liberation in 1944, the 1950s film of The Hunchback of Notre-Dame, starring Gina Lollobrigida and Anthony Quinn, and the state funeral of Charles de Gaulle, before returning to the present. The conflict over Notre-Dame’s reconstruction promises to be fierce. Nothing short of a cultural war is already brewing between the wise and the daring, the sincere and the opportunist, historians and militants, the devout and secularists. It is here that Poirier reveals the deep malaise – gilet jaunes and all – at the heart of the France.

Frederick Brown, cultural historian, author of acclaimed biographies of Émile Zola (“Magnificent”—The New Yorker) and Flaubert (“Splendid . . . Intellectually nuanced, exquisitely written”—The New Republic) now gives us an ambitious, far-reaching book—a perfect joining of subject and writer: a portrait of fin-de-siècle France. He writes about the forces that led up to the twilight years of the nineteenth century when France, defeated by Prussia in the Franco-Prussian War of 1870–71, was forced to cede the border states of Alsace and Lorraine, and of the resulting civil war, waged without restraint, that toppled Napoléon III, crushed the Paris Commune, and provoked a dangerous nationalism that gripped the Republic. The author describes how postwar France, a nation splintered in the face of humiliation by the foreigner—Prussia—dissolved into two cultural factions: moderates, proponents of a secular state (“Clericalism, there is the enemy!”), and reactionaries, who saw their ideal nation—militant, Catholic, royalist—embodied by Joan of Arc, with their message, that France had suffered its defeat in 1871 for having betrayed its true faith. A bitter debate took hold of the heart and soul of the country, framed by the vision of “science” and “technological advancement” versus “supernatural intervention.” Brown shows us how Paris’s most iconic monuments that rose up during those years bear witness to the passionate decades-long quarrel. At one end of Paris was Gustave Eiffel’s tower, built in iron and more than a thousand feet tall, the beacon of a forward-looking nation; at Paris’ other end, at the highest point in the city, the basilica of the Sacré-Coeur, atonement for the country’s sins and moral laxity whose punishment was France’s defeat in the war . . . Brown makes clear that the Dreyfus Affair—the cannonade of the 1890s—can only be understood in light of these converging forces. “The Affair” shaped the character of public debate and informed private life. At stake was the fate of a Republic born during the Franco-Prussian War and reared against bitter opposition. The losses that abounded during this time—the financial loss suffered by thousands in the crash of the Union Génerale, a bank founded in 1875 to promote Catholic interests with Catholic capital outside the Rothschilds’ sphere of influence, along with the failure of the Panama Canal Company—spurred the partisan press, which blamed both disasters on Jewry. The author writes how the roiling conflicts that began thirty years before Dreyfus did not end with his exoneration in 1900. Instead they became the festering point that led to France’s surrender to Hitler’s armies in 1940, when the Third Republic fell and the Vichy government replaced it, with Marshal Pétain heralded as the latest incarnation of Joan of Arc, France’s savior . . .

On 12 April 1919, the Paris police arrested a bald, short, 50-year-old swindler at his apartment near the Gare du Nord, acting on a lead from a humble housemaid. A century later, Henri Désiré Landru remains the most notorious and enigmatic serial killer in French criminal history, a riddle at the heart of an unsolved murder puzzle. The official version of Landrus lethal rampage was so shocking that it almost defied belief. According to the authorities, Landru had made “romantic contact” with 283 women during the First World War, luring ten of them to his country houses outside Paris where he killed them for their money. Yet no bodies were ever found, while Landru obdurately protested his innocence. “It is for you to prove the deeds of which I am accused,” he sneered at the investigating magistrate. The true story of laffaire Landru, buried in the Paris police archives for the past century, was altogether more disturbing. In Landrus Secret, Richard Tomlinson draws on more than 5,000 pages of original case documents, including witness statements, police reports and private correspondence, to reveal for the first time that: Landru killed more women than the 10 victims on the charge sheet. The police failed to trace at least 72 of the women he contacted. The authorities ignored the key victim who explained why the killings began. Landru did not kill for money, but to revel in his power over what he called the “feeble sex”. Lavishly illustrated with previous unpublished photographs, Landrus Secret is a story for our times: a female revengers tragedy starring the mothers and sisters of the missing fiancées, a lethal misogynist and Frances greatest defense lawyer, intent on saving his repulsive client from the guillotine.