Both Modernism and Globalization are concepts that oscillate between homogenization and differentiation, each supplying totalizing platforms and sites of resistance. Cultural manifestations of difference and accommodation arise, producing their own specific temporalities in diverse practices of disparate Modernisms. Where Modernism and Globalization meet, the antithetical impulses within each serve as an intensifying dynamic for cultural contestation and discursive formations. The essays collected in this volume aim at the discrepant formations and multiple temporalities that issue from this dynamic yielding emphatic alterities in modes of cultural and literary production and material culture. Discussed are, among others, the following aspects: - Redefining Modernism - Modernity - Modernization - Local Concepts and Temporalities of Modernism - Global Transfers of Texts and Concepts - Reading the Other in/of Modernism - Places of Modernity in Literature and Film.

Vernacular Modernism advocates a rethinking of the importance of the vernacular as part of the modernist discourse of place, from art to literature, from architectural to social practice.

The Oxford Handbook of Global Modernisms expands the scope of modernism beyond its traditional focus on English and Irish literature to explore the contributions of artists from countries and regions like the US, Cuba, Spain, the Balkans, China, Japan, India, Vietnam, and Nigeria.

Rethinking humanity as a concept in our age of globalization and its relevance to the social and political reality of our times are the topic of this book. It calls for the reclaiming of humanism as an effective response to the conflict, turmoil, and violence we witness in the world today. Concepts of humanity and humanism have become suspect of naivete at best, and guilty of bad faith and repressive ideologies at worst. Yet, hope for improvement is incorrigibly human; the concept of humanity still holds enormous attraction to intellectuals and humanistic scholars. At the same time, it is important to realize that the critique of humanism is very much based on - and limited to - Western social and historical experience. To re-conceptualize humanity and humanism from a truly global perspective will help in relclaiming a more inclusive kind of humanism. In this sense, a cross-cultural perspective is important for reclaiming humanism in our age of globalization. The present volume is the result of such an effort. The diversity of the authors views speaks eloquently to the complexity of the concept of humanity or what constitutes the distinctly human, and therefore the necessity to have an in-depth dialogue on the fate of humanity.

Immigrant Fictions is a groundbreaking collection that brings together studies of world literature, book history, narrative theory, and the contemporary novel to challenge methods of critical reading based on national models of literary culture. Contributors suggest that contemporary novels by immigrant writers need to be read across several geographies of production, circulation, and translation. Analyzing work by David Peace, George Lamming, Caryl Phillips, Iva Pekarkova, Yan Geling, Theresa Hak Kyung Cha, Anchee Min, and Monica Ali, these essays take up a range of critical topics, including the transnational book and the migrant writer, the comparative reception history of postcolonial fiction, transnational criticism and Asian-American literature in the U. S., mobility and feminism in translation, linguistic mediation and immigrating fictions, migration and the politics of narrative form.

Based on papers originally presented at a 2009 conference hosted at the John-F.-Kennedy-Institut of the Freie Univet'at Berlin.