Adrian Stokes (1902-72) - aesthete, critic, painter and poet - is among the most original and creative writers on art of the twentieth century. He was the author of over twenty critical books and numerous papers: for example, the remarkable series of books published in the 1930s; The Quattro Cento (1932), Stones of Rimini (1934), and Colour and Form (1937) that embraced Mediterranean culture and modernity. His criticism extends the evocative English aesthetic tradition of Walter Pater and John Ruskin into the present, endowed by a stern sensibility to the consolations offered by art and architecture, and the insights that psychoanalysis affords. Indeed, for Stokes architecture provides the entree into art, and this book is the first study to comprehensively examine Stokess theory of art from a specifically architectonic perspective. The volume explores the crucial experiences through which this architectonic awareness evolved; traces the influence upon Stokes of places, texts and personalities, and examines how his theory of art developed and matured. The argument is supported by appropriate illustrations to confirm the evidence that Stokess claim for architecture as mother of the arts carries the deepest experiential and psychological import.

The paleontologist and professor of anatomy who co-discovered Tiktaalik, the “fish with hands,” tells a “compelling scientific adventure story that will change forever how you understand what it means to be human” (Oliver Sacks). By examining fossils and DNA, he shows us that our hands actually resemble fish fins, our heads are organized like long-extinct jawless fish, and major parts of our genomes look and function like those of worms and bacteria. Your Inner Fish makes us look at ourselves and our world in an illuminating new light. This is science writing at its finest—enlightening, accessible and told with irresistible enthusiasm.