A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

Imperialism and Orientalism assembles an unprecedented collection of archival and documentary materials that maps the ideological and political grounds for late eighteenth- and nineteenth-century British and European colonialism in Africa, South Asia, and the Middle East.

A landmark work from the author of Orientalism that explores the long-overlooked connections between the Western imperial endeavor and the culture that both reflected and reinforced it. In the nineteenth and early twentieth centuries, as the Western powers built empires that stretched from Australia to the West Indies, Western artists created masterpieces ranging from Mansfield Park to Heart of Darkness and Aida. Yet most cultural critics continue to see these phenomena as separate. Edward Said looks at these works alongside those of such writers as W. B. Yeats, Chinua Achebe, and Salman Rushdie to show how subject peoples produced their own vigorous cultures of opposition and resistance. Vast in scope and stunning in its erudition, Culture and Imperialism reopens the dialogue between literature and the life of its time.

Using the work of Edward Said as a point of departure, this book dissects the concept of Orientalism through the lens of 19th century missionary impressions of Kurdistan. Wilcox argues that dominant interpretations of Said's work have a tendency to present Orientalism as an essentialist practice and instead offers an alternative manifestation in which the Oriental is perceived as the mutable product of cultural forces. The relationship between missionaries and imperialism has long been a contentious issue with many scholars highlighting their apparent ambiguity. This study reveals how Protestant missionaries can be identified as anti-imperialist in their rhetoric of ecumenical independence; yet through their preconceptions of Oriental inferiority, they contributed to a more subtle undermining of local forms of knowledge and identity. Wilcox argues that this apparent ambiguity is in part a consequence of the ways in which the term imperialism is frequently used to allude to diverse and even contradictory meanings; therefore it is not so much the missionaries who are ambiguous, as the ways in which they are judged by today's multivalent standards. The analysis also makes clear the complex discursive processes which can undermine the actions of altruistic individuals. By drawing threads from this 19th century example into the current geopolitical foreground of Middle East-West relations, this book not only sheds light upon a little-known historical case study but also illuminates larger questions of the present and future encouraging a more vigorous examination of contemporary Orientalist prejudices.

Includes bibliographical references (p. 174-203) and index.

The late Edward Said remains one of the most influential critics and public intellectuals of our time, with lasting contributions to many disciplines. Much of his reputation derives from the phenomenal multidisciplinary influence of his 1978 book Orientalism. Said's seminal polemic analyzes novels, travelogues, and academic texts to argue that a dominant discourse of West over East has warped virtually all past European and American representation of the Near East. But despite the book's wide acclaim, no systematic critical survey of the rhetoric in Said's representation of Orientalism and the resulting impact on intellectual culture has appeared until today. Drawing on the extensive discussion of Said's work in more than 600 bibliographic entries, Daniel Martin Varisco has written an ambitious intellectual history of the debates that Said's work has sparked in several disciplines, highlighting in particular its reception among Arab and European scholars. While pointing out Said's tendency to essentialize and privilege certain texts at the expense of those that do not comfortably it his theoretical framework, Varisco analyzes the extensive commentary the book has engendered in Oriental studies, literary and cultural studies, feminist scholarship, history, political science, and anthropology. He employs "critical satire" to parody the exaggerated and pedantic aspects of post-colonial discourse, including Said's profound underappreciation of the role of irony and reform in many of the texts he cites. The end result is a companion volume to Orientalism and the vast research it inspired. Rather than contribute to dueling essentialisms, Varisco provides a path to move beyond the binary of East versus West and the polemics of blame. Reading Orientalism is the most comprehensive survey of Said's writing and thinking to date. It will be of strong interest to scholars of Middle East studies, anthropology, history, cultural studies, post-colonial studies, and literary studies.

Orientalism and Empire sheds new light on the little-studied Russian empire in the Caucasus by exploring the tension between national and imperial identities on the Russian frontier. Austin Jersild contributes to the growing literature on Russian "orientalism" and the Russian encounter with Islam, and reminds us of the imperial background and its contribution to the formation of the twentieth-century ethno-territorial Soviet state. Orientalism and Empire describes the efforts of imperial integration and incorporation that emerged in the wake of the long war. Jersild discusses religion, ethnicity, archaeology, transcription of languages, customary law, and the fate of Shamil to illustrate the work of empire-builders and the emerging imperial imagination. Drawing on both Russian and Georgian materials from Tbilisi, he shows how shared cultural concerns between Russians and Georgians were especially important to the formation of the empire in the region.