In this fresh, funny, strikingly original memoir, Rafkin talks about her invisible status as a domestic worker in a world of illicit sex and secret lives, of closet alcoholics and binge eaters, unlikely spiritualists, and revealing celebrities.

Dirt, soil, call it what you want—it's everywhere we go. It is the root of our existence, supporting our feet, our farms, our cities. This fascinating yet disquieting book finds, however, that we are running out of dirt, and it's no laughing matter. An engaging natural and cultural history of soil that sweeps from ancient civilizations to modern times, Dirt: The Erosion of Civilizations explores the compelling idea that we are—and have long been—using up Earth's soil. Once bare of protective vegetation and exposed to wind and rain, cultivated soils erode bit by bit, slowly enough to be ignored in a single lifetime but fast enough over centuries to limit the lifespan of civilizations. A rich mix of history, archaeology and geology, Dirt traces the role of soil use and abuse in the history of Mesopotamia, Ancient Greece, the Roman Empire, China, European colonialism, Central America, and the American push westward. We see how soil has shaped us and we have shaped soil—as society after society has risen, prospered, and plowed through a natural endowment of fertile dirt. David R. Montgomery sees in the recent rise of organic and no-till farming the hope for a new agricultural revolution that might help us avoid the fate of previous civilizations.

Delve Into the Fascinating World of Dirt Dirt is a matter of opinion, according to public health and hygiene authority Terence McLaughli. In this engaging, thoroughly-researched, and often humorous study of the “imperfections” of human existence and our relationship to them, McClaughlin dissects human attitudes about the slime, mud, stench and filth which has accompanied society through history. Our notion of cleanliness has a marked cultural aspect. For instance, McLaughlin cites Old Testament examples of cleanliness which, unbeknownst at the time, helped protect observant followers from the plague. The famous baths of ancient Rome were seen as progress for personal hygiene, and later scorned by Christians who rejected all things Roman. McLaughlin recites a long litany of examples of how we accept or reject substances, exploring why we dislike sensations such as stickiness and sliminess. Cultural attitudes about everything from factory smoke to personal hygiene are constantly shifting with the economic and political exigencies of the era. In this age of pandemic viruses, there has never been a more important time to observe how people think about the possible contaminants around us. Dirt is a key resource for anyone wishing to understand humanity’s role in shaping our environment.

There are times when an idyllic childhood in Ireland, even for just a few years, can sustain that child as he grows older, encountering physical abuse and terror. That was so for me between 1949 and 1953.

Jaded by a failed marriage and long unemployment, a former depot stocker learns news that may resurrect his long-vacant town. His first love has reappeared, however, with new possibilities... News of a former professor's death causes a field archeologist to recall their final meeting, the professor's less-than-picturesque ancestral home, and a beautiful painting... Amid concerns over her daughter, her husband's co-workers and her looks, a wife and mother receives support from the women of her apartment community... A photographer seeks to restore his cancer survivor wife's self-image, at the same time recapturing a lost photo of her upon a special chair... Inspired by the everyday, the moving, the brief, but always remarkable instances too special to ignore, author B.T. James offers his first collection of short works: MOMENTS: A NOVELLA AND SHORT STORIES. BT JAMES acquired two skills early on that would serve him well in the writing abilities he would soon discover. A restrictive environment growing up in Lebanon, PA often demanded him to sit quietly, so he occupied himself observing what was around him. Anyone who knew him back then, however, would also call attention (some concerned but mostly appreciative) to his vivid imagination. Mr. James was inspired to write PORTRAIT OF AN EGYPTIAN WOMAN in 1989. When family issues caused him to exchange journalism and radio for more predictable work, he concentrated on his own fiction, completing RETRO SUIT (1995) and THE NAPOLEON CHAIR (1996). CONVENIENT ACCESS ROAD (2001) was the most challenging of the four works from two standpoints: literary (first novella) and circumstantial (two widely geographical moves, two drastic employment changes and his father's death). He lives in Harrisburg, PA with his wife and two children.

Drawing upon several years of research in Germany, the UK, Spain, and Austria, and over 100 interviews with Peruvian, Ecuadorian and Chilean women working as domestic and care workers, this book examines hitherto unexplored areas of the interpersonal relationships between domestic and care workers and their employers.

"También de este lado hay sueños. On this side, too, there are dreams. Lydia Quixano Perez lives in the Mexican city of Acapulco. She runs a bookstore. She has a son, Luca, the love of her life, and a wonderful husband who is a journalist. And while there are cracks beginning to show in Acapulco because of the drug cartels, her life is, by and large, fairly comfortable. Even though she knows they'll never sell, Lydia stocks some of her all-time favorite books in her store. And then one day a man enters the shop to browse and comes up to the register with four books he would like to buy--two of them her favorites. Javier is erudite. He is charming. And, unbeknownst to Lydia, he is the jefe of the newest drug cartel that has gruesomely taken over the city. When Lydia's husband's tell-all profile of Javier is published, none of their lives will ever be the same. Forced to flee, Lydia and eight-year-old Luca soon find themselves miles and worlds away from their comfortable middle-class existence. Instantly transformed into migrants, Lydia and Luca ride la bestia--trains that make their way north toward the United States, which is the only place Javier's reach doesn't extend. As they join the countless people trying to reach el norte, Lydia soon sees that everyone is running from something. But what exactly are they running to? American Dirt will leave readers utterly changed when they finish reading it. A page-turner filled with poignancy, drama, and humanity on every page, it is a literary achievement."--