This book rethinks the notion of nineteenth-century capital(s) from geographical, economic and symbolic perspectives, proposing an alternative mapping of the field by focusing on different loci and sources of capital. Walter Benjamin’s essay ‘Paris, the Capital of the Nineteenth Century’ identifies the French capital as the epitome of modernity. His consideration of how literature enters the market as a commodity is developed by Pierre Bourdieu in The Rules of Art, which discusses the late nineteenth-century French literary field in terms of both economic and symbolic capital. This spatio-temporal approach to culture also underpins Pascale Casanova’s The World Republic of Letters, which posits Paris as the capital of the transnational literary field and Greenwich Meridian of literature. This volume brings together essays by specialists on Bayreuth, Brussels, Constantinople, Coppet, Marseilles, Melbourne, Munich and St Petersburg, as well as reflections on local-colour literature, the Symbolist novel and the strategies behind literary translation. Offering a series of innovative perspectives on nineteenth-century capital and cultural output, this study will be invaluable for all upper-levels students and scholars of modern European literature, culture and society.

When we think about history, we often think about people, events, ideas, and revolutions, but what about the numbers? What do the data tell us about what was, what is, and how things changed over time? Economist Robert E. Gallman (1926–98) gathered extensive data on US capital stock and created a legacy that has, until now, been difficult for researchers to access and appraise in its entirety. Gallman measured American capital stock from a range of perspectives, viewing it as the accumulation of income saved and invested, and as an input into the production process. He used the level and change in the capital stock as proxy measures for long-run economic performance. Analyzing data in this way from the end of the US colonial period to the turn of the twentieth century, Gallman placed our knowledge of the long nineteenth century—the period during which the United States began to experience per capita income growth and became a global economic leader—on a strong empirical foundation. Gallman’s research was painstaking and his analysis meticulous, but he did not publish the material backing to his findings in his lifetime. Here Paul W. Rhode completes this project, giving permanence to a great economist’s insights and craftsmanship. Gallman’s data speak to the role of capital in the economy, which lies at the heart of many of the most pressing issues today.

During the nineteenth century many of Europe's capital cities were subject to major expansion and improvement schemes. From Vienna's Ringstrasse to the boulevards of Paris, the townscapes which emerged still shape today's cities and are an inalienable part of European cultural heritage. In Planning Europe's Capital Cities, Thomas Hall examines the planning process in fifteen of those cities and addresses the following questions: when and why did planning begin, and what problems was it meant to solve? who developed the projects, and how, and who made the decisions? what urban ideas are expressed in the projects? what were the legal consequences of the plans, and how did they actually affect subsequent urban development in the individual cities? what similarities or differences can be identified between the various schemes? how have such schemes affected the development of urban planning in general? His detailed analysis shows us that the capital city projects of the nineteenth century were central to the evolution of modern planning and of far greater impact and importance than the urban theories and experiments of the Utopians.

This book develops our understanding of the global literary field in the long nineteenth century by discussing nine different places outside the established metropoles. It shows how different economic, geographical and political factors combined to give each place its own distinctive literary culture and symbolic capital. Taking a geocritical approach, the book shows how its different case studies can be seen as ‘literary capitals’ in terms of their role within the wider nation, region or empire. The volume is divided into three parts. Part One discusses Kolkata, Hong Kong and Buenos Aires. Part Two considers ‘semi-peripheral’ European cities: Pest-Buda (Budapest), Helsinki and Dublin. Part Three focuses on cities within Italy: Trieste, Florence and Rome. Drawing on a wide range of literary texts and different genres, the book reads the nineteenth-century literary field as a constellation where different connections can be plotted across various points on the map at different times.

An imaginative analysis of the interplay between rhetoric and physical space in the creation of the nation's capital.

A New Collection of Long Out-of-Print Stories From One of the Greatest Fantasists of the Twentieth Century Avram Davidson, who died in 1993, was widely regarded as one of the most outstanding authors of short fantasy fiction in our time. This collection comprises his distinctive historical fantasies-tales of strange Mitteleuropas, of magic in Victorian England and on the American frontier. Here are "The Lineaments of Gratified Desire," "Traveller from an Antique Land," and "What Strange Stars and Skies"; here are dragons, cameras, and "The Singular Incident of the Dog on the Beach." Witty, whimsical, dark, and strange, these tales of times and places that almost were will leave even the most jaded readers amazed. No one has ever written like Avram Davidson, before or since.

"Is Paris Still the Capital of the Nineteenth Century?" The question that guides this volume stems from Walter Benjamin's studies of nineteenth-century Parisian culture as the apex of capitalist aesthetics. Thirteen scholars test Benjamin's ideas about the centrality of Paris, formulated in the 1930s, from a variety of methodological perspectives. Many investigate the underpinnings of the French capital's reputation and mythic force, which was based largely upon the city's capacity to put itself on display. Some of the authors reassess the famed centrality of Paris from the vantage point of our globalized twenty-first century by acknowledging its entanglements with South Africa, Turkey, Japan, and the United States. The volume equally studies a broader range of media than Benjamin did himself: from modernist painting and printmaking, photography, and illustration to urban planning. The essays conclude that Paris did in many ways function as the epicenter of modernity's international reach, especially in the years from 1850 to 1900, but did so only as a consequence of the idiosyncratic force of its mythic image. Above all, the essays affirm that the study of late nineteenth-century Paris still requires nimble and innovative approaches commensurate with its legend and global aura.