Sooner or later every Asian American must deal with the question "Where do you come from?" It is probably the most familiar if least aggressive form of racism. It is a tip-off to the persistent notion that people of Asian ancestry are not real Americans, that "Orientals" never really stop being loyal to their foreign homeland, no matter how long they or their families have been in this country. Confronting the cultural stereotypes that have been attached to Asian Americans over the last 150 years, Robert G. Lee seizes the label "Oriental" and asks where it came from. The idea of Asians as mysterious strangers who could not be assimilated into the cultural mainstream was percolating to the surface of American popular culture in the mid-nineteenth century, when Chinese immigrant laborers began to arrive in this country in large numbers. Lee shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to all Asian Americans, coalescing in particular stereotypes. Whether represented as Pollutant, Coolie, Deviant, Yellow Peril, Model Minority, or Gook, the Oriental is portrayed as alien and a threat to the American family -- the nation writ small. Refusing to balance positive and negative stereotypes, Lee connects these stereotypes to particular historical moments, each marked by shifting class relations and cultural crises. Seen as products of history and racial politics, the images that have prevailed in songs, fiction, films, and nonfiction polemics are contradictory and complex. Lee probes into clashing images of Asians as (for instance) seductively exotic or devious despoilers of (white) racial purity, admirably industrious or an insidious threat to native laborers. When Lee dissects the ridiculous, villainous, or pathetic characters that amused or alarmed the American public, he finds nothing generated by the real Asian American experience; whether they come from the Gold Rush camps or Hollywood films or the cover of Newsweek, these inhuman images are manufactured to play out America's racial myths. Orientals comes to grips with the ways that racial stereotypes come into being and serve the purposes of the dominant culture.

The Abilities and Achievements of Orientals in North America is concerned with the study of the abilities, achievements, and personality characteristics of oriental immigrants and their descendants in North America. The book attempts to set a correlation between the cultural background from which the immigrants came and their history in North America, and to discover the implications for psychological theory. The text contains discussions on the problems of heredity, environment, and acculturation; racial and ethnic differences; and a comparison of biological, environmental and cultural differences between orientals and occidentals. Sociologists, psychologists, ethnologists, historians, and people who wish to study oriental character traits will find the book very insightful.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Patricia E. Roy is the winner of the 2013 Lifetime Achievement Award, Canadian Historical Association. Patricia Roy's latest book, The Oriental Question, continues her study into why British Columbians -- and many Canadians from outside the province -- were historically so opposed to Asian immigration. Drawing on contemporary press and government reports and individual correspondence and memoirs, Roy shows how British Columbians consolidated a "white man's province" from 1914 to 1941 by securing a virtual end to Asian immigration and placing stringent legal restrictions on Asian competition in the major industries of lumber and fishing. While its emphasis is on political action and politicians, the book also examines the popular pressure for such practices and gives some attention to the reactions of those most affected: the province's Chinese and Japanese residents. It is a critical investigation of a troubling period in Canadian history.

Focusing on Oriental Jews and their relations with their Arab neighbors in Mandatory Palestine, this book analyzes the meaning of the hybrid Arab-Jewish identity that existed among Oriental Jews, and discusses their unique role as political, social, and cultural mediators between Jews and Arabs. Integrating Mandatory Palestine and its inhabitants into the contemporary Semitic-Levantine surroundings, Oriental Neighbors illuminates broad areas of cooperation and coexistence, which coincided with conflict and friction, between Oriental and Sephardi Jews and their Arab neighbors. The book brings the Oriental Jewish community to the fore, examines its role in the Zionist nation-building process, and studies its diverse and complex links with the Arab community in Palestine.

Look no further for a wealth of exotic recipes from China, Japan, Korea, and Southeast Asia. This colorful book is filed with recipes for such favorite dishes as won ton soup, sushi, and tea-smoked duck--made simple to prepare with the help of step-by-step color photos. 150+ recipes.

This collection includes: How Wand-fo was Saved, Marko's Smile, The Milk of Death, The Last Love of Princess Genji, The Man Who Loved the Nereids, Our Lady of the Swallows, Aphrodissia; the Widow, Kali Beheaded, The End of Marko Kraljevic, The Sadness of Cornelius Berg, and a Postscript by the Author. "From China to Japan, the Balkans to India, Oriental Tales addresses love, conquest, betrayal, murder, religion, and passion in an eloquent and exquisite telling."--Kirkus Reviews.