OPUS POSTSCRIPTUM differs from John O'Loughlin's official written oeuvre in that it is comprised of revised and reformatted weblogs from the author's site at spweblog.com and is therefore supplementary to the works which came to a head with 'The Yang and Anti-Yin Quartet' (2005). Most of the essay-like supernotes of the two books that constitute this estimable e-book were written during 2005-6, and are therefore amongst Mr O'Loughlin's most up-to-date projects, supplementing his ideological approach to philosophy with fresh ideas and new logical permutations.

These two 'posthumous' publications to John O'Loughlin's oeuvre-proper were culled, like the material of 'Opus Postscriptum', from two of his blogsites and contain material of an essayistic and aphoristic nature which has been extensively revised and reformatted to suit the parameters of e-book publication. There is a sense, though only a loose one, in which the first book corresponds to physics and the second, the so-called 'Theosophical Illuminations', to metaphysics; though that is more in the form than in the substance, since both books are equally radical and thoroughgoing in their approach to metaphysics and kindred subjects.

This quartet of books of aphoristic philosophy with a Social Theocratic dimension is comprised of 'Yang and Anti-Yin', 'Lamb and Anti-Lion', 'Celestial City and Anti-Vanity Fair' and, last but by no means least, 'Jesus - A Summing Up!', the title of which is a kind of oblique tribute to Arthur Koestler's estimable 'Janus - A Summing Up', which, however, would not have much bearing on the aforementioned works in terms of thematic structure, as germane, by and large, to the noumenal distinction between metaphysics and antimetachemistry, as explained in the texts.

The Routledge Dictionary of Cultural References in Modern French reveals the hidden cultural dimension of contemporary French, as used in the press, going beyond the limited and purely lexical approach of traditional bilingual dictionaries. Even foreign learners of French who possess a good level of French often have difficulty in fully understanding French articles, not because of any linguistic shortcomings on their part but because of their inadequate knowledge of the cultural references. This cultural dictionary of French provides the reader with clear and concise explanations of the crucial cultural dimension behind the most frequently used words and phrases found in the contemporary French press. This vital background information, gathered here in this innovative and entertaining dictionary, will allow readers to go beyond a superficial understanding of the French press and the French language in general, to see the hidden yet implied cultural significance that is so transparent to the native speaker. Key features: a broad range of cultural references from the historical and literary to the popular and classical, with an in-depth analysis of punning mechanisms. over 3,000 cultural references explained a three-level indicator of frequency over 600 questions to test knowledge before and after reading. The Routledge Dictionary of Cultural References in Modern French is the ideal reference for all undergraduate and postgraduate students of French seeking to enhance their understanding of the French language. It will also be of interest to teachers, translators and Francophiles alike. French students in khâgne, Sciences-Po and schools of journalism will also find this valuable and relevant for their studies.

rossing linguistic and historical boundaries, Patricia Dailey connects the embodied poetics of Hadewijch of Brabant's visions, writings, and letters to the work of Julian of Norwich, Hildegard of Bingen, Marguerite of Oingt, and other mystics and visionaries.

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