Presents William Shakespeare's dramatic tragedy in which Iago, jealous of Othello's successes in the army of Venice, plots against him, pretending to be his friend while planting seeds of doubt about the faithfulness of his wife, Desdemona; and includes text glosses, an introduction, details on the Shakespearean stage, an essay by critic Harold Bloom, and a further reading list.

Dramas and Sonnets of William Shakespeare Vol. 1 is helpful to every learner of William Shakespeare (1564-1616) who, doubtless, saw himself as merely another professional man of the theatre who moved almost casually from play-acting to playwriting. And indeed he was very much a man of his time, a man of the Elizabethan theatre, who learnt to exploit brilliantly the stagecraft, the acting, and the pub¬lic taste of his day. It happens very rarely in the history of literature that a craftsman who has acquired perfect control of his medium, masterly ease in handling the techniques and conventions of his day, is also a universal genius of the highest order, combining with his technical proficiency a unique ability to render experience in poetic language and an uncanny, intuitive understanding of hu¬man psychology. Man of the theatre, poet and expert in the human passions, Shakespeare has appealed equally to those who admire the art with which he renders a story in terms of the acted drama or the insight with which he presents states of mind and complex¬ities of attitude or the unsurpassed brilliance he shows in giving conviction and a new dimension to the utterances of his characters through the poetic speech he puts in their mouths. It is a remark¬able combination of qualities. Yet he was no poetic genius descending on the theatre from above, but a working dramatist who found himself in catering for the public theatre of his day. Unquestionably the greatest poetic dramatist of Europe, he was also Marlowe’s successor, the heir to a tradition of playwriting, which we saw developing in the preceding chapter. His contemporaries saw him as one dramatist among others—a good one, and a popular one, but no transcendent genius who left all others far behind—and to the end of his active life he showed no reluctance to collaborate with other playwrights.

Playbook.

Sergeant Hamish Macbeth—Scotland's most quick-witted but unambitious policeman—is back and may have finally met the woman of his dreams in this new mystery in M.C. Beaton's beloved, New York Times bestselling series. Hamish's new constable, Dorothy McIver, may be the most beautiful woman he's ever seen. Completely bewitched by her sparkling blue eyes, Hamish spends the summer traveling with her up and down Sutherland until finally, he can take it no longer. He gets down on one knee beside the Land Rover and begs her to marry him—and to his amazement and delight, she says yes. But just as the town of Lochdubh gets ready to celebrate, Hamish finds himself with a new murder on his hands. If he doesn't find the killer fast, Hamish's dream wedding could become a nightmare.