(Book). One of the most bizarre stories in all of popular music is the history of "Orange Blossom Special," arguably the century's best-known fiddle tune. The man credited with its ownership, Ervin T. Rouse, endured tragedy, alcoholism and mental illness. He spent his last years fiddling for tips in isolated taverns at the edge of the Florida Everglades, and died all but unknown. The man who claimed co-ownership, Chubby Wise, achieved fame as the seminal fiddler of the bluegrass genre, but struggled to overcome personal demons and to heal the scars of childhood abandonment and abuse. This fascinating book uncovers how their legacies are forever linked with the legendary diesel streamliner which inspired the tune six decades ago, as it roared through American history, bringing wonder and hope to every stop. Includes a Collector's CD of rare, unreleased original recordings of "Orange Blossom Special" by Bluegrass Etc., Byron Berline, Dennis Caplinger, Buddy Emmons, John Henry Gates, The Hellcasters, Gary Morse, Benny Martin and Mike Stevens. Also features the original Rouse Brothers recording from 1939, a live performance by Chubby Wise, and six vintage bonus tracks. Randy Noles is a publisher of city/regional magazines in Florida. During his 25-year career, he has won awards for investigative reporting, feature writing and commentary. Born in Tuscaloosa, AL, he has lived in Orlando since 1967. He is married and has two children. "If you go back and listen to Ervin and Gordon Rouse's original 1939 recording, it's easy to hear 'Orange Blossom Special''s beauty, elegance and power. It bonds the romance of rambling around on trains with the mystique of a far-away land known as Florida. It is pure country music; it is pure Americana." from the foreword by Marty Stuart

"One of the most bizarre stories in all of popular music is the history of the 'Orange Blossom Special,' arguably the century's best-known fiddle tune. Here revealed is the tale of its feuding owners, Rouse and Wise, and Johnny Cash, who made the song a mainstream hit. This trio's disparate legacies are here told - and forever linked with the legendary diesel steamliner."--Publisher's website.

Thirteen-year old Michael is a sensitive, school-loving student from the suburbs of Milwaukee. He is more interested in getting good grades, acting in school plays and playing tennis than in being a cowboy. He's never even petted a horse before. When his father dumps him off to work at a riding stables run by wild and unsupervised young men, Michael faces many challenges and has to grow up fast. Set in the late sixties, the hierarchical and exploitive domination of the horse boys over workers, animals and women accentuates Michael's confusion about who he is and what it means to be a man.

'Colour my beak blue, that's a risky business if you're not a cockatoo,' squawked Rocky Cocky. 'You'll need a bodyguard.' They trotted and strutted off down the track, round the back of beyong, up the hill and past the black stump, until they bumped into Joanna Goanna. Early one morning, Blossom Possum gets such a fright she thinks the sky is falling down! She has to tell someone, so she sets off with her news. On the way she meets her bush mates. But she also runs into trouble. This retelling of a favourite folktale has a delightful Aussie twist and a refreshingly positive ending. The author has used typically Australian animals to create a cast of quirky characters. Rocky Cocky is a cheeky cockatoo, Echo Gecko is an old hippie lizard, and Toey Joey is a lively young kangaroo.

"Lilli Barclay needs a groom--and she needs one now. Not for herself, of course, but for her mother's glamorous wedding-themed benefit. Then Lilli can get back to what really matters, earning a promotion at work. Just her luck that Max Sanders, the ideal candidate, still holds a grudge against her for an incident that happened twelve years ago. Persuading Max to volunteer will take longer than Lilli thought. Much longer. And the more time she spends with him, the further she ventures down Memory Lane. Pretty soon Lilli can't help wondering if Max could be more than a pretend groom. He still makes her heart race. But will he ever be able to forgive the past and consider a future ... with her?"--Page 2 of cover.

From a four-time Newbery Honor author, a novel that was awarded the 2001 Coretta Scott King award and the Los Angeles Times Book Prize For Lafayette and his brothers, the challenges of growing up in New York City are compounded by the facts that they've lost their parents and it's up to eldest brother Ty'ree to support the boys, and middle brother Charlie has just returned home from a correctional facility. Lafayette loves his brothers and would do anything if they could face the world as a team. But even though Ty'ree cares, he's just so busy with work and responsibility. And Charlie's changed so much that his former affection for his little brother has turned to open hostility. Now, as Lafayette approaches 13, he needs the guidance and answers only his brothers can give him. The events of one dramatic weekend force the boys to make the choice to be there for each other--to really see each other--or to give in to the pain and problems of every day.

Making moonshine, working blue-collar jobs, picking fights in bars, chasing women, and living hardscrabble lives . . . Clayton and Saford Hall were born in the backwoods of Virginia in 1919, in a place known as The Hollow. Incredibly, they became legends in their day, rising from mountain-bred poverty to pickin’ and yodelin’ all over the airwaves of the South in the 1930s and 1940s, opening shows for the Carter Family, Roy Rogers, the Sons of the Pioneers, and even playing the most coveted stage of all: the Grand Ole Opry. They accomplished a lifetime’s worth of achievements in less than five years—and left behind only a few records to document their existence. Fortunately, Ralph Berrier, Jr., the grandson of Clayton Hall and a reporter for the Roanoke Times, brings us their full story for the first time in IF TROUBLE DON'T KILL ME. He documents how the twins’ music spread like wildfire when they moved from The Hollow to Roanoke at age twenty, and how their popularity was inflamed by their onstage zaniness, their roguish offstage shenanigans, and, above all, their ability to play old-time country music. But just as they arrived on the brink of major fame, World War II dashed their dreams. Berrier follows the Hall twins as they travel overseas, leaving behind their beloved music, and are thrust into the cauldron of a war that reshaped their lives and destinies. Through the brothers’ experiences, the story of World War II unfolds—Saford fought from the shores of North Africa to Sicily and Europe and finally into Germany; Clayton fought the Japanese in the brutal Pacific theater until the savage, final battle on Okinawa. They returned home after the war to find that the world had changed, music had changed . . . and they had, too. IF TROUBLE DON'T KILL ME paints a loving portrait of a vanishing yet exalted southern culture, shows us the devastating consequences of war, and allows us to experience the mountain voices that not only influenced the history of music but that also shaped the landscape of America.