An extended exploration of the authors' theories and work over the past seventeen years, in which not only their aesthetic but also their political and emotional concerns are made plain.

National Book Award Finalist From the dazzlingly original Pulitzer Prize-winning poet hailed for her “extraordinary range and ambition” (The New York Times Book Review): a quietly potent memoir that explores coming-of-age and the meaning of home against a complex backdrop of race, faith, and the unbreakable bond between a mother and daughter. The youngest of five children, Tracy K. Smith was raised with limitless affection and a firm belief in God by a stay-at-home mother and an engineer father. But just as Tracy is about to leave home for college, her mother is diagnosed with cancer, a condition she accepts as part of God’s plan. Ordinary Light is the story of a young woman struggling to fashion her own understanding of belief, loss, history, and what it means to be black in America. In lucid, clear prose, Smith interrogates her childhood in suburban California, her first collision with independence at Harvard, and her Alabama-born parents’ recollections of their own youth in the Civil Rights era. These dizzying juxtapositions—of her family’s past, her own comfortable present, and the promise of her future—will in due course compel Tracy to act on her passions for love and “ecstatic possibility,” and her desire to become a writer. Shot through with exquisite lyricism, wry humor, and an acute awareness of the beauty of everyday life, Ordinary Light is a gorgeous kaleidoscope of self and family, one that skillfully combines a child’s and teenager’s perceptions with adult retrospection. Here is a universal story of being and becoming, a classic portrait of the ways we find and lose ourselves amid the places we call home.

Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward

This collection of essays looks at everyday heroes and heroines--ordinary men, women, and children who are honored for actual or imagined feats. Comparing the United States, Germany, and Britain, it asks both when this particular hero type first emerged and how it was discussed and depicted in political discourse, mass media, literature, film, and other forms of popular culture. Looking across fields of study, countries, and centuries, this book sheds new light on the many social, cultural, and political functions that our everyday heroes have served.