This study seeks to explore universal issues relating to the production of opera, based on the very specific example of Opera North. Containing extensive archival materials, it is a resource for opera scholars, opera workers and opera lovers, which examines the fields of opera studies through history, ethnography, and production analysis.

The study of the business of opera has taken on new importance in the present harsh economic climate for the arts. This book presents research that sheds new light on a range of aspects concerning marketing, audience development, promotion, arts administration and economic issues that beset professionals working in the opera world. The editors' aim has been to assemble a coherent collection of essays that engage with a single theme (business), but differ in topic and critical perspective. The collection is distinguished by its concern with the business of opera here and now in a globalized market. This includes newly commissioned operas, sponsorship, state funding, and production and marketing of historic operas in the twenty-first century.

Although books have been written about various opera houses throughout the world, no one work has covered more than a relatively small number of the larger, well known companies and houses, and none have made more than brief mention of the smaller houses. No book has comprehensively listed opera repertories. Little, in sum, has been written about any of the smaller companies and houses located in non-English-speaking countries. This is the most comprehensive reference book ever written on opera companies and houses in Western Europe, Canada, Australia and New Zealand--over 300, from the well known to the smaller. Each entry includes a history of the opera house or company, the works (title and composer) and type of productions offered, company staff, world and country premieres, repertory, and practical information on the theater's address, nearby hotel accommodations and how to order tickets. Most entries conclude with a bibliography.

His Royal Highness Prince Edward The Duke of Kent KG GCMG GCVO ADC(P), first cousin to Her Majesty Queen Elizabeth II, has devoted his life to the service of his country. Even before he served twenty-one years as a regular soldier in the British Army, he was introduced to this life of service by his widowed mother, HRH Princess Marina, The Duchess of Kent, during an extensive tour of the Far East at the time of his seventeenth birthday.His interest in modern technology, especially computing and engineering, in issues of health, fitness and social welfare, and in the development of the intellect, has seen him become the patron, president or active member of more than one hundred charities and social organisations. His military service, and deep interest in military history, sees him making a particularly important contribution to many military-related organisations - the chief of which must be the Commonwealth War Graves Commission.At the time of his eightieth birthday on October 9, 2015, Prince Edward remains one of the busiest members of the royal family. This book is offered as a tribute to his life of service, and to the myriad organisations, large and small, local, national and international, that make up the fabric of the United Kingdom in the twenty-first century.

She cared for him, she understood him... And now she's gone. Two new plays from acclaimed rapper and playwright Testament (Black Men Walking). Orpheus in the Record Shop Orpheus is alone, playing tunes in his record shop. After a visitor leaves him an unexpected gift strange things start to happen and music, myth and reality collide. Together with Orpheus we go in search of something ancient, contemporary and hopeful. The Beatboxer A beatboxer goes into a call centre to run a training day. But the bosses have ulterior motives for him being there. Testament takes inspiration from the classical Greek myth of Orpheus, in a show that fuses spoken word and beatboxing with the musicians of the Orchestra of Opera North. Published alongside his radio play The Beatboxer which was shortlisted for The Imison Award, BBC Audio Drama Awards, these two plays are inspiring pieces of contemporary theatre. Orpheus in the Record Shop was broadcast as part of the #BBCLightsUp season on BBC television in 2021.

This collection about the early music movement will appeal to performers, teachers, academics, instrument makers, amateur musicians, and music lovers. With chapters about new ways to study, teach, perform, and listen to early music, there is something to appeal to everyone. The diverse group of authors--from young to established voices who live across the globe--offer positive, diverse, exciting, and challenging points of view about how the early music movement can go forward into the future.

Susie Gilbert traces the development of ENO from its earliest origins in the darkest Victorian slums of the Cut, where it was conceived as a vehicle of social reform, through two world wars, and via Sadler's Wells to its great glory days at the Coliseum and beyond. Setting the company's artistic achievements within the wider context of social and political attitudes to the arts and the ever-changing theatrical style, Gilbert provides a vivid cultural history of this unique institution's 150 years. Inspired by the idealism of Lilian Baylis, the company has been based on the belief that opera in the vernacular can not only reach out to even the least privileged members of society but also create a potent and immediate communication with its audience. With full access to ENO's archive, Gilbert has unearthed a rich range of material and held numerous interviews with a fascinating array of personalities, to weave an absorbing tale of life both in front and behind the scenes of ENO as it developed over the years.