The story of the second British penal settlement in Australia, where a notoriously brutal convict regime became the template for penal stations in other states. Mark Dunn explores relations between the white settlers and the local Aboriginal landholders, and uncovers a long forgotten massacre. Shortlisted for the Prime Minister's Award for Australian History 2021 In 1790, five convicts escaped Sydney by boat and were swept ashore near present-day Newcastle. They were taken in by the Worimi people, given Aboriginal names and started families. Thus began a long and at times dramatic series of encounters between Aboriginal people and convicts in the second penal settlement in Australia. The fertile valley of the Hunter River was the first area outside the Sydney basin explored by the British, and it became one of the largest penal settlements. Today manicured lawns and prosperous vineyards hide the struggle, violence and toil of the thousands of convicts who laid its foundations. The Convict Valley uncovers this rich colonial past, as well as the story of the original Aboriginal landholders. While there were friendships and alliances in the early years, in the later scramble for land in the 1820s - as the Valley was opened to free settlers - tensions rose and bloodshed ensued. With fascinating stories about convicts, white settlers and the Aboriginal inhabitants that have long been forgotten, The Convict Valley is a new Australian history classic. 'Deeply researched and beautifully written.' - Professor Grace Karskens 'Interweaving the Aboriginal, convict and mining pasts of the Hunter Valley, gifted storyteller Dunn reveals the missing and misunderstood complexities of these histories.' - Professor John Maynard 'In this groundbreaking book, Mark Dunn shows how the Hunter Valley became the heartland of convict Australia.' - Professor Lyndall Ryan

This accessible and exciting new text looks at the implications of aesthetic labour for work and employment by contextualizing debates and offering a critical approach. The origins of aesthetic labour are explored, as well as the relevant theories from business and management, and sociology. Coverage includes key topics such as: corporate strategy; recruitment and selection practices; and discrimination. Key features include: - a range of case studies from across different types of organizations and popular culture - the exploration of topics such as branding, ′lookism′, ′dressing for success′ and cosmetic surgery - suggestions for further reading.

"Loss of Signal presents the aeromedical lessons learned from the Columbia accident that will result in enhanced crew safety and survival on human space flight missions. As we embark on the development of new spacefaring vehicles through both government and commercial efforts, the NASA Johnson Space Center Human Health and Performance Directorate is continuing to make this information available to a wider audience engaged in the design and development of future space vehicles. Loss of Signal summarizes and consoliates the aeromedical impacts of the Columbia mishap process-- the response, recovery, identification, investigative studies, medial and legal forensic analysis, and future preparation that are needed to respond to spacecraft mishaps. The goal of this book is to provide an account of the aeromidical aspects of the Columbia accident and the investigation that followed, and to encourage aerospace medical specialists to continue to capture information, learn from it, and improve procedures and spacecraft designs for the safety of future crews"--Report documentation page.

The Lost Words by composer James Burton takes its inspiration and text from the award-winning 'cultural phenomenon' and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children's dictionary. Both the book and Burton's 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or 'spell', magically brought to life in Burton's music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton's piece was co-commissioned by the Hallé Concerts Society for the Hallé Children's Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children's Choir, of which Burton is founder and director. The Hallé Children's Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic. Vocal Score Co-commission by Boston Symphony and Hallé Concerts Society for their respective Children's Choirs. Two versions - with orchestral or with piano accompaniment. The vocal score is the same for both versions. James Burton is a composer but also a conductor. He is conductor of the Tanglewood Festival Chorus and choral director of the Boston Symphony. The book The Lost Words, exquisitely designed, has won multiple awards and is an international best-seller. The vocal score includes Jackie Morris's beautiful imagery in its cover design.