This book traces through song, theatre, poetry, novel, film, television and rituals of spirit possession, the multiple shifts in values, ideals and beliefs that have taken place in the black people's struggles for survival.

The book is the result of a collaboration of scholars from southern Africa and overseas, whose work emphasises hitherto overshadowed subjects of literature, exposing new and untried approaches to Zimbabwean writing. The contributors focus on pluralities, inclusiveness and the breaking of boundaries, and elucidate how literary texts are betraying multiple versions and opinions of Zimbabwe, arguing that only a multiplicity of opinions on Zimbabwe can do the complexity of the society and history justice.

A comparative study of identity shifts in two large ethnic groups in Matabeleland, Zimbabwe. Ethnicity in Zimbabwe: Transformations in Kalanga and Ndebele Societies, 1860-1990 is a comparative study of identity shifts in two large ethnic groups in Matabeleland, Zimbabwe. The study begins in 1860, a year after the establishment of the Inyati mission station in the Ndebele Kingdom, and ends in the postcolonial period. Author Enocent Msindo asserts that-despite what many social historians have argued-the creation of ethnic identity in Matabeleland was not solely the result of colonial rule and the new colonial African elites, but that African ethnic consciousness existed prior to this time, formed and shaped by ordinary members of these ethnic groups. During this period, the interaction of the Kalanga and Ndebele fed the development of complex ethnic, regional, cultural, and subnationalist identities. By examining the complexities of identities in this region, Msindo uncovers hidden, alternative, and unofficial histories; contested claims to land and civic authority; the politics of language; the struggles of communities defined as underdogs; and the different ways by which the dominant Ndebele have dealt with their regional others, the Kalanga. The book ultimately demonstrates the ways in which debates around ethnicity and other identities in Zimbabwe-and in Matabeleland in particular-relate to wider issues in both rural and urban Zimbabwe pastand present. Enocent Msindo is Senior Lecturer in History at Rhodes University, Grahamstown, South Africa.

In Safari-based Theology Dr. Enos Lwamba has developed an approach to theology and mission based on his proposed safari motif for the development of theology and mission. Based on his Ph.D. dissertation: The Safari Motif in the Development of Theology in Africa, Dr. Lwamba argues that God has used a series of divine redemptive safaris in the Bible to reveal Himself progressively to people. The author develops his proposed motif around a tri-dimensional conception of reality and time and explores a threefold aspect of the safari: mwanzo, sasa, and mwisho, which provide keys to the African mindset. He explores the various meanings and uses of the safari idea from both a biblical and theological perspective. In addition to the literal safaris, journey is an analogy of the church and believers are on a divine safari, individually and collectively. The safari model highlights the absolute necessity of the biblical message and the contextual situation to help Christians live effective and fruitful lives in society now and in future. Inspired by both John Mbitis The African Concept of Time and Paul Hieberts The Flaw of the Excluded Middle, the author utilizes biblical, theological, historical, and contextual sources to make his point. In the philosophical aspect of the safari, the author develops his notion of an African conception of time modeled on the cultural safari idea which he relates to development of theology and mission. He refutes the western influenced or commercially based notion that safari refers to a game hunting or tourist expedition to Africa. Dr. Lwamba promotes the argument that the philosophical framework and methodology drawn from the safari approach provides a more effective way of doing theology and mission in Africa and other contextual situations. He also draws parallels to the safari concept from such sources as Augustines City of God, John Bunyans The Pilgrims Progress and others in a refreshing and original style that the reader will find engaging. The motif provides interpretational and practical application tools as it harmonizes the unity of the biblical message. Its practical appeal makes Safari-Based Theology a must read for Christians and others interested in their daily journey of faith. The author contends that just as the idea of logos described the mindset, conception of divine truth, and aspirations of the Greek mind, the concept of safari does the same for the African. This book is highly recommended for pastors, missionaries, and teachers, as well as students of Bible and theology, culture and missions, and other related disciplines.

This book critically examines the relevance of the increasingly popular theories on relationality by interfacing those theories with the African [Shona] modes of engagement known as chivanhu [often erroneously narrowly translated as tradition]. In other words, the book takes seriously concerns by African scholars that much of the theories that have been applied in Africa do not speak to relevance and faithfulness to the continent. Situated in a recent Zimbabwean context marked by multiple crises producing multiple forms of violence and want, the book examines the relevance of relational ontologies and epistemologies to the everyday life modes of engagements by villagers in a selected district. The book unflinchingly surfaces the strengths and weaknesses of popular theories while at the same time underlining the exigencies of theorising from Africa using African data as the millstones. By meticulously and painstakingly unpacking pertinent issues, the book provides unparalleled intellectual grit for the contemporary and increasingly popular discourses on (de-)coloniality and resilience in relation to the African peoples and their [often deliberately contested] environments, past, present and future. In other words, the book loudly sounds the bells for the battles to decolonise and transform Africa on Africas own terms. This is a book that would be extremely useful to scholars, activists, theorists, policy makers and implementers as well as researchers interested not only in Africas future trajectory but also in the simultaneities of temporalities and worlds that were sadly overshadowed by colonial epistemologies and ontologies for the past centuries.

Zimbabwe's Cultural Heritage won first prize in the Zimbabwe Book Publishers Association Awards in 2006 for Non-fiction: Humanities and Social Sciences. It is a collection of pieces of the culture of the Ndebele, Shona, Tonga, Kalanga, Nambiya, Xhosa and Venda. The book gives the reader an insight into the world view of different peoples, through descriptions of their history and life events such as pregnancy, marriage and death. "...the most enduring book ever on Zimbabwean history. This book will help people change their attitude towards each other in Zimbabwe." - Zimbabwe Book Publishers Association Awards citation

In light of the uses and misuses of history in Zimbabwean politics in recent years, this research report focuses on how versions of the country "s liberation war history have become a site of struggle over the definition of Zimbabwean national identity. As "identity politics" often do, Zimbabwean nationalism draws on a wide field of cultural symbols of identity and political discourses of inclusion and exclusion. Therefore, the report takes a cross-disciplinary approach to the issue of national identity by "mapping out" the imaginary field of Zimbabwean nationalism. This approach opens up the possibility of cross-reading the political discourses of the President and the ruling party ZANU (PF) with opposing voices such as those in the works of the author Yvonne Vera. This cross-reading shows how Vera "s novels and the political discourses participate in the struggle over Zimbabwean national identity by offering different versions of the nation "s history in the form of "patriotic history," "feminist nationalism," or narratives of difference. In this way the research report adds to our understanding of power and resistance in Zimbabwean politics of national identity.