A facsimile edition containing the original collection of 1,850 melodies consisting of airs, jigs, reels, hornpipes, marches, and more for fiddle

"Francis O'Neill was Chicago's larger-than-life police chief, starting in 1901- and he was an Irish immigrant with an intense interest in his home country's music. In documenting and publishing his understanding of Irish musical folkways, O'Neill became the foremost shaper of what "Irish music" meant. He favored specific rural forms and styles, and as Michael O'Malley shows, he was the "beat cop" -actively using his police powers and skills to acquire knowledge about Irish music and to enforce a nostalgic vision of it"--

A fun-to-play collection of 62 favorite fiddle and Irish tunes arranged in notation and tablature for mandolin solo. Ideal music for intermediate level technical study in sight reading. the CD is in split-track format, thus allowing the mandolin student to play along with the mandolin solo, lively guitar accompaniment, or both. Due to time constraints, the CD contains only 18 songs from the book.

Miles Krassen has gathered and re-edited more than 900 tunes, bringing up to date Capt. Francis O'Neill's famed collection of Irish dance music, airs, jigs, reels, hornpipes, and marches.

This is an invaluable resource for anyone interested in Irish mandolin playing. As well as being a complete guide for the absolute beginner, this book also contains a mine of information, useful tips and ideas for the experienced player. the book takes the reader from the basics of the mandolin right through to more advanced topics such as creating variations, emphasis, improvisation, playing with other musicians, practicing effectively and much more. All the tunes and key exercises in the book are included on the accompanying 63 track CD. There is no need to read conventional music notation as all the music is written in easy-to-read mandolin tablature. However, for those interested in learning about music notation there is a handy section on this subject tailored specifically to the mandolinist as well as a chapter on modes.