Four plays for music-theatre and performance by accomplished multi-disciplinary playwright-poet-lyricist-composer-storyteller Rinde Eckert. This volume includes his Pulitzer Prize nominated play ORPHEUS X as well as the plays HORIZON, AND GOD CREATED GREAT WHALES and THE GARDENING OF THOMAS D. With an introduction by scholar Jonathan Chambers, this is an exciting and daring collection by an eminent experimental theatre artist.

This anthology contains four of the Pulitzer Prize-winning playwright's most brilliant works: Summer and Smoke, Orpheus Descending, Suddenly Last Summer and Period of Adjustment. "The innocent and the damned, the lonely and the frustrated, the hopeful and the hopeless . . . (Williams) brings them all into focus with an earthy, irreverently comic passion".--Newsweek.

Theatre has long been an art form of subterfuge and concealment. Working in the Wings: New Perspectives on Theatre History and Labor, edited by Elizabeth A. Osborne and Christine Woodworth, brings attention to what goes on behind the scenes, challenging, and revising our understanding of work, theatre, and history. Essays consider a range of historic moments and geographic locations—from African Americans’ performance of the cakewalk in Florida’s resort hotels during the Gilded Age to the UAW Union Theatre and striking automobile workers in post–World War II Detroit, to the struggle in the latter part of the twentieth century to finish an adaptation of Moby Dick for the stage before the memory of creator Rinde Eckert failed. Contributors incorporate methodologies and theories from fields as diverse as theatre history, work studies, legal studies, economics, and literature and draw on traditional archival materials, including performance texts and architectural structures, as well as less tangible material traces of stagecraft. Working in the Wings looks at the ways in which workers' identities are shaped, influenced, and dictated by what they do; the traces left behind by workers whose contributions have been overwritten; the intersections between the sometimes repetitive and sometimes destructive process of creation and the end result—the play or performance; and the ways in which theatre affects the popular imagination. This collected volume draws attention to the significance of work in the theatre, encouraging a fresh examination of this important subject in the history of the theatre and beyond.

WENDELL. is a play by multidisciplinary artist John Moletress. A riff on Woyzeck. Buchner's 1837 fragmented tragedy of a young, broken soldier is transported to present day Charles County, Maryland. When Wendell plays Doom, he plays in his gas mask. In the kitchen, mother Mary washes her mouth with Jim Beam as she imagines her former days as the crowned Queen Nicotina. Father Bundy hears war sounds while cleaning his gun. Mike and Doc have a garage band, but they're not very good. Alice, wife of Mike, obsesses over her cashier scan time. And their son Andrew likes to play football but has a bum knee."

A collection of essays written by arts and humanities scholars across disciplines, this book argues that higher education has been compromised by its uncritical acceptance of our culture’s standards of productivity, busyness, and speed. Inspired by the Slow Movement, contributors explain how and why university culture has come to value productivity over contemplation and rapidity over slowness. Chapter authors argue that the arts and humanities offer a cogent critique of fast culture in higher education, and reframe the discussion of the value of their fields by emphasizing the dialectic between speed and slowness.

"Orpheus in the Bronx not only extols the freedom language affords us; it embodies that freedom, enacting poetry's greatest gift---the power to recognize ourselves as something other than what we are. These bracing arguments were written by a poet who sings." ---James Longenbach A highly acute writer, scholar, editor, and critic, Reginald Shepherd brings to his work the sensibilities of a classicist and a contemporary theorist, an inheritor of the American high modernist canon, and a poet drawing and playing on popular culture, while simultaneously venturing into formal experimentation. In the essays collected here, Shepherd offers probing meditations unified by a "resolute defense of poetry's autonomy, and a celebration of the liberatory and utopian possibilities such autonomy offers." Among the pieces included are an eloquent autobiographical essay setting out in the frankest terms the vicissitudes of a Bronx ghetto childhood; the escape offered by books and "gifted" status preserved by maternal determination; early loss and the equivalent of exile; and the formation of the writer's vocation. With the same frankness that he brings to autobiography, Shepherd also sets out his reasons for rejecting "identity politics" in poetry as an unnecessary trammeling of literary imagination. His study of the "urban pastoral," from Baudelaire through Eliot, Crane, and Gwendolyn Brooks, to Shepherd's own work, provides a fresh view of the place of urban landscape in American poetry. Throughout his essays---as in his poetry---Shepherd juxtaposes unabashed lyricism, historical awareness, and in-your-face contemporaneity, bristling with intelligence. A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.

When Eurydice finds herself in Hades, she is mocked and tormented by demons. Can she be rescued by her husband Orpheus before her last spark of humanity is destroyed? Can they overcome the wrath of the Queen of the Dead? Dramatic Verse (Play in 6 Scenes) from Dragonfly Publishing, Inc.]