Oni, ubiquitous supernatural figures in Japanese literature, lore, art, and religion, usually appear as demons or ogres. Characteristically threatening, monstrous creatures with ugly features and fearful habits, including cannibalism, they also can be harbingers of prosperity, beautiful and sexual, and especially in modern contexts, even cute and lovable. There has been much ambiguity in their character and identity over their long history. Usually male, their female manifestations convey distinctivly gendered social and cultural meanings. Oni appear frequently in various arts and media, from Noh theater and picture scrolls to modern fiction and political propaganda, They remain common figures in popular Japanese anime, manga, and film and are becoming embedded in American and international popular culture through such media. Noriko Reiderýs book is the first in English devoted to oni. Reider fully examines their cultural history, multifaceted roles, and complex significance as "others" to the Japanese.

The Japanese demon is known to have a scary face. This is why the theater Nō is inspired by it, through the mask of the Oni. Sharp canines, devil's horns, red face and raging eyes, the Oni is frightening and he often looks evil.However, the Japanese demon is not as bad as its reputation. It sometimes happens that the Kami (gods of Shintoism), and Buddha himself, are protected by these mythical demons who advocate morality and just authority.Of course, the Japanese demon is not only protection: whether he tortures souls in his giant cauldron or devours children, the Oni is a Yokai to be feared in most situations and from a very young age.Thanks to this book, you will discover all the cultural richness of this creature who participates in the fundamentals of Japanese folklore. From the horrible Onibaba to the pitiful Hitotatara, here is a compilation of astonishing stories of the demons of Japan.

In Japanese culture, oni are ubiquitous supernatural creatures who play important roles in literature, lore, and folk belief. Characteristically ambiguous, they have been great and small, mischievous and dangerous, and ugly and beautiful over their long history. Here, author Noriko Reider presents seven oni stories from medieval Japan in full and translated for an English-speaking audience. Reider, concordant with many scholars of Japanese cultural studies, argues that to study oni is to study humanity. These tales are from an era in which many new oni stories appeared for the purpose of both entertainment and moral/religious edification and for which oni were particularly important, as they were perceived to be living entities. They reflect not only the worldview of medieval Japan but also themes that inform twenty-first-century Japanese pop and vernacular culture, including literature, manga, film, and anime. With each translation, Reider includes an introductory essay exploring the historical and cultural importance of the characters and oni manifestations within this period. Offering new insights into and interpretations of not only the stories therein but also the entire genre of Japanese ghost stories, Seven Demon Stories is a valuable companion to Reider’s 2010 volume Japanese Demon Lore. It will be of significant value to folklore scholars as well as students of Japanese culture.

One by one, ten tiny oni, Japanese goblin-like creatures, grow larger and larger as they beat their drums on the sand, chasing away bad dreams. Includes the Japanese characters for the numbers from one to ten.

UNSHEATHED FURY, INESCAPABLE TERROR Imprisoned for thousands of years in the hilt of a ceremonial sword, the oni, a hideous Japanese demon, is accidentally released to wreak the havoc of its pent-up fury on an unsuspecting world. All-powerful, immortal, and possessed of an unquenchable lust for human blood, the demon seems invincible, leaving in its wake an increasing number of horribly mutilated bodies. Only one woman has learned the oni’s history and the key to its destruction. But will she be able to pit her puny human strength against the demon’s murderous powers before she becomes yet another victim?

A fascinating blend of poetry and science, Ben-Oni’s poems are precisely crafted, like a surgeon sewing a complicated stitch. The speaker of the collection falls ill, and takes comfort in exploring the idea of “Efes” which is “zero” in Modern Hebrew, using that nullification to be a means of transformation.

The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.