Many of the poems contained herein follow excerpts from my books; NAM The Devils Domain, The Pimp of Saigon and Undaunted Valor. These poems were created to envision facts of war, inspired by my Vietnam War experiences; some are inspired by myths reported by biased American newspaper, radio and television media. Still others were created to reflect individual valor, human suffering and mans inhumanity to man. Myths: The biased American media reported that the U.S. Military lost many encounters with the enemy in Vietnam. The TET offensive was an NVA/VC Victory and that America had lost its first war ever as witnessed on television during the fall of Saigon, April 30, 1975. Facts: The American military was not defeated in Vietnam. The American military did not lose a battle of any consequence. From a military standpoint, the war was a major military defeat for the Vietcong and North Vietnamese Army. Militarily, the 1968 TET offensive resulted in a total defeat of the Communist forces on all fronts. It resulted in the death of some 45,000 NVA troops and the complete, if not total destruction of the Vietcong elements in South Vietnam. The fall of Saigon happened April 30, 1975; two years after the American military had left Vietnam. The last American troops departed Vietnam in their entirety March 29, 1973. It is impossible to lose a war we had stopped fighting. We fought to an agreed governmental stalemate and turned over all military responsibility to the South Vietnamese army which included jets, helicopters, tanks, trucks, weapons and ammo. The U. S. peace settlement was signed in Paris on January 27, 1973. It called for the release of all U. S. prisoners and withdrawal of U. S. forces. Effective April 30, 1975 the South Vietnamese army outnumbered the North Vietnamese army by at least two to one in all categories, men, machines, aircraft and firepower. The U. S. A. supported the French military with 98% if its military costs and fought Communism in Vietnam for a total involvement for 10,000 days. With the South Vietnamese army now in charge of their own countrys destiny they never fought, but instead surrendered unconditionally to North Vietnam within nine days. The 140,000 evacuees in April 1975, during the fall of Saigon, consisted entirely of Vietnamese civilians and military. There were twice as many causalities in Southeast Asia (primarily Cambodian) the first two years following the end of U. S. involvement than there were during all the years of the Vietnam War. The media perceived loss of the war, the countless assassinations and torture visited upon Vietnamese, Laotians and Cambodians is due to the American media for their undying support by misrepresentation of the anti-war movement in the United States. As Americans, we must support our military men and women involved in the War On Terrorism, for once again the American media is working tirelessly to undermine their efforts and force a psychological loss or stalemate for the United States.

Finalist, National Book Critics Circle Award Finalist, National Book Award in Nonfiction A New York Times Book Review “The Year in Reading” Selection All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations. “[A] gorgeous, multifaceted examination of the war Americans call the Vietnam War—and which Vietnamese call the American War...As a writer, [Nguyen] brings every conceivable gift—wisdom, wit, compassion, curiosity—to the impossible yet crucial work of arriving at what he calls ‘a just memory’ of this war.” —Kate Tuttle, Los Angeles Times “In Nothing Ever Dies, his unusually thoughtful consideration of war, self-deception and forgiveness, Viet Thanh Nguyen penetrates deeply into memories of the Vietnamese war...[An] important book, which hits hard at self-serving myths.” —Jonathan Mirsky, Literary Review “Ultimately, Nguyen’s lucid, arresting, and richly sourced inquiry, in the mode of Susan Sontag and W. G. Sebald, is a call for true and just stories of war and its perpetual legacy.” —Donna Seaman, Booklist (starred review)

Combining personal and family recollections with incisive accounts of academic, political, and institutional experiences, The Art of Memory offers a remarkable account of the life of one of the foremost Latin American ethnographers and a leading expert in Indigenous cultures, peoples, and cosmologies. Varese narrates the story of his journey from Italy to Peru, his formative years as an Anthropologist and the critical work he did with Amazonian communities in the 1970s, his transformation into an activist scholar, his move to Mexico and his long-standing commitment with the peoples of Oaxaca, and his life as an academic in the United States. The reader will appreciate the honesty and transparency with which Varese brings out all these experiences. This extraordinary book combines the personal, the political, and the transnational to produce a vivid account of a unique and fulfilling journey.

Not only do drama and poetry about the past and historical novels reveal a shared understanding of pivotal moments, historical figures, and every life of earlier times, say Middleton (English, U. of Southampton) and Woods (English, U. of Wales-Aberystwyth), they also outline more general beliefs about the past and its relation to the present. It is.

How to grasp poetry in its contemporary digital situation, a situation wherein poetry travels across digital and analoge media platforms and intended or not collaborates with computers? Situating Scandinavian Poetry in the Computational Network environment investigates how heterogeneous forms of poetry in Scandinavia interact with and work in a digital media environment, how digital programmable and network media intervene with and shape new poetic forms or remediate older forms of poetry, and how digital and digitalized poetry through its self-reflexivity sheds light on digital media technology and its role for poetry and potentially for literature and aesthetics more in general. In doing so, it also argues for the importance of close reading poetry in digital media. It includes an historical and theoretical approach to poetry in digital media and analysis of poetic works in Scandinavia. The book is written within the framework of posthumanism and what N. Katerine Hayles calls "technogenesis", and makes up the argument that contemporary poetry constitutes and is constituted by a computational network environment of human and non-human subjects, wherein poems travels in an egalitarian media ecology . The book is relevant for researchers and students in the field of poetry, students and researchers in the field of literary studies, media studies and digital culture studies, and teachers interested in presenting newer forms of poetry for their students.

Unveils the spiritual meaning that fueled the artistic, political, and social revolutions of the 1960s • Investigates the spiritual principles that informed everything from the civil rights and anti-war movements, to the hippies’ rejection of materialist culture, to the rise of feminism, gay rights, and environmentalism • Reveals how medieval troubadours, Gnosticism, Renaissance hermetic magic, and the occult doctrines of Aleister Crowley helped shape the psychedelic Sixties • Offers in-depth analysis of many of the era’s most famous books, films, and music No decade in modern history has generated more controversy and divisiveness than the tumultuous 1960s. For some, the ‘60s were an era of free love, drugs, and social revolution. For others, the Sixties were an ungodly rejection of all that was good and holy. Embarking on a profound search for the spiritual meaning behind the massive social upheavals of the 1960s, Tobias Churton turns a kaleidoscopic lens on religious and esoteric history, industry, science, philosophy, art, and social revolution to identify the meaning behind all these diverse movements. Engaging with views of mainstream historians, some of whom write off this pivotal decade as heralding an overall decline in moral values and respect for tradition, Churton examines the intricate network of spiritual forces at play in the era. He reveals spiritual principles that united the free love movement, the civil rights and anti-war movements, the hippies’ rejection of materialist culture, and the eventual rise of feminism, gay rights, and environmentalism. He traces influences from medieval troubadours, Gnosticism, Hindu philosophy, Renaissance hermetic magic, and the occult doctrines of Aleister Crowley. He also examines the psychedelic revolution, the genesis of popular interest in UFOs, and the psychological consequences of the Bomb and the assassinations of the Kennedys and Martin Luther King. In addition, Churton investigates the huge shifts in consciousness reflected in the movies, music, art, and literature of the era--from Frank Sinatra to the Beatles, from I Love Lucy to Star Trek, from John Wayne to Midnight Cowboy--much of which still resonates with the youth of today. Taking the reader on a long strange trip from crew-cuts and Bermuda shorts to Hair and Woodstock, from liquor to psychedelics, from uncool to cool, and from matter to Soul, Churton shows how the spiritual values of the Sixties are now reemerging, with an astonishing influx of spiritual light, to once again awaken us.