A woman moves to the country to flee a troubled past, but finds familiar fears lurking inside her new home A successful artist with a doting husband, Isabel Dryland knows she should be grateful for her happy life. It’s a complete reversal from the one she led before, when normalcy seemed out of reach, after a violent assault she cannot remember left her shattered and scarred. Even though the memory was lost, the nagging feeling that she was damaged goods and the lingering effects of her injuries kept her questioning her sanity at times. Tom, her husband, thinks a move will be the fresh start they need, and has even found the perfect house: a country estate that reminds him of one he admired in his youth. But all Isabel feels when she visits is an overwhelming sense of dread. Betrayed by her instincts so often before, she decides to trust Tom’s, to accept the move and learn to love their new home over time. Instead, she learns that beneath the pretty façade of their new home lurk dark secrets powerful enough to bring her own trauma back to the fore. There is an uncanny familiarity about the place, as if it were infected by the experiences she hoped to escape. And the recurring presence of a mysterious stranger further disturbs her, giving her the sensation of being a predator’s stalked prey. Isabel struggles to determine whether her fear is caused by memory alone, or by threats existing very much in the present. To find out, she’ll have to finally close the book on what occurred so many years ago—but how do you heal from a past you cannot recall, when only the truth about your past can set you free?

He's not the perfect husband. But he is the perfect suspect. Dan Cooper has never been the perfect husband to Lisa. He travels for work and plays the carefree bachelor when he can. But now, on a solo business trip, in a remote coastal hotel, he’s surprised to find Lisa in his bathroom. She’s dead. He has no idea how she got there but one chilling fact is clear: everything points to Dan having murdered her. Someone is trying to frame him. Someone who might still be watching. In a panic, he goes on the run. But even as he flees across Europe, his unknown enemy stacks up the evidence against him. Dan is determined to clear his name and take revenge on Lisa’s killer, but the culprit is closing in. And then there’s the agony of his own guilty conscience. No, he didn’t kill her—but is it all his fault?

When it comes to physical fitness and nutrition, it’s all so confusing. Which "experts" should you believe? What programs should you follow? What and when should you eat? Is weight training really necessary for getting in shape? The exhausting information overload in this area has never been more contradictory, confusing, and even dangerous. Well, this is the book that can clear up all that confusion and conflicting information! The training tips and philosophy presented here by world-renowned bodybuilder Frank Sepewill reveal everything you’ve ever needed to maximize your body’s full potential. Stating the truth is harder to deliver than it may seem at first. Imagine the answers the truth will unlock: The truth about training techniques. The truth about nutritional information. The truth about women and training. The truth about cardio’s effects. The truth’s rehal power—indeed, its very effectiveness—lies in its sheer simplicity.

Mark has been in and out of hospital his whole life - and he's fed up. So when his cancer returns, he decides he's had enough. Running away with his dog Beau, he sets out to climb a mountain - and it's only when he's left everything behind that Mark realises he has everything to live for.

A new title in a contemporary romance line centered around an impossible problem: you always want what you can't have! If Only . . . she wasn't pretending to be someone else.

Winner of the 2003 Trillium Book Award "Stories are wondrous things," award-winning author and scholar Thomas King declares in his 2003 CBC Massey Lectures. "And they are dangerous." Beginning with a traditional Native oral story, King weaves his way through literature and history, religion and politics, popular culture and social protest, gracefully elucidating North America's relationship with its Native peoples. Native culture has deep ties to storytelling, and yet no other North American culture has been the subject of more erroneous stories. The Indian of fact, as King says, bears little resemblance to the literary Indian, the dying Indian, the construct so powerfully and often destructively projected by White North America. With keen perception and wit, King illustrates that stories are the key to, and only hope for, human understanding. He compels us to listen well.