Matthew V. Johnson is senior pastor at The Good Shepherd Church (Baptist) in Atlanta. --

"Draws on Positioning Theory to offer a fresh reading of Philemon and challenge traditional interpretations that argue for a pro-slavery perspective in the letter"--

Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume Theo-Drama, a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a "theatrical turn" in theology. This volume includes thirteen essays from theologians and pastors who have contributed in distinct ways to this theatrical turn and who desire to deepen interdisciplinary dialogue between theology and theatre. The result is an unprecedented collection of essays that embodies and advances theatrical theology for the purpose of enriching theological reflection and edifying the church.

The Slave Bible was published in 1807. It was commissioned on behalf of the Society for the Conversion of Negro Slaves in England. The Bible was to be used by missionaries and slave owners to teach slaves about the Christian faith and to evangelize slaves. The Bible was used to teach some slaves to read, but the goal first and foremost was to tend to the spiritual needs of the slaves in the way the missionaries and slave owners saw fit.

Philemon was a wealthy Christian whose slave Onesimus went off in search of freedom, met and listened to Paul, and joined the church. But instead of being given a new life of his own, Onesimus was sent back by Paul to an aggrieved master with no protection but his mentor's brief Letter to Philemon. Paul never asked Philemon to free his slave. Instead, he admonished him to take Onesimus back - only now as his brother in Christ. This left both master and bondsman with a problem: how could one man own another and both be brothers in Christ? In this unique work James Tunstead Burtchaell uses the ancient story of Philemon and Onesimus as a compelling entry into modern theological reflection on the unbelievable reach of the grace and forgiveness of the Father whose Son died without disciples, rose to reconcile and transform them, and then scattered them around the world as men and women who were now also able to love those who loved them not - and transform them too. According to Burtchaell, in order for the faith of Philemon and Onesimus to cope with Paul's imperative, they required an inspired imagination to take in the notion that the Father loves sinners (i.e., all of us), and he neither would nor could do otherwise. For Philemon and Onesimus to undertake such a relentless love themselves would require frighteningly new convictions, new commitments, and new celebrations.