Color coded terror alerts, invasion, drone war, rampant surveillance: all manifestations of the type of new power Brian Massumi theorizes in Ontopower. Through an in-depth examination of the War on Terror and the culture of crisis, Massumi identifies the emergence of preemption, which he characterizes as the operative logic of our time. Security threats, regardless of the existence of credible intelligence, are now felt into reality. Whereas nations once waited for a clear and present danger to emerge before using force, a threat's felt reality now demands launching a preemptive strike. Power refocuses on what may emerge, as that potential presents itself to feeling. This affective logic of potential washes back from the war front to become the dominant mode of power on the home front as well. This is ontopower—the mode of power embodying the logic of preemption across the full spectrum of force, from the “hard” (military intervention) to the "soft" (surveillance). With Ontopower, Massumi provides an original theory of power that explains not only current practices of war but the culture of insecurity permeating our contemporary neoliberal condition.

There is no such thing as rest. The world is always on the move. It is made of movement. We find ourselves always in the midst of it, in transformations under way. The basic category for understanding is activity - and only derivatively subject, object, rule, order. What is called for is an 'activist' philosophy based on these premises. The Principle of Unrest explores the contemporary implications of an activist philosophy, pivoting on the issue of movement. Movement is understood not simply in spatial terms but as qualitative transformation: becoming, emergence, event. Neoliberal capitalism's special relation to movement is of central concern. Its powers of mobilization now descend to the emergent level of just-forming potential. This carries them beyond power-over to powers-to-bring-to-be, or what the book terms 'ontopower'. It is necessary to track capitalist power throughout its expanding field of emergence in order to understand how counter-powers can resist its capture and rival it on its own immanent ground. At the emergent level, at the eventful first flush of their arising, counter-powers are always collective. This even applies to movements of thought. Thought in the making is collective expression. How can we think this transindividuality of thought? What practices can address it? How, politically, can we understand the concept of the event to emergently include events of thought? Only by attuning to the creative unrest always agitating at the infra-individual level, in direct connection with the transindividual level, bypassing the mid-level of what was traditionally taken for a sovereign subject: by embracing our 'dividuality'. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.

Authors Efraim Karsh and Inari Rautsi, experts on Middle East history and politics, have combined their expertise to write what is largely considered the definitive work of one of the world's most reviled and notorious figures. Drawing on a wealth of Iraqi, Arab, Western and Israeli sources, including interviews with people who have had close contact with Saddam Hussein throughout his career, the authors trace the meteoric transformation of an ardent nationalist and obscure Ba'th party member into an absolute dictator. Skillfully interweaving a realistic analysis of Gulf politics and history, and now including a new introduction and epilogue, this authoritative biography is essential for understanding the mind of a modern tyrant.

A provocative edited collection that takes an original approach toward the black box of military technology, surveillance, and AI—and reveals the aesthetic dimension of warfare. War and Aesthetics gathers leading artists, political scientists, and scholars to outline the aesthetic dimension of warfare and offer a novel perspective on its contemporary character and the construction of its potential futures. Edited by a team of four scholars, Jens Bjering, Anders Engberg-Pedersen, Solveig Gade, and Christine Strandmose Toft, this timely volume examines warfare through the lens of aesthetics, arguing that the aesthetic configurations of perception, technology, and time are central to the artistic engagement with warfare, just as they are key to military AI, weaponry, and satellite surveillance. People mostly think of war as the violent manifestation of a political rationality. But when war is viewed through the lens of aesthesis—meaning perception and sensibility—military technology becomes an applied science of sensory cognition. An outgrowth of three war seminars that took place in Copenhagen between 2018 and 2021, War and Aesthetics engages in three main areas of inquiry—the rethinking of aesthetics in the field of art and in the military sphere; the exploration of techno-aesthetics and the wider political and theoretical implications of war technology; and finally, the analysis of future temporalities that these technologies produce. The editors gather various traditions and perspectives ranging from literature to media studies to international relations, creating a unique historical and scientific approach that broadly traces the entanglement of war and aesthetics across the arts, social sciences, and humanities from ancient times to the present. As international conflict looms between superpowers, War and Aesthetics presents new and illuminating ways to think about future conflict in a world where violence is only ever a few steps away. Contributors Louise Amoore, Ryan Bishop, Jens Bjering, James Der Derian, Anthony Downey, Anders Engberg-Pedersen, Solveig Gade, Mark B. Hansen, Caroline Holmqvist, Vivienne Jabri, Caren Kaplan, Phil Klay, Kate McLoughlin, Elaine Scarry, Christine Strandmose Toft, Joseph Vogl, Arkadi Zaides

Looking at partisan groups such as the FLN, the Vietcong, and the Mujahedeen in Afghanistan, Ouroboros: Understanding the War Machine of Liberalism assesses how they convert their knowledge of self into tactical and strategic advantages that nullify the Clausewitzian advantages in the distribution of military power. Reynolds argues that liberalism has a global transformative mission that requires an ideologically democratic core and an illiberal periphery. By assessing the ouroboros, which sees action as definitive and final, the book explains how it powers the new strategy of preemption that intervenes in the periphery, ostensibly to set up democratic, security-centered adjuncts.

The end of the Cold War was a "big bang" reminiscent of earlier moments after major wars, such as the end of the Napoleonic Wars in 1815 and the end of the world wars in 1919 and 1945. But what do states that win wars do with their newfound power, and how do they use it to build order? In After Victory, John Ikenberry examines postwar settlements in modern history, arguing that powerful countries do seek to build stable and cooperative relations, but the type of order that emerges hinges on their ability to make commitments and restrain power. He explains that only with the spread of democracy in the twentieth century and the innovative use of international institutions—both linked to the emergence of the United States as a world power—has order been created that goes beyond balance of power politics to exhibit "constitutional" characteristics. Blending comparative politics with international relations, and history with theory, After Victory will be of interest to anyone concerned with the organization of world order, the role of institutions in world politics, and the lessons of past postwar settlements for today.

In Chemical Heroes Andrew Bickford analyzes the US military's attempts to design performance enhancement technologies and create pharmacological "supersoldiers" capable of withstanding extreme trauma. Bickford traces the deep history of efforts to biologically fortify and extend the health and lethal power of soldiers from the Cold War era into the twenty-first century, from early adoptions of mandatory immunizations to bio-protective gear, to the development and spread of new performance enhancing drugs during the global War on Terrorism. In his examination of government efforts to alter soldiers' bodies through new technologies, Bickford invites us to contemplate what constitutes heroism when armor becomes built in, wired in, and even edited into the molecular being of an American soldier. Lurking in the background and dark recesses of all US military enhancement research, Bickford demonstrates, is the desire to preserve US military and imperial power.