The essential Oregon guide for time travelers of all ages. Oregon became the 33rd state in the Union on February 14, 1859. Portland had wooden sidewalks and tamped dirt streets unlit by gaslight until a year later. To the south, gold glittered in streams; towns with names like Echo, Lookingglass, and Quartzville were springing up all over. It is a time to remember— and revisit—today, 150 years later, with this detailed and lively guide. Janice Marschner provides all you need to travel through each of Oregon's 19 original counties at the moment of statehood: a map showing each county's 1859 place names and current reference points; the history of native peoples and settlers; early roads and bridges; the first homes, schools, stores, hotels, and churches; biographical sketches of notable individuals throughout the state. Historical photographs show the determined faces of natives and settlers; their oxen and wagons on wide, rough roads; their rafts and ferries on the rivers; and their towns under development. An inspiring, close-up portrait at the moment of statehood, Oregon 1859 will light the way back for anyone who wants to see Oregon today as it was then.

Richly illustrated with colour plates of paintings from institutional and private collections as well as black-and-white photographs, this reference guide is a comprehensive study of early Oregon painters. Listings for over 500 Oregon artists offer biographical details and note where their work was shown and where it is now held. Additional essays on early art museums and art organizations, art galleries and exhibition spaces, and the Federal Art Projects of the 1930s show how the state created itself artistically.

Modern western Oregon was a crucial site of imperial competition in North America during the formative decades of the United States. In this book, Gray Whaley examines relations among newcomers and between newcomers and Native peoples--focusing on political sovereignty, religion, trade, sexuality, and the land--from initial encounters to Oregon's statehood. He emphasizes Native perspectives, using the Chinook word Illahee (homeland) to refer to the indigenous world he examines. Whaley argues that the process of Oregon's founding is best understood as a contest between the British Empire and a nascent American one, with Oregon's Native people and their lands at the heart of the conflict. He identifies race, republicanism, liberal economics, and violence as the key ideological and practical components of American settler-colonialism. Native peoples faced capriciousness, demographic collapse, and attempted genocide, but they fought to preserve Illahee even as external forces caused the collapse of their world. Whaley's analysis compellingly challenges standard accounts of the quintessential antebellum "Promised Land."

The book is an expanded, pictorial review of the history of painting in Oregon from 1859-1959. The first edition was published as an encyclopedia and index of Oregon painters with historical data about the evolution of painting styles, educational institutions, and exhibition venues in the Northwest; this book expands the focus on the history of painting in Oregon, adding essays on Impressionism and Modernism while using more and better visual examples to illustrate the strength of the state's early painters. In addition, the original indexed content has been edited and condensed. Oregon Painters fills an important niche, as little has been written about the early history of Northwest art and this volume serves as a valuable resource for discovering artists who remain largely unknown but whose works continue to gain in reputation and value.

Monsters of legend come to life! The thrilling third title in Roland Smith's popular Cryptid Hunters series. A mysterious creature, a missing girl, and danger at every turn . . .This riveting sequel to TENTACLES and CRYPTID HUNTERS reunites Marty and his unusual uncle, cryptozoologist Travis Wolfe, as they search the world for Wolfe's daughter, Grace. Grace has been kidnapped by her grandfather, the ruthless and dangerous Noah Blackwood, who has also stolen the two dinosaur hatchlings Wolfe was raising in secrecy. Now, with word that the mysterious creature known as Chupacabra has been sighted again, Wolfe is torn between his obsession with finding cryptids and his need to rescue his daughter. With trouble at every turn and a dangerous journey ahead, will Marty and Wolfe come face-to-face with the mythic monster? Even more frightening, will they reach Grace before it's too late?

The first English edition was issued simultaneously with the American. John Jacob Astor persuaded Irving to undertake this story of his ill-fated enterprise at the mouth of the Columbia River in 1834. Irving had the use of all of Astor's notes and manuscripts, as well as the original journals of such key participants as Robert Stuart, Wilson Price Hunt, and Ramsey Crooks. The resulting work is a classic - an indispensable resource for students of the American West. It is considered to be the "classic account of the first American attempt at settlement on the Pacific coast,1811--initial action towards substantiating our claim to Oregon--including the earliest extended relation of Wilson P. Hunt's overland expedition from St. Louis to that settlement." Howes.