Aphra Behn was one of the first professional English female writers and Oroonoko was one of her earliest works. It is the love story between Oroonoko, the grandson of an African king, and the daughter of that king's general. The king takes the girl into his harem, and when she plans to escape with his grandson, sells her as a slave. When Oroonoko tries to follow her he is caught by an English slave trader and taken to the same West Indian island as his love.

This carefully crafted ebook: “Oroonoko: or, the Royal Slave (Unabridged)” is formatted for your eReader with a functional and detailed table of contents. This ebook is a short novel by Aphra Behn (1640–1689), published in 1688, concerning the love of its hero, an enslaved African in Surinam in the 1660s, and the author's own experiences in the new South American colony. It is one of the earliest English novels. Interest in it has increased since the 1970s, critics arguing that Behn is the foremother of British women writers, and that Oroonoko is a crucial text in the history of the novel. Aphra Behn (baptised 14 December 1640 – 16 April 1689) was a prolific dramatist of the English Restoration, the first English professional female literary writer. Her writing contributed to the amatory fiction genre of British literature. Along with Delarivier Manley and Eliza Haywood, she is sometimes referred to as part of "The fair triumvirate of wit." Behn's work Oroonoko (1688) is critically acknowledged as important to the development of the English novel. She was also a key writer in seventeenth century theatre. She is perhaps best known to modern audiences for her short novel.

Once merely a footnote in Restoration and eighteenth-century studies and rarely taught, Oroonoko; or, The Royal Slave (1688), by Aphra Behn, is now essential reading for scholars and a classroom favorite. It appears in general surveys and in courses on early modern British writers, postcolonial literature, American literature, women's literature, drama, the slave narrative, and autobiography. Part 1 of this volume, "Materials," provides not only resources for the teacher of Oroonoko but also a brief chronology of Behn's life and work. In part 2, "Approaches," essays offer a diversity of perspectives appropriate to a text that challenges student assumptions and contains not one story but many: Oroonoko as a romance, as a travel account, as a heroic tragedy, as a window to seventeenth-century representations of race, as a reflection of Tory-Whig conflict in the time of Charles II.

When Prince Oroonoko’s passion for the virtuous Imoinda arouses the jealousy of his grandfather, the lovers are cast into slavery and transported from Africa to the colony of Surinam. Oroonoko’s noble bearing soon wins the respect of his English captors, but his struggle for freedom brings about his destruction. Inspired by Aphra Behn’s visit to Surinam, Oroonoko (1688) reflects the author’s romantic view of Native Americans as simple, superior peoples ‘in the first state of innocence, before men knew how to sin’. The novel also reveals Behn’s ambiguous attitude to African slavery – while she favoured it as a means to strengthen England’s power, her powerful and moving work conveys its injustice and brutality.

"Oroonoko: or, the Royal Slave is a short work of prose fiction by Aphra Behn (1640-1689), published in 1688 by William Canning and reissued with two other fictions later that year. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to British colonists in Surinam where he meets the narrator. Behn's text is a first-person account of his life, love, rebellion, and execution.Behn, often cited as the first known professional female writer, [1] was a successful playwright, poet, translator and essayist. She began writing prose fiction in the 1680s, probably in response to the consolidation of theatres that led to a reduced need for new plays.[2] Published less than a year before she died, Oroonoko is sometimes described as one of the earliest English novels. Interest in it has increased since the 1970s, with critics arguing that Behn is the foremother of British women writers, and that Oroonoko is a crucial text in the history of the novel

"Oroonoko: or, the Royal Slave is a short work of prose fiction by Aphra Behn (1640-1689), published in 1688 by William Canning and reissued with two other fictions later that year. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to British colonists in Surinam where he meets the narrator. Behn's text is a first-person account of his life, love, rebellion, and execution.Behn, often cited as the first known professional female writer, [1] was a successful playwright, poet, translator and essayist. She began writing prose fiction in the 1680s, probably in response to the consolidation of theatres that led to a reduced need for new plays.[2] Published less than a year before she died, Oroonoko is sometimes described as one of the earliest English novels. Interest in it has increased since the 1970s, with critics arguing that Behn is the foremother of British women writers, and that Oroonoko is a crucial text in the history of the novel"

"Oroonoko: or, the Royal Slave is a short work of prose fiction by Aphra Behn (1640-1689), published in 1688 by William Canning and reissued with two other fictions later that year. The eponymous hero is an African prince from Coramantien who is tricked into slavery and sold to British colonists in Surinam where he meets the narrator. Behn's text is a first-person account of his life, love, rebellion, and execution.Behn, often cited as the first known professional female writer,[1] was a successful playwright, poet, translator and essayist. She began writing prose fiction in the 1680s, probably in response to the consolidation of theatres that led to a reduced need for new plays.[2] Published less than a year before she died, Oroonoko is sometimes described as one of the earliest English novels. Interest in it has increased since the 1970s, with critics arguing that Behn is the foremother of British women writers, and that Oroonoko is a crucial text in the history of the novel"