Before Hitler comes to power, Otto Abetz is a left-wing Francophile teacher in provincial Germany, mobilising young French and German idealists to work together for peace through Franco-German reconciliation and a united Europe. Abetz marries a French girl but, after 1933, succumbs to the Nazi sirens. Ribbentrop recruits him as his expert on France, tasking him with soothing the nervous French, as Hitler turns Germany into a war machine. Abetz builds up a network of opinion-moulding French men and women who admire the Nazis and detest the Bolsheviks, and encourages them to use their pens to highlight Hitler's triumphs. In 1939, France expels Abetz as a Nazi agent. The following year he returns in triumph with the German army as Hitler appoints him as his ambassador in Paris. During the war, Abetz (apart from 'securing' works of art and playing a role in the deportation of Jews) manoeuvres three of his French publicist friends -- Jean Luchaire, Fernand de Brinon, Drieu la Rochelle into key positions, from where they can laud Nazi achievements and denigrate the Resistance. A prime question the author addresses is why these writers, and two others, Jules Romains and Bertrand de Jouvenel -- all of whom had close Jewish family connections -- supported the Nazi ideology. At the war's end, Drieu commits suicide, while Luchaire and Brinon are tried and executed as traitors. Abetz, charged with war crimes, pleads that he has saved France from being 'Polonised', but a French court finds him guilty and he is imprisoned. Released early, he dies in a mysterious car crash -- a saboteur being suspected of having tampered with the steering.

Gaetano Salvemini (1873 – 1957), one of the most influential Italian intellectuals of his generation, was an historian, a professor, and a tireless anti-fascist who mentored a new generation of young intellectuals and political activists, such as Piero Gobetti, Ernesto Rossi, and Carlo & Nello Rosselli. After losing his wife and children in the 1908 Messina earthquake, Salvemini began a new family with his second wife, Fernande Dauriac, and her two children, Jean and Ghita. Yet, despite its marked influence on his life and politics, Salvemini’s second family and its involvement with fascism has never been studied before. By exploiting hitherto unused archival sources, The Inimical Son explores an until-now little known dimension of Salvemini's life; it uncovers the personal costs of his anti-fascism, including the tragic embrace of fascism by his stepson, Jean Luchaire.

This four-volume set provides reference entries, primary documents, and personal accounts from individuals who lived through the Holocaust that allow readers to better understand the cultural, political, and economic motivations that spurred the Final Solution. The Holocaust that occurred during World War II remains one of the deadliest genocides in human history, with an estimated two-thirds of the 9 million Jews in Europe at the time being killed as a result of the policies of Adolf Hitler and Nazi Germany. The Holocaust: An Encyclopedia and Document Collection provides students with an all-encompassing resource for learning about this tragic event—a four-book collection that provides detailed information as well as multidisciplinary perspectives that will serve as a gateway to meaningful discussion and further research. The first two volumes present reference entries on significant individuals of the Holocaust (both victims and perpetrators), anti-Semitic ideology, and annihilationist policies advocated by the Nazi regime, giving readers insight into the social, political, cultural, military, and economic aspects of the Holocaust while enabling them to better understand the Final Solution in Europe during World War II and its lasting legacy. The third volume of the set presents memoirs and personal narratives that describe in their own words the experiences of survivors and resistors who lived through the chaos and horror of the Final Solution. The last volume consists of primary documents, including government decrees and military orders, propaganda in the form of newspapers and pamphlets, war crime trial transcripts, and other items that provide a direct look at the causes and consequences of the Holocaust under the Nazi regime. By examining these primary sources, users can have a deeper understanding of the ideas and policies used by perpetrators to justify their actions in the annihilation of the Jews of Europe. The set not only provides an invaluable and comprehensive research tool on the Holocaust but also offers historical perspective and examination of the origins of the discontent and cultural resentment that resulted in the Holocaust—subject matter that remains highly relevant to key problems facing human society in the 21st century and beyond.

