This book brings to life the social and textual worlds in which the representation of contemporary Greek historical experience has been passionately debated, building on contemporary research in history and anthropology concerning the social production of the past.

First published in 1994 to a storm of controversy, Thanassis Valtinos’s probing novel Orthokostá defied standard interpretations of the Greek Civil War. Through the documentary-style testimonies of multiple narrators, among them the previously unheard voices of right-wing collaborationists, Valtinos provides a powerful, nuanced interpretation of events during the later years of Nazi occupation and the early stages of the nation’s Civil War. His fictionalized chronicle gives participants, victims, and innocent bystanders equal opportunity to bear witness to such events as the burning of Valtinos’s home village, the detention and execution of combatants and civilians in the monastery of Orthokostá, and the revenge killings that ensued. As a transforming work of literature, this book redefined established methods of fiction; as a work of revisionist history, it changed the way Greece understands its own past. Now, through this masterful translation of Orthokostá, English-language readers have full access to the tremendous vitality of Valtinos’s work and to the divisive Civil War experiences that continue to echo in Greek politics and events today.

Winner of the 2021 European Society of Modern Greek Studies Book Prize Shortlisted for the 2022 Runciman Award The recent economic crisis in Greece has triggered national self-reflection and prompted a re-examination of the political and cultural developments in the country since 1974. While many other books have investigated the politics and economics of this transition, this study turns its attention to the cultural aspects of post-dictatorship Greece. By problematizing the notion of modernization, it analyzes socio-cultural trends in the years between the fall of the junta and the economic crisis, highlighting the growing diversity and cultural ambivalence of Greek society. With its focus on issues such as identity, antiquity, religion, language, literature, media, cinema, youth, gender and sexuality, this study is one of the first to examine cultural trends in Greece over the last fifty years. Aiming for a more nuanced understanding of recent history, the study offers a fresh perspective on current problems.

History and National Ideology in Greek Postmodernist Fiction investigates the ways postmodernist literary techniques have been adopted by Greek authors. Taking into consideration the global impetus of postmodernism, the book examines its local implications. Framed by a discussion of major postmodernist thinkers, the book argues for the ability of local cultures to retain their uniqueness in the face of globalization while at the same time adapting to the new global situation. The combination of external global influences and the specific internal concerns of Greek national literature makes the emergence of postmodernism in Greece distinctive from that of other national contexts. The book engages in larger theoretical debates about the “crisis” of national identity in the context of postmodern globalization and the resurgence of nationalist ideology either as a response to globalization or the exigencies of historical events. This crisis has been brought on in part by the very postmodernist and poststructuralist questioning of the ideologies upon which nation-states construct themselves. The central argument of the book is that postmodernist Greek writers question the idea of national identity based on both the impact of globalization and a reexamination of the discourses of national ideology: they suggest a turn away from the traditional concerns with cultural homogeneity towards an acceptance of multiplicity and diversity, which is reflected through experimentation with postmodernist literary techniques. Consequently, the unifying idea of this book is “national identity” as it is reconfigured in recent contemporary novels. My analysis incorporates the view that metafiction is a “borderline” or “marginal” discourse that exists on the boundary between fiction and criticism. The book illuminates the connections between the formal concerns of contemporary authors and the larger debates and philosophical underpinnings of postmodernism in general.

Looking at eight specific novels and at exile narratives as a group, Tziovas (modern Greek studies, U. of Birmingham) traces the transformation of Greek culture from community-based to individual- based, and the impact that change has had on recent Greek fiction. Being postmodern, his readings emphasize relativity and subjectivity, and reject rigid totalities and grand narratives. Annotation (c)2003 Book News, Inc., Portland, OR (booknews.com).

Important to the essays here is the possibility of using logos without the negative, restricting and violent aspects of logos. In this respect I speak about affirmation and about tragic awareness rather than about the tragic itself or tragic conflict, as I read texts of a literary democracy that is already here, texts by Don DeLillo, Tomas Tranströmer, John Ashbery and Thanasis Valtinos, or see arrangements by Lo Snöfall. Indeed it is all about arrangements, about knowing how to affirm and doing it rather than using language and its codes in order to transcribe, however accurate this might be. Arrangements say yes, since they do not raise any absolute boundaries. The arrangement is a logos without logos: it is a cosmos, where affirming is a tragically aware cosmetics. Cosmos is neither the world nor any ordering or embellishment of this world, but an openness as the incalculable accumulation of arrangements that say yes in their awareness that they do not amount to an ontology.