Amusing, thought-provoking epigrams, aphorisms, and other jests from the plays, essays, and lively conversation of Oscar Wilde offer a feast of humorous and profound quips. Nearly 400 quotes.

The Picture of Dorian Gray by Oscar Wilde from Coterie Classics All Coterie Classics have been formatted for ereaders and devices and include a bonus link to the free audio book. “Those who find ugly meanings in beautiful things are corrupt without being charming. This is a fault. Those who find beautiful meanings in beautiful things are the cultivated. For these there is hope. They are the elect to whom beautiful things mean only Beauty. There is no such thing as a moral or an immoral book. Books are well written, or badly written. That is all.” ― Oscar Wilde, The Picture of Dorian Gray A man sells his soul for eternal youth and scandalizes the city in Oscar Wilde's The Picture of Dorian Gray.

In Oscar Wilde, the words and wit of the 19t h century author, poet and playwright demonstrate his keen o bservation and analysis of the society in which he lived. '

De Profundis (Latin: "from the depths") is a letter written by Oscar Wilde during his imprisonment in Reading Gaol, to "Bosie" (Lord Alfred Douglas).In its first half Wilde recounts their previous relationship and extravagant lifestyle which eventually led to Wilde's conviction and imprisonment for gross indecency. He indicts both Lord Alfred's vanity and his own weakness in acceding to those wishes. In the second half, Wilde charts his spiritual development in prison and identification with Jesus Christ, whom he characterises as a romantic, individualist artist. The letter began "Dear Bosie" and ended "Your Affectionate Friend".Wilde wrote the letter between January and March 1897, close to the end of his imprisonment. Contact had lapsed between Douglas and Wilde and the latter had suffered from his close supervision, physical labour and emotional isolation. Nelson, the new prison governor, thought that writing might be more cathartic than prison labour. He was not allowed to send the long letter which he was allowed to write "for medicinal purposes"; each page was taken away when completed, and only at the end could he read it over and make revisions. Nelson gave the long letter to him on his release on 18 May 1897.Wilde entrusted the manuscript to the journalist Robert Ross (another former lover, loyal friend and rival to "Bosie"). Ross published the letter in 1905, five years after Wilde's death, giving it the title "De Profundis" from Psalm 130. It was an incomplete version, excised of its autobiographical elements and references to the Queensberry family; various editions gave more text until in 1962 the complete and correct version appeared in a volume of Wilde's letters.

"I have put my genius into my life," declared Oscar Wilde, adding, "I have put only my talent into my works." This gift edition of the renowned poet and playwright's aphorisms draws upon both realms. Hundreds of sparkling jests and epigrams include quips from Wilde's personal letters and conversations as well as his fiction, essays, lectures, and plays. The most comprehensive collection of Wilde's witticisms, it will delight both longtime fans and new readers.

"He had that rarest of all things, common sense." And in the case of Oscar Wilde he also had a gift for delivering this common sense in sometimes pithy but always memorable statements. One of the world's most unforgettable authors, Oscar Wilde had a comment for any and every occasion, many of which are quoted here. From art and actors to vice and virtue, this volume organizes 3109 Oscar Wilde quotations by subject matter, effectively providing a new way to enjoy Wilde's considerable literary legacy. Quotations are taken from Wilde's works, including The Importance of Being Earnest and The Picture of Dorian Gray, his correspondence, magazine articles and newspaper editorials. Some, which are otherwise not immediately verifiable, are garnered from reliable secondary sources. Sixty-seven chapters deal with topics as varied as death, domesticity, friends and enemies, with the source of each quote duly noted. The work, a fascinating read of Wilde's acute observations, is indexed.

Jack Worthing gets antsy living at his country estate. As an excuse, he spins tales of his rowdy brother Earnest living in London. When Jack rushes to the city to confront his "brother," he's free to become Earnest and live a different lifestyle. In London, his best friend, Algernon, begins to suspect Earnest is leading a double life. Earnest confesses that his real name is Jack and admits the ruse has become tricky as two women have become enchanted with the idea of marrying Earnest. On a whim, Algernon also pretends to be Earnest and encounters the two women as they meet at the estate. With two Earnests who aren't really earnest and two women in love with little more than a name, this play is a classic comedy of errors. This is an unabridged version of Oscar Wilde's English play, first published in 1899.