In these thirty-two essays, the fashion critic of The New Yorker inquires into the meaning of fashion and the resonance that exists between fashion trends and the undercurrent of change in American culture

Eydrth is a Master Songsmith...who has no magic. She will do anything to save her father from the evil that has stolen his mind. But the paths to the magic of the Witch World are many--and to save the ones you love, the truest magic must come from the heart... Andre Norton has been called "one of the most popular writers of our time" (Publishers Weekly) and has for over twenty-five years enchanted readers with the most famous and popular of her works: the enthralling Witch World. With bestseller A.C. Crispin, Norton has woven an eternal love story, filled with magic and wonder. Songsmith is the novel that Witch World fans have been waiting for--a shining jewel in the Witch World cosmos.

The culmination of a lifetime's scholarly work, this study by Sister Prudence Allen traces the concept of woman in relation to man in Western thought from ancient times to the present. This volume is the second in her study, in which she explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods.

In 13 superb essays that first appeared in Vogue and The New Yorker, Kennedy Fraser explores the uniquely female voice and presence in literature and art. Interspersing vignettes from her own life with history and anecdotes surrounding such notable literary personages as Virginia Woolf and Edith Wharton, Fraser provides a personal, informative, brilliant, and compassionate book.

In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.