Oranges in the Big Apple is a romantic, funny, and sexy novel about a Florida family on the go in the late sixties and early seventies. Passionate characters, a multitude of pets, and unpredictable situations emerge. With a young girl searching for stardom, the crazy world of entertainment is well portrayed. A former beauty queen, who is also a single mother of three young sons, searches for the perfect man which lands her in many funny, and awkward situations. The family’s uplifting and refreshing spirit in the face of hard knocks and their optimism is the heart of this book. Grandma's southern values keep the family strong, supportive, and tight. New York City is the perfect backdrop for this mix of success, disillusionment, and adventure.

Presents pairs of related items, such as an apple and an orange or a bicycle and a motorcycle, and asks why they are similar, while offering unexpected answers.

Comparison is an indispensable intellectual operation that plays a crucial role in the formation of knowledge. Yet comparison often leads us to forego attention to nuance, detail, and context, perhaps leaving us bereft of an ethical obligation to take things correspondingly as they are. Examining the practice of comparison across the study of history, language, religion, and culture, distinguished scholar of religion Bruce Lincoln argues in Apples and Oranges for a comparatism of a more modest sort. Lincoln presents critiques of recent attempts at grand comparison, and enlists numerous theoretical examples of how a more modest, cautious, and discriminating form of comparison might work and what it can accomplish. He does this through studies of shamans, werewolves, human sacrifices, apocalyptic prophecies, sacred kings, and surveys of materials as diverse and wide-ranging as Beowulf, Herodotus’s account of the Scythians, the Native American Ghost Dance, and the Spanish Civil War. Ultimately, Lincoln argues that concentrating one's focus on a relatively small number of items that the researcher can compare closely, offering equal attention to relations of similarity and difference, not only grants dignity to all parties considered, it yields more reliable and more interesting—if less grandiose—results. Giving equal attention to the social, historical, and political contexts and subtexts of religious and literary texts also allows scholars not just to assess their content, but also to understand the forces, problems, and circumstances that motivated and shaped them.

Statistics for Social Understanding introduces statistics as it’s used in the social sciences—as a tool for advancing understanding of the social world. The authors provide thorough coverage of social science statistical topics, a balanced approach to calculation, and step-by-step directions on how to use both SPSS and Stata software, giving students the ability to analyze data and explore exciting questions. “In Depth” boxes encourage critical thinking by tackling tricky statistical queries, and each chapter concludes with a chapter summary, a section on using Stata, a section on using SPSS, and practice problems. All problems have been accuracy-checked by an outside panel of reviewers. Readily available datasets for classroom use include material from institutions such as the American National Election Study, General Social Survey, World Values Survey, and the School Survey on Crime and Safety. Statistics for Social Understanding is accompanied by a learning package, written entirely by author Tina Wildhagen, that is designed to enhance the experience of both instructors and students.

Now in paperback, this classic book offers a powerful framework for clinicians seeking to rethink their approach to the therapeutic relationship. It begins with the theory behind Functional Analytic Psychotherapy (FAP), explaining why clients’ unique needs may extend beyond well-mapped routes to change. From there, the authors present the clinical principles of FAP and their uses in treating diffuse, resistant problems.

To be sure, some brothers and sisters have relationships that are easy. But oh, some relationships can be fraught. Confusing, too: How can two people share the same parents and turn out to be entirely different? Marie Brenner's brother, Carl—yin to her yang, red state to her blue state—lived in Texas and in the apple country of Washington state, cultivating his orchards, polishing his guns, and (no doubt causing their grandfather Isidor to turn in his grave) attending church, while Marie, a world-class journalist and bestselling author, led a sophisticated life among the "New York libs" her brother loathed. From their earliest days there was a gulf between them, well documented in testy letters and telling photos: "I am a textbook younger child . . . training as bête noir to my brother," Brenner writes. "He's barely six years old and has already developed the Carl Look. It's the expression that the rabbit gets in Watership Down when it goes tharn, freezes in the light." After many years apart, a medical crisis pushed them back into each other's lives. Marie temporarily abandoned her job at Vanity Fair magazine, her friends, and her husband to try to help her brother. Except that Carl fought her every step of the way. "I told you to stay away from the apple country," he barked when she showed up. And, "Don't tell anyone out here you're from New York City. They'll get the wrong idea." As usual, Marie—a reporter who has exposed big Tobacco scandals and Enron—irritated her brother and ignored his orders. She trained her formidable investigative skills on finding treatments to help her brother medically. And she dug into the past of the brilliant and contentious Brenner family, seeking in that complicated story a cure, too, for what ailed her relationship with Carl. If only they could find common ground, she reasoned, all would be well. Brothers and sisters, Apples and Oranges. Marie Brenner has written an extraordinary memoir—one that is heartbreakingly honest, funny and true. It's a book that even her brother could love.

Founded in 1909 as a "garden suburb" of the Mediterranean port of Jaffa, Tel Aviv soon became a model of Jewish self-rule and was celebrated as a jewel in the crown of Hebrew revival. Over time the city has transformed into a lively metropolis, renowned for its architecture and culture, openness and vitality. A young city, Tel Aviv continues to represent a fundamental idea that transcends the physical texture of the city and the everyday experiences of its residents. Combining historical research and cultural analysis, Maoz Azaryahu explores the different myths that have been part of the vernacular and perception of the city. He relates Tel Aviv’s mythology to its physicality through buildings, streets, personal experiences, and municipal policies. With critical insight, he evaluates specific myths and their propagation in the spheres of both official and popular culture. Azaryahu explores three distinct stages in the history of the mythic Tel Aviv: "The First Hebrew City" assesses Tel Aviv as Zionist vision and seed of the actual city; "Non-Stop City" depicts trendy, global post-Zionist Tel Aviv; and "The White City" describes Tel Aviv’s architectural landscape, created in the 1930s and imbued with nostalgia and local prestige. Tel Aviv: Mythography of a City will appeal to urban geographers, cultural historians, scholars of myth, and students of Israeli society and culture.