"This book examines the shifting attitudes toward Wagner reflected in the Parisian press during the period of the Third Reich. Paradoxically, during one of the darkest periods of French history, as the German threat grew more tangible and then manifested in the Nazi occupation of France, Parisians chose to see in Wagner a universality that transcended his Germanness. As Franco-German diplomatic relations gradually worsened in the 1930s, Wagner became an increasingly integral part of French musical culture. Parisians were unwilling to surrender Wagner to German exclusivist claims. In previous decades the French had used Wagner to symbolize a diverse array of political arguments and positions, from right-wing nationalism to left-wing humanism and egalitarianism, In the 1930s, however, the Parisian press depicted him as a universalist. Although Wagner had stood in for German nationalism and chauvinism in recent periods of Franco-German conflict, in the 1930s Parisians refused this notion and attempted to reclaim his role in their own national history and imagination. Even once war was declared in 1939 and a ban on the performance of Wagner's music was implemented, commentators insisted that it was simply a temporary measure designed to avoid public disturbance. Simultaneously, they maintained that 'music has no borders,' and that 'it is childish to mix art and politics.' The Wagner discourses that emerged from the 1930s Parisian press paved the way for the dominant Wagner discourse in the German-controlled Occupation press: Collaboration through Wagner. By a great irony of history, the concept of Wagner the universalist that had been used to resist the Nazis in the 1930s was transformed into the infamous collaborationist rhetoric promoted by the Vichy government between 1940 and 1944"--

In A World At War, 1911-1949, leading and emerging scholars of the cultural history of the two world wars begin to break down the traditional barriers between the historiographies of the two conflicts, identifying commonalities as well as casting new light on each as part of a broader mission, in honour of Professor John Horne, to expand the boundaries of academic exploration of warfare in the 20th century. Utilizing techniques and approaches developed by cultural historians of the First World War, this volume showcases and explores four crucial themes relating to the socio-cultural attributes and representation of war that cut across both the First and Second World Wars: cultural mobilization, the nature and depiction of combat, the experience of civilians under fire, and the different meanings of victory and defeat. Contributors are: Annette Becker, Robert Dale, Alex Dowdall, Robert Gerwarth, John Horne, Tomás Irish, Heather Jones, Alan Kramer, Edward Madigan, Anthony McElligott, Michael S. Neiberg, John Paul Newman, Catriona Pennell, Filipe Ribeiro de Meneses, Daniel Todman, and Jay Winter. See inside the book.

By 1943, Henri Lafont was the most powerful Frenchman in occupied Paris. Once a petty criminal running from the French police, when he found himself recruited by the Nazis his life changed for ever. Lafont established a motley band of sadistic oddballs that became known as the French Gestapo and included ex-footballers, faded aristocrats, pimps, murderers and thieves. The gang wore the finest clothes, ate at the best restaurants and threw parties for the rich and famous out of their headquarters on the exclusive rue Lauriston. In this vivid portrait, Christopher Othen explores how Lafont and his criminal clan rampaged across Paris through the Second World War – until the Allies liberated France, and a terrible price had to be paid.

Weaving together a number of disparate themes relating to Holocaust perpetrators, this book shows how Nazi Germany propelled a vast number of Europeans to try to re-engineer the population base of the continent through mass murder. A comprehensive introductory essay, along with a detailed chronology, reference entries, primary sources, images, and a bibliography provide crucial information that readers need in order to understand Hitler's plan, as carried out through legislation and armed violence. The book also demonstrates that both within Nazi Germany, and in other parts of Europe, all sectors of society played a role in planning, facilitating, and executing the Final Solution. In addition to entries on nearly 150 perpetrators, the book includes 25 primary source documents, ranging from government memoranda to first-hand observations of Nazi killing activities to field reports from senior officers on the scene of Holocaust killing sites. Also included are excerpts from literary memoirs. Students and researchers will find these documents to be fascinating statements as well as excellent source material for further research.