Joshua Cox and wife Mary Rankin came to Pennsylvania in 1725-1729 from Ireland. He died ca. 1747. The family moved to Virginia in 1756. Allied families were Ward, Elliott, Cornett, Bryan, Sutherland, Dick, and others. Descendants lived in Virginia, Maryland, Washington and elsewhere in the United States.

Offers instructions or "recipes" for creating new family rituals or traditions, in categories such as "holidays," "family festivities and ceremonies," and "rites of passage."

A young girl tries out different genres and instruments in this exuberant celebration of music, winner of the Coretta Scott King New Talent Award--now available in a special anniversary edition. This is my family. We all love music, begins a young percussionist. When she plays with her father, a cellist, she taps the triangle. With her sister's marching band, she crashes cymbals together. At her aunt's jazz show, she taps a woodblock. Elbrite Brown's lively cut-paper illustrations, for which he was awarded the Coretta Scott King New Talent Award, depict this diverse, joyous family dancing, strumming, drumming and fiddling their way through a tour of major musical styles--everything from classical string quartets, to rock and roll, to the youngest niece banging on pots and pans. They love music--and most of all, they love to celebrate and play it together. Includes a glossary covering types of music and instruments mentioned.

This volume concentrates on Henry Bishop Sr., and his wife Francis "Fanny" Simpkins Bishop, and their many descendants. Henry was the son of Hans Johannes Bischoff and Margaretha Overmeyer, and settled in the Floyd County Virginia area as a child with his parents. His family remained there, and many of his descendants are in that area to this day. The major sources for this volume have been Mrs. Joyce Buckert, of Illinois, she published the first and most well know volume about Henry and his descendants, and much of the information contained in this volume utilizes her information (with her permission) as well as quite a few updates that Ms. Buckert has been so kind as to provide. Of course, anyone researching the Descendants of Henry Bishop and Fanny Simpkins should absolutely refer to Ms. Buckert's original publication as well as utilizing this volume to supplement the research for any additional, later added, information.

Research on the Cox family genealogy was begun by Rev. Simeon O. Coxe (1877-1955). Verl F. Weight (one of the many descendants of the Cox family) and Mrs. Charles W. Cox (Willie Miller) further researched, compiled and published the information into the first edition in mimeographed copies in 1962. When time took its toll on these copies and years of work began to fade away, Mary Carol Cox volunteered to retype and publish As A Tree Grows into a paperback book.

Tracing public and critical responses to TV from its pioneering days, this book gathers and gives context to the reactions of those who saw television's early broadcasts—from the privileged few who witnessed experimental and limited-schedule programming in the 1920s and 1930s, to those who bought TV sets and hoisted antennae in the post-World War II television boom, to still more who invested in color receivers and cable subscriptions in the 1960s. While the first two major sections of this study show the views of television's first broad public, the third section shows how social and media critics, literary and visual artists, and others have expressed their charmed or chagrinned responses to television in its earliest decades. Media-jaded Americans, especially younger ones, would be surprised to know how eagerly their forebears anticipated the arrival of television. Tracing public and critical responses to TV from its pioneering days, this book gathers and gives context to the reactions of those who saw television's early broadcasts-from the privileged few who witnessed experimental and limited-schedule programming in the 1920s and 1930s, to those who bought TV sets and hoisted antennae in the post-World War II television boom, to still more who invested in color receivers and cable subscriptions in the 1960s. Viewers' comments recall the excitement of owning the first TV receiver in the neighborhood, show the vexing challenges of reception, and record the pleasure that all young and many older watchers found in early network and local programs from the beginning to the fast-changing 1960s. While the first two major sections of this study show the views of television's first broad public, the third section shows how social and media critics, literary and visual artists, and others have expressed their charmed or chagrinned responses to television in its earliest decades.