How did the Seregenti become an internationally renowned African conservation site and one of the most iconic destinations for a safari? In this book, Thomas M. Lekan illuminates the controversial origins of this national park by examining how Europe's greatest wildlife conservationist, former Frankfurt Zoo director and Oscar-winning documentarian Bernhard Grzimek, popularized it as a global destination. In the 1950s, Grimzek and his son Michael began a quest to save the Serengeti from modernization and "overpopulation" by remaking an imperial game reserve into a gigantic zoo for the earth's last great mammals. Grzimek, well-known to German audiences through his long-running television program, A Place for Animals, used the film Seregenti Shall Not Die to convince ordinary Europeans that they could save nature. Yet their message sidestepped the uncomfortable legacies of German colonial exploitation in the region that had endangered animals and excluded local people. After independence, Grzimek raised funds, brokered diplomatic favors, and convinced German tourists to book travel packages--all to persuade Tanzanian leader Julius Nyerere that wildlife would fuel the young nation's economic development. Grzimek helped Tanzania to create almost a dozen new national parks by 1975, but wooing tourists conflicted with rights of the Maasai and other African communities to inhabit the landscape on their own terms. Grzimek's global priorities eventually clashed with Nyerere's nationalist ones, as a more self-assertive Tanzania resented conservationists' meddling and failed promises. A story that demonstrates the conflicts between international conservation, nature tourism, decolonization, and national sovereignty, Our Gigantic Zoo explores the legacy of the man who portrayed himself as a second Noah, called on a sacred mission to protect the last vestiges of paradise for all humankind.

Infrastructures are fundamental means through which societies create spaces, but little is known about the precise ways in which this occurs. How have infrastructures animated certain understandings of space? How do infrastructures stabilize, or undermine, the spatial formats in which we live, which shape our everyday practices and which regulate access to services and resources? And, conversely, how do spaces frame the ways infrastructural provision is organized? How do existing spaces shape infrastructural development and the scope and forms of access to vital services such as transport and water? In this volume, historians and sociologists draw on a range of fascinating case studies and provide compelling answers to these questions. Exploring, among others, the provision of irrigation water in nineteenth-century Los Angeles, the invention of airport transit zones, and the infrastructural practices of homeless people in Berlin, the book demonstrates how the making of spaces through infrastructure is deeply political. Intent on revealing uneven geographies of provision and hierarchies of access, the contributors highlight how infrastructures are products of global entanglements.

From tiny rodents to gigantic elephants, LIFE-SIZE ZOO is full of remarkably vivid and detailed close-up photographs of more than twenty animals, including a tiger, panda, meerkat, sea lion, giraffe, camel, zebra, rhinoceros, elephant (adult and baby), aardvark, gorilla, capybara, anteater, sloth and armadillo. Includes facts about each animal.

In text and photographs, describes the behavior of zoo animals who live, take a drink, or play in the water.

In the grand tradition of Rien Poortvliet's "Gnomes," James Gurney's "Dinotopia," and Brian Froud's "Good Faeries/Bad Faeries" comes a masterpiece of fantasy artQa brilliantly original world that comes to life through illustrations of remarkable beauty and richness. One of the premier creature designers in the world, Whitlatch's creations have appeared in such films as Jumanji and Dragonheart, and Star Wars: Episode One. 0-7432-2500-7$29.95 / Simon & Schuster

A moving, vividly rendered novel from the late author of The Basketball Diaries. When poet, musician, and diarist Jim Carroll died in September 2009, he was putting the finishing touches on a potent work of fiction. The Petting Zoo tells the story of Billy Wolfram, an enigmatic thirty- eight-year-old artist who has become a hot star in the late-1980s New York art scene. As the novel opens, Billy, after viewing a show of Velázquez paintings, is so humbled and awed by their spiritual power that he suffers an emotional breakdown and withdraws to his Chelsea loft. In seclusion, Billy searches for the divine spark in his own work and life. Carroll's novel moves back and forth in time to present emblematic moments from Billy's life (his Irish Catholic upbringing, his teenage escapades, his evolution as an artist and meteoric rise to fame) and sharply etched portraits of the characters who mattered most to him, including his childhood friend Denny MacAbee, now a famous rock musician; his mentor, the unforgettable art dealer Max Bernbaum; and one extraordinary black bird. Marked by Carroll's sharp wit, hallucinatory imagery, and street-smart style, The Petting Zoo is a frank, haunting examination of one artist's personal and professional struggles.

Winner of the 2018 Cave Canem Northwestern University Press Poetry Prize Tsitsi Ella Jaji’s second full-length collection of poems, Mother Tongues, begins at home, with the first words and loves we learn, and the most intimate vows we swear. How deep does your language go back? Jaji’s artful verse is a three-tiered gourd of sustenance, vessel, and folklore. The tongues speak the beginnings and the present; they capture and claim the losses, the ironies, and a poet’s human evolution. Mother Tongues is a collection of language unto itself that translates directly to the heart.