Our Country Then and Now takes us on a 400-year journey through America’s history, providing unique snapshots from African enslavement, native dispossession, financial scandals, and wars of expansion and aggression, interspersed with tales from author Richard C. Cook’s ancestry—from Puritan forebears to fighters in the American Revolutionary War and the Civil War, to Midwest Pioneer farmers and their relations with native nations. As a former NASA whistleblower, then US Treasury analyst, Cook dwells in particular on how the financial oligarchy aggrandized itself via a fractional reserve banking system that ultimately corrupted America’s originally proclaimed democratic and egalitarian values. He addresses how the British, European, and US bankers hijacked the American monetary system by placing it under control of the Money Trust through the creation of the Federal Reserve System in 1913, how this then financed the British takedown of rival Germany, triggered the Great Depression by shipping US gold to Britain and Europe, and led to the Bretton Woods agreements, the creation of the International Monetary Fund, and the Marshall Plan, which combined to place the world’s economy under the control of the US dollar. After World War II, the US financial oligarchs created the “national security state” headed by the CIA to rule the world through assassinations, financial thievery, and overthrow of governments. They elevated the Soviet Union into a bogeymen to justify the vast quantity of Federal Reserve “money printing” required to subsidize an out-of-control war budget and hundreds of US military bases around the world. These measures led to worldwide dollar supremacy under control of the Rockefeller dynasty, with the US National Security State—aka today’s “Deep State”—and the CIA set up to enforce the bankers’ financial hegemony that has lasted until now. Finally Cook addresses his efforts, along with Stephen Zarlenga of the American Monetary Institute and Congressman Dennis Kucinich, that resulted in the NEED Act of 2011 intended to end the Federal Reserve, and restore democratic control over the nation’s financial system, explaining how such reforms could save the US from today’s terminal hollowed-out economy.

LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.

Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

NATIONAL BESTSELLER • Discover the game-changing theory of the cycles of history and what past generations can teach us about living through times of upheaval—with deep insights into the roles that Boomers, Generation X, and Millennials have to play—now with a new preface by Neil Howe. First comes a High, a period of confident expansion. Next comes an Awakening, a time of spiritual exploration and rebellion. Then comes an Unraveling, in which individualism triumphs over crumbling institutions. Last comes a Crisis—the Fourth Turning—when society passes through a great and perilous gate in history. William Strauss and Neil Howe will change the way you see the world—and your place in it. With blazing originality, The Fourth Turning illuminates the past, explains the present, and reimagines the future. Most remarkably, it offers an utterly persuasive prophecy about how America’s past will predict what comes next. Strauss and Howe base this vision on a provocative theory of American history. The authors look back five hundred years and uncover a distinct pattern: Modern history moves in cycles, each one lasting about the length of a long human life, each composed of four twenty-year eras—or “turnings”—that comprise history’s seasonal rhythm of growth, maturation, entropy, and rebirth. Illustrating this cycle through a brilliant analysis of the post–World War II period, The Fourth Turning offers bold predictions about how all of us can prepare, individually and collectively, for this rendezvous with destiny.

Singapore Then and Now brings together rare archival images of this global city-state and matches them with specially commissioned photos of the same sites as they appear today. Vaughan Grylls (author/photographer of Oxford Then and Now, Cambridge Then and Now and Hong Kong Then and Now) has rounded up all of the key sites that make up this fascinating and diverse place, from gleaming new skyscrapers and shopping malls to magnificent temples and ancient rainforests. The breathtaking contrast between past and present make this a fascinating addition to the long-running Then and Now series. Sites include: Elgin Bridge, Empress Place Building, Victoria Theatre and Concert Hall, Fullerton Hotel, Johnston’s Pier, Singapore Cricket Club, the Supreme Court, Capitol Theatre, Raffles Hotel, Masjid Sultan Mosque, Ellison Building, Coleman Bridge, Fort Canning, National Museum, YMCA Building, Cathay Building, Thian Hock Keng Temple, Sri Mariamman Temple, Tanjong Pagar Dock, Marina Bay Sands Hotel, Johor–Singapore Causeway, Ford Factory, Changi Village.

One of America's foremost philosophers challenges the lost generation of the American Left to understand the role it might play in the great tradition of democratic intellectual labor that started with writers such as Walt Whitman and John Dewey.