From The Birth Of A Nation To The Death Of Journalism Since its founding by a bloodthirsty tyrant in 1756, The Onion has not merely changed the way we think about the news -- it has changed whether we think about the news at all. As the first decade of this new millennium draws to a close, Our Front Pages shows us the first thing that presidents, kings, prime ministers, and popes saw when they opened their eyes each morning for the last 21 years. Now you, the common reader and citizen, can see what they saw and be as informed as they were with this important retrospective of the past two decades. You, too, will realize what generations before have realized and generations yet unborn will some day realize in turn: The Onion is not merely the chronicle of America. The Onion is America.

The Onion has quickly become the world's most popular humor publication, misinforming half a million readers a week with one-of-a-kind social satire both in print (on newsstands nationwide) and online from its remote office in Madison, Wisconsin. Witness the march of history as Editor-in-Chief Scott Dikkers and The Onion's award-winning writing staff present the twentieth century like you've never seen it before.

Suffragists recognized that the media played an essential role in the women's suffrage movement and the public's understanding of it. From parades to going to jail for voting, activists played to the mass media of their day. They also created an energetic niche media of suffragist journalism and publications. This collection offers new research on media issues related to the women's suffrage movement. Contributors incorporate media theory, historiography, and innovative approaches to social movements while discussing the vexed relationship between the media and debates over suffrage. Aiming to correct past oversights, the essays explore overlooked topics such as coverage by African American and Mormon-oriented media, media portrayals of black women in the movement, suffragist rhetorical strategies, elites within the movement, suffrage as part of broader campaigns for social transformation, and the influence views of white masculinity had on press coverage. Contributors: Maurine H. Beasley, Sherilyn Cox Bennion, Jinx C. Broussard, Teri Finneman, Kathy Roberts Forde, Linda M. Grasso, Carolyn Kitch, Brooke Kroeger, Linda J. Lumsden, Jane Marcellus, Jane Rhodes, Linda Steiner, and Robin Sundaramoorthy

Front Pages is an illustrated novel of the real world created by the painter Nancy Chunn. Every day of 1996 Chunn claimed as an artistic canvas the front page of the New York Times. Using specialized rubber stamps and bold pastels to enhance, eradicate, and alter images and text, she created a commentary - colorful, intense, smart, compassionate, visually explosive - on the year's events and the power of the press. When these artworks were shown at the Ronald Feldman Gallery in New York, they created a sensation. Chunn's treatment of the events we all lived through - the Presidential campaign, the crash of TWA flight 800, the wars in Chechnya and Rwanda - will strike an immediate chord in readers tuned in to the complex frequencies of a political world awash in images and news. Gary Indiana's interview with the artist provides lively and intimate insights into the artistic process as means of talking back to power and engaging with the world. Front Pages is being published to coincide with an exhibition of these works at The Corcoran Gallery of Art in Washington, DC, January 10-March 2, 1998.

Clarke Thomas has compiled a two-hundred-year history of the Pittsburgh Post-Gazette, the first paper published west of the Alleghenies. From the Whiskey Rebellion to the present, the stories the paper covered reveal the history of Pittsburgh and the people who live there.

When Barack Obama became president - elected on November 4, 2008 - he transformed Martin s Luther King s dream into reality. Obama, and the 66.3 million Americans who voted for him, proved to the world that all things are possible. And the day after, people from coast to coast lined up to buy newspapers as souvenirs. The demand was unprecedented, with stands and stores quickly selling out: USA Today sold an extra 380,000 copies, for example, while the Atlanta Journal-Constitution went back to print five times. Now, everyone can own a piece of history, thanks to this gorgeous commemorative album of front pages that capture Barack Obama s extraordinary journey to the White House. Featuring newspapers both domestic and foreign and depicting all the landmarks in this groundbreaking campaign -including the inauguration itself - Obama is a stunning keepsake for all who experienced this remarkable moment... and for future generations, too.