Get the Summary of Audrey Murray's Open Mic Night in Moscow in 20 minutes. Please note: This is a summary & not the original book. "Open Mic Night in Moscow" by Audrey Murray is a travel memoir that chronicles the author's year-long odyssey across the former Soviet Union. Murray, a stand-up comedian, begins her journey in Kazakhstan, where she performs in front of a drum circle, and continues through Central Asia, delving into the rich history and cultural complexities of each country she visits. From navigating language barriers and political landscapes to engaging with locals and grappling with personal reflections, Murray's adventure is filled with humor, cultural enlightenment, and self-discovery...

The raucous and surprisingly poignant story of a young, Russia-obsessed American writer and comedian who embarked on a solo tour of the former Soviet Republics, never imagining that it would involve kidnappers, garbage bags of money, and encounters with the weird and wonderful from Mongolia to Tajikistan. Kazakhstan, Belarus, and Siberia are not the typical tourist destinations of a twenty-something, nor the places one usually goes to eat, pray, and/or love. But the mix of imperial Russian opulence and Soviet decay, and the allure of emotionally unavailable Russian men proved strangely irresistible to comedian Audrey Murray. At age twenty-eight, while her friends were settling into corporate jobs and serious relationships, Audrey was on a one-way flight to Kazakhstan, the first leg of a nine-month solo voyage through the former USSR. A blend of memoir and offbeat travel guide, this thoughtful, hilarious catalog of a young comedian’s adventures is also a diary of her emotional discoveries about home, love, patriotism, loneliness, and independence. Sometimes surprising, often disconcerting, and always entertaining, Open Mic Night in Moscow will inspire you to take the leap and embark on your own journey into the unknown. And, if you want to visit Chernobyl by way of an insane-asylum-themed bar in Kiev, Audrey can assure you that there’s no other guidebook out there. (She’s looked.)

‘Dramatic, detailed, and romantic.’ Megan Bradbury, author of Everyone is Watching.  2010. The end of the world has begun, but no one is paying attention. People are unaware of the breaking pandemic, code name, The Epilogue Event. Accidentally finding himself at centre stage, an unlikely and unwilling hero Peter Finch, must, if he is to survive, awaken powers he has been trying to forget for over thirty years. And time is not on his side. A mysterious Artificial Intelligence, the cause of the plague, is slowly gaining control over everyone Peter loves and everything he values. On the streets of West London, the most powerful slave of a New Order, Dr Gordon Langley, is projecting a terrifying message. Unless Peter, aided by a band of misfits and criminals, can confront Langley, and his accomplices at a research facility near Norwich, and discover the meaning of the virus and reverse it, their world will be overcome and those permitted to survive will only endure in a new, previously unimaginable form of slavery.

NEW YORK TIMES BESTSELLER • A novel of self-discovery and second chances from the beloved Pulitzer Prize-winning author—Willa Drake has had three opportunities to start her life over: in 1967, as a schoolgirl whose mother has suddenly disappeared; in 1977, when considering a marriage proposal; and in 1997, as a young widow trying to hold her family together. So she is surprised when in 2017 she is given one last chance to change everything, after receiving a startling phone call from a stranger. Without fully understanding why, she flies across the country to Baltimore to help a young woman she's never met. This impulsive decision, maybe the first one she’s consciously made in her life, will lead Willa into uncharted territory—surrounded by eccentric neighbors who treat each other like family, she finds solace and fulfillment in unexpected places. A bewitching novel of hope and transformation, Clock Dance gives us Anne Tyler at the height of her powers.

"Little River, New York, 1994: April Sawicki is living in a run-down motorhome, flunking out of school, and picking up shifts at the local diner. But when April realizes she's finally had enough-enough of her selfish, absent father and barely surviving in an unfeeling town-she decides to make a break for it. Stealing a car and with only her music to keep her company, April hits the road, determined to live life on her own terms. She manages to scrape together a meaningful existence as she travels, encountering people and places she's never dreamed of, and could never imagine deserving. From lifelong friendships to tragic heartbreaks, April chronicles her journey in the beautiful music she creates as she discovers that home is with the people you choose to keep. "Allison Larkin knows her characters so well," (Rainbow Rowell, #1 New York Times bestselling author of Eleanor Park) and brings her "tender, and real" (Taylor Jenkins Reid, author of Daisy Jones The Six) prose to this unflinching, lyrical tale that is perfect for anyone who has ever yearned for the fierce power of belonging or to understand the profound beauty of a family found along the way"--

Former Senior Editor for Gothamist Rebecca Fishbein’s adult life has been a dramatic reflection of New York media itself—constantly evolving in unexpected ways and seemingly always on the edge of disaster. In short, Rebecca has seen it all—from 3 bedbug infestations, to being fired, to being yelled at while working at American Apparel, to losing all her stuff in a freak fire, to being bullied online by angry Taylor Swift fans. But the real humor and meat of the collection come from Rebecca's unwavering honesty and unflinching examination of her struggles with alcohol, anxiety, depression, compulsive lying, female beauty standards, and a slew of failed cowoker/roommate/friend semi-relationships are dark, insightful, and hilarious. As Jia Tolentino commented, the era of the personal essay ended with the election—this is not your grandmother's millennial essay collection. Rebecca’s writing is relatable without being preachy and conveys a message of resilience by example, not by moral. Readers will recognize the world they themselves see—a disastrous president and a scary socioeconomic landscape—in Becca’s writing and find comfort in her humor and a snarky but incisive friend in her writing